期刊名称：ANTIQUITY ISSN： 0003-598X 出版频率： Bi-monthly 出版社： CAMBRIDGE UNIV PRESS, EDINBURGH BLDG, SHAFTESBURY RD, CAMBRIDGE, ENGLAND, CB2 8RU   出版社网址： http://antiquity.ac.uk/ 期刊网址： http://antiquity.ac.uk/ 影响因子： 1.678(2015年) 1.717(2014年) 1.594(2013年) 1.439(2012年) 1.427(2011年) 主题范畴： ANTHROPOLOGY 期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)    About the journal  ANTIQUITY, a quarterly, peer-reviewed journal of archaeology, founded by O.G.S. Crawford in 1927, is owned by the Antiquity Trust, a registered charity. The Trustees of the Antiquity Trust are: Warwick Bray, John Coles, Barry Cunliffe, Anthony Harding, Paul Mellars, Colin Renfrew, Stephen Shennan and Graeme Barker. The directors of Antiquity Publications Ltd, owned by the Antiquity Trust and responsible for producing ANTIQUITY, are: Chris Evans, Andrew Rogerson, Richard Skaer, Anthony Snodgrass and Martin Millet. The Antiquity office is based at the Department of Archaeology at the University of York. Instructions to Authors Articles may be submitted as hard copy with an accompanying CD to: The Editor Antiquity King's Manor York YO1 7EP UK Alternatively, articles may be submitted by email to editor@antiquity.ac.uk Format Text must be submitted in English as an MS Word file. Word limits: Research articles ?5000 words Method articles ?3000 words Debate articles ?3000 words The word limit must include all references, notes and figure captions. If a paper is submitted which is substantially longer than our published word limits authors may be asked to resubmit a shorter version before the paper can be considered. For initial consideration figures may be embedded within a word or pdf file or sent separately as individual low-resolution jpeg files but please note the information below regarding publication quality images. Text should be submitted in Times New Roman, pt 12, line-spacing at 1.5 lines. Structure The paper should be structured as follows: Covering letter, including full contact details for the corresponding author Article title Author's names and contact details for publication Text (please note that there is no need to submit an abstract) Acknowledgements References Figure captions Tables Reference References should be given in the Harvard format (Antiquity does not use footnotes or endnotes). Author's names in references should be given in SMALL CAPS, or if you are unable to do this, please provide them in normal type rather than block caps. Please do not use referencing systems such as Endnote. Examples of the Harvard system: Book: CONNERTON, P. 1989. How societies remember. Cambridge: Cambridge University Press. Chapter in a book: BREUNIG, P. & K. NEUMANN. 2002. From hunters and gatherers to food producers: new archaeological and archaeobotanical evidence from the West African Sahel, in F. Hassan (ed.) Drought, food and culture: ecological change and food security in Africa's later prehistory: 123¨C55. New York: Kluwer Academic/Plenum Publishers. Journal article: SAUNDERS, N.J. 2002. Excavating memories: archaeology and the Great War, 1914¨C2001. Antiquity 76: 101¨C8. Submission Process On submission, the progress of the paper is as follows: Authors receive an initial acknowledgement (usually be email). The paper is logged on to our system and the files are saved on our network. The Editor makes a decision as to whether the paper should be declined straight away, accepted for the Project Gallery, or sent to referees. He will select two or more referees. The paper is sent to referees who are asked to return their comments within one month. Please note that this process can take longer as we sometimes have to ask several people before a suitable referee is found. The Editor then considers the paper in the light of referee's reports and makes a decision on the paper. If it is declined, the Editor will email the author with extracts from the referees reports to explain his decision. If the paper is accepted, the Editor will ask the author to revise the paper with the help of the referees' comments. Once the author has revised the paper, it should be sent back together with the images at publication quality (see below). The paper will then be edited and a final version sent back to the authors for approval. The paper will then be sent to proof. Authors will be sent the first proofs of their paper but are expected not to make any changes to the text at this point aside from minor spelling or grammar mistakes. If the author wishes to make any other changes, the paper may be held back until the next issue. Authors may be asked to contribute to the cost of printing images in colour. The paper is published. Authors receive a PDF of their paper free of charge and may order offprints (in multiples of 25) at a cost of ?.75 per offprint. Authors may also purchase individual copies of the issue in which their article appears at a discounted price of ?1.25 per issue. We aim to give authors a first decision within 3 months of submission, but please be aware that the refereeing process can take longer than this at times. The timescale from submission to publication at present is approximately one year. Publication Quality Images If your paper is accepted, you must send your images in one of the following formats: Black-and-white artwork (e.g. line diagrams, graphs etc.) should be sent as digital images at a minimum width of 135mm @ 600 pixels per inch and a maximum height of 200mm. Figures containing greyscale (e.g. photographs) should be sent as digital images at a minimum width of 135mm @ 300 pixels per inch and a maximum height of 200mm. Figures containing colour should be sent as digital images at a minimum width of 135mm @ 300 pixels per inch and a maximum height of 200mm (these files must be sent in CMYK; RBG should not be used). Please note that we may ask for a contribution towards printing colour images. You will be advised of the charge if your article is accepted and can choose to either pay the charge or have the image printed in greyscale at no charge. Original artwork is acceptable by prior arrangement only. Please note that we cannot guarantee to return originals. Image size Maximum image dimensions are 135mm wide x 200mm highPlease ensure that you supply images at an appropriate size and that any text included is sufficiently legible. Please note that if you are unable to supply your images in these formats, then we may not be able to publish the images. Copyright When an article is published, Antiquity asks all authors to assign copyright to Antiquity Publications Ltd. There are advantages for contributors in ownership of the copyright being centralised in Antiquity Publications Ltd. It enables the copyright-holder to watch for infringement. It will ensure that requests by third parties to reprint an article, or part of it, are handled efficiently and consistently. It will allow the publication to benefit from co-operative licensing schemes, e.g. the Copyright Clearance Center scheme in the USA (see below), without impeding the dissemination of knowledge. In assigning copyright in this way, contributors are not forfeiting their right to use their contribution elsewhere. It remains your work, and you are always free to re-use or reprint it in whatever way you like and as you wish. When you do that, we ask you to acknowledge Antiquity as the place of first publication. Antiquity Publications Ltd. will normally give a third party permission to reprint the contribution in whole or in part if the third party obtains permission from you also. If you refuse, we refuse. If payment is made, we ask that the income is divided equally between the contributor and Antiquity Publications Ltd., in recognition of the roles of the contributor and of Antiquity in publishing the material. When copyright is held by the contributor's employer, Antiquity Publications Ltd. needs non-exclusive permission to deal with request from third parties, on the understanding that the contributor's wishes will be followed, as described above. Antiquity is registered with the Copyright Clearance Center (USA) and the Copyright Licensing Authority (UK), non-profit-making organisations which offer centralised licensing arrangements for photocopying. Other similar licensing schemes may be entered into. Antiquity Publications Ltd. may make arrangements with others to deal with some aspects of copyright and licensing. Instructions to Authors Antiquity_Print_Guidelines.pdf Editorial Board Editorial Contacts: The Editor, Martin Carver, is Professor of Archaeology at the University of York. He was an army officer for fifteen years serving in Europe, the Middle East and the Far East, and then a freelance archaeologist researching in England, Scotland, France, Italy and Algeria. He is the research director of the Sutton Hoo Research Project and the Tarbat Discovery Programme (Scotland). He still has a foot in the world of commercial archaeology, having founded the Birmingham University Field Archaeology Unit and is chairman of Field Archaeology Specialists, Ltd., York. E-mail: editor@antiquity.ac.uk The Editorial Assistant is Jo Tozer, who graduated with an MA in the History of Roman Italy from the University of Newcastle upon Tyne in 1998. E-mail: webmaster@antiquity.ac.uk The Reviews Editor is Dr Madeleine Hummler, who studied at the universities of Basel, Birmingham, Oxford and York and has worked as a field archaeologist in Switzerland, Italy, France and Britain. E-mail: reviews@antiquity.ac.uk The Antiquity office: Antiquity King's Manor York YO1 7EP UK Tel/Fax: +44 (0)1904 433994   Correspondents Africa Susan Keech McIntosh, Rice University, USA Email: skmi@rice.edu Peter Mitchell, University of Oxford, UK Email: peter.mitchell@st-hughs.ox.ac.uk Arabia/Islam Timothy Insoll, University of Manchester, UK Email: tim.insoll@manchester.ac.uk Asia Robin Coningham, University of Durham, UK Email: r.a.e.coningham@durham.ac.uk Charles Higham, University of Otago, New Zealand Email: charles.higham@stonebow.otago.ac.nz Edgar Peltenburg, Edinburgh University, UK Email: e.peltenburg@ed.ac.uk Australasia Christophe Sand, New Caledonia Museum, New Caledonia Email: christophe.sand@gouv.nc Claire Smith, Flinders University, Australia Email: claire.smith@flinders.edu.au China Sarah Allan, Dartmouth University, USA Email: sarah.allan@dartmouth.edu Xingcan Chen, Chinese Academy of Social Sciences, Beijing Email: chenxingcan@hotmail.com CRM Laura-Jane Smith, University of York, UK Email: ls18@york.ac.uk Europe Paul Bahn Email: pgbahn@anlabyrd.karoo.co.uk Tim Darvill, University of Bournemouth, UK Email: tdarvill@bournemouth.ac.uk Margarita Diaz-Andreu, University of Durham, UK Email: m.diaz-andreu@durham.ac.uk Genevieve Luescher Email: g.luescher@bluewin.ch Nathan Schlanger, institut national de recherches archéologiques preventives, France Email: nathan.schlanger@inrap.fr Alison Sheridan, National Museums of Scotland, UK Email: a.sheridan@nms.ac.uk Exhibitions Nicholas James, University of Cambridge, UK Email: nj218@cam.ac.uk Information Science Julian Richards, University of York, UK Email: jdr1@york.ac.uk Japan Junko Habu, UC Berkeley, USA Email: habu@sscl.berkeley.edu Simon Kaner, Sainsbury Institute for the Study of Japanese Arts and Cultures, UK Email: s.kaner@sainsbury-institute.org Naoko Matsumoto, Okayama University, Japan Email: naoko_m@cc.okayama-u.ac.jp Mesoamerica Stephen Houston, Brown University, USA Email: stephen_houston@brown.edu Robert Sharer, University of Pennsylvania Museum, USA Email: rsharer@sas.upenn.edu North America Doug Kennett, University of Oregon, USA Email: dkennett@oregon.uoregon.ed Russia Irina Arzhenseva, University of Moscow, Russia Email: iaa@gol.ru Ludmila Koryakova, Ural State University, Russia Email: ludmila.koryakova@usu.ru Scandinavia Martin Rundkvist Email: arador@algonet.se South America Kevin Lane, University of Manchester, UK Email: kevin.lane@manchester.ac.uk Theory Matthew Johnson, University of Southampton, UK Email: m.h.johnson@soton.ac.uk