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期刊名称：VISUAL COMMUNICATION ISSN： 1470-3572 出版频率： Quarterly 出版社： SAGE PUBLICATIONS INC, 2455 TELLER RD, THOUSAND OAKS, USA, CA, 91320   出版社网址： http://www.uk.sagepub.com/home.nav 期刊网址： http://www.uk.sagepub.com/journalsProdDesc.nav?prodId=Journal201380 影响因子： 1.043 (2020年) 0.767(2018年) 0.773(2017年) 0.689(2016年) 0.422(2015年) 0.372(2014年) 0.417(2013年) 0.347 (2012年) 0.447(2011年) 主题范畴： COMMUNICATION 期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)    About the journal Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action. The aims of the journal are to: critically investigates how the social world is constructed, represented and contested in visual discourse examines the use of the visual in a range of sociological, anthropological, historical and scientific research areas explores the structures and histories of the languages and technologies of visual communication, and their relation to those of other modes of communication describes and contextualizes (socially, culturally and historically) the use of these visual languages and technologies in visual and multimodal genres, texts and communicative events searches for ways of expanding the resources of visual communication and their uses Journal issues will include academic papers, visual essays, short reflective papers by practitioners on aspects of their work, reviews - including books, magazines, films, CD-ROMs, websites, exhibitions and artefacts - covering what's going on in the field of visual communication. Abstracting/Indexing Services:  ARTbibliographies Modern  CD-ROM - International Bibliography of Book Reviews of Scholarly Lterature on the Humanities and Social S  CD-ROM International Bibliography of Periodical Literature on the Humanities and Social Sciences  ComAbstracts  ComIndex  Communication & Mass Media Complete  Communication & Mass Media Index  Communication Abstracts  Communication Contents  IBZ: International Bibliography of Periodical Literature  International Bibliography of Book Reviews of Scholarly Literature on the Humanities and Social Sciences  International Bibliography of the Social Sciences  Linguistics Abstracts  Linguistics and Language Behavior Abstracts  Online - International Bibliography of Book Reviews of Scholarly Literature on the Humanities and Social  Online - International Bibliography of Periodical Literature on the Humanities and Social Sciences  Sociological Abstracts   Instructions to Authors Manuscript Submission Guidelines: Visual Communication visual essay guide Submission of mss: four identical copies of the manuscript, each fully numbered, labelled and typed in double spacing throughout, on one side only of white A4 or US standard size paper, plus a CD-ROM version of the article, should be sent to either the UK/Europe editorial office: Carey Jewitt The Knowledge Lab (School of Culture, Language and Communication) Institute of Education University of London 23-29 Emerald Street London WC1N 3QL UK [email: c.jewitt@ioe.ac.uk] the US editorial office: Michael Longford Department of Design York University, TEL 4008 4700 Keele Street Toronto, ON M3J 1PE Canada [email: longford@yorku.ca] or the Australasia and rest of the world editorial office: Theo van Leeuwen Faculty of Humanities and Social Sciences University of Technology, Sydney PO Box 123, Broadway Sydney, NSW 2007 Australia [email: theo.vanleeuwen@uts.edu.au] Covering letter: please attach to every submission a letter confirming that all authors have agreed to the submission and that the article is not currently being considered for publication by any other journal. Format of mss: Each manuscript should contain: (i) title page with full title and subtitle (if any).For the purposes of blind refereeing, full name of each author with current affiliation and full address/phone/fax/email details plus short biographical note should be supplied on a separate sheet. (ii) abstract of 100 -150 words (iii) up to 10 key words (iv) main text and word count - suggested target is not exceeding 8000 words unless by prior agreement with the editors. Text to be clearly organized, with a clear hierarchy of headings and subheadings and quotations exceeding 40 words displayed, indented, in the text (v) end notes, if necessary, should be signalled by superscript numbers in the main text and listed at the end of the text before the references (vi) references in both the text and end notes should follow Harvard style.References should be cited in the text as:(author, date:page) (vii) an alphabetical references section should follow the text (and end notes if any), using the Harvard system, as follows: Book Surname, X.X.and Surname, Y.(year)Title with Initial Caps:Subtitle with Initial Caps.Place:Publisher. Article in book Surname, X.X.(year)'Title of Chapter ', in X.Surname and Y.Surname (eds)Title of Book, pp.xxx -xxx.Place:Publisher. Journal article Surname, X.X.(year)'Title of Article ', Name of Journal vol.no.(issue no.): xx -xxx [page range ]. Paper Surname, X.X.(year)'Title of Paper ', paper presented at Name of Conference, City, Month of presentation. Website Surname, X.(year)'Title of Article ', Name of Journal vol.no.(issue no.), URL (consulted Month, Year):http:/xxxx.xxxx.xx.xx/xxxx/xxxx Tables: tables should be typed (double line-spaced)on separate sheets and their position indicated by a marginal note in the text.All tables should have short descriptive captions with footnotes and their source(s) typed below the tables. Illustrations: all line diagrams and photographs are termed 'Figures ' and should be referred to as such in the manuscript.They should be numbered consecutively.Line diagrams should be presented in a form suitable for immediate reproduction (i.e.not requiring redrawing), each on a separate A4 sheet.They should be reproducible to a final printed text area of 205 mm x 142 mm.Illustrations on disk should be supplied as TIF or EPS files at high resolution.Photographs should preferably be submitted as clear, glossy, unmounted black and white prints with a good range of contrast.Slides are also acceptable.All figures should have short descriptive captions typed on a separate sheet.Further details are available on the journal website or from Journal Production, SAGE. Authors are responsible for obtaining permissions from copyright holders for reproducing any illustrations, tables, figures or lengthy quotations previously published elsewhere.Permission letters must be supplied to SAGE. Style: use a clear readable style, avoiding jargon.If technical terms or acronyms must be included, define them when first used.Use non- racist, non-sexist language and plurals rather than he/she. Spellings: UK or US spellings may be used with '-ize ' spellings as given in the Oxford English Dictionary (e.g.organize, recognize). Punctuation: use single quotation marks with double quotes inside single quotes.Present dates in the form 1 May 1998.Do not use points in abbreviations, contractions or acronyms (e.g.AD, USA, Dr, PhD). CD-ROMs: on acceptance of your manuscript for publication, you will be asked to supply another CD-ROM (IBM-compatible or Mac) of the final version. Proofs and offprints: authors will receive proofs of their articles and be asked to send corrections to Carey Jewitt, The Knowledge Lab, School of Culture, Language and Communication, Institute of Education, University of London, 23-29 Emerald Street, London WC1N 3QL, UK [email:c.jewitt@ioe.ac.uk] within 2 weeks.They will receive a complimentary copy of the journal and electronic offprints of their article. Reviews: Visual Communication includes a section in which books and other significant contributions to the field are reviewed.This includes both essay length and shorter contributions.Books for review and manuscripts of reviews should be sent to Louise McWhinnie or Kate Sweetapple Faculty of Design, Architecture and Building University of Technology, Sydney PO Box 123 Broadway, NSW 2007 Australia kate.sweetapple@uts.edu.au louise.mcwhinnie@uts.edu.au   Editorial Board Editors:    Carey Jewitt              Theo van Leeuwen  University of Technology, Sydney, Australia          Michael Longford     York University, Canada          Teal Triggs        University of the Arts London, UK Review Editors:          Louise McWhinnie   University of Technology, Sydney, Australia          Kate Sweetapple      University of Technology, Sydney, Australia Honorary Board:          Jay David Bolter       Georgia Institute of Technology, USA          Victor Burgin   Goldsmiths College, UK          Gunther Kress  Institute of Education, University of London, UK          Bruno Latour   University of Paris, France          Nancy Munn    University of Chicago, USA          Ron Scollon       USA          Jan van Toorn   Rhode Island School of Design, Providence, USA and Ex-Director of Jan van Eyck  Akademie, Maastricht, The Netherlands          Judith Williamson     Freelance writer, London Advisory Board:          Paola Antonelli         Museum of Modern Art, New York, USA          Mary Bucholtz University of California, Santa Barbara, USA          Lilie Chouliaraki        London School of Economics and Political Science, UK          Malcolm Collier        San Francisco State University, USA          Sean Cubitt       University of Melbourne, Australia          David Graddol The Open University, Milton Keynes, UK          Diane Gromala         Georgia Institute of Technology, Atlanta, USA          Christian Heath                 Rick Iedema     University of Technology Sydney, Australia          Per Ledin Örebro University, Sweden          John Maeda     Massachusetts Institute of Technology, USA          J.R. Martin       University of Sydney, Australia          Pippa Stein       University of Witwatersrand, South Africa          Eija Ventola      University of Helsinki, Finland          Michael Worthington       California Institute of the Arts, USA          Philip Bell          Andrew Blauvelt      Walker Art Center, Minneapolis, USA          Carmen Rosa Caldas-Coulthard        University of Birmingham, UK          Anne Cranny-Francis         Macquarie University, Sydney, Australia          Clive Dilnot       New School University, USA          Hanno Ehses    Nova Scotia College of Art & Design, Nova Scotia, Canada          Michael Emmison    University of Queensland, Australia          Charles Goodwin      University of California, Los Angeles, USA          Roz Ivanic         University of Lancaster          Peter Jackson   University of Sheffield, UK          Adam Jaworski          University of Wales, Cardiff, UK          Martine Joly     Universit?Michel de Montaigne-Bordeaux III, France          Jo Anne Kleifgen       Columbia University, USA          Michelle Lazar National University of Singapore          Jay Lemke         University of Michigan, USA          Saki Mafundikwa      Zimbabwe Institute of Digital Arts, Zimbabwe, Africa          Radan Martinec       London College of Communication, University of the Arts, London, UK          Katherine McCoy     High Ground Tools and Methods for Design, Buena Vista Colorado, USA          Ulrike Meinhof          University of Southampton, UK          Sigrid Norris     Georgetown University, USA          Jan Renkema   Tilburg University, The Netherlands