期刊名称：ART BULLETIN
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913 the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. The journal, which welcomes submissions from scholars worldwide and at every career stage, is published four times a year in March, June, September, and December by the College Art Association
Mission Statement
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December.
The journal welcomes submissions from scholars worldwide and at every career stage.
Purchasing Information:
The Art Bulletin is available only as a benefit of CAA membership. To purchase available single issues, click here; limited quantities are available.
Send orders, address changes, and claims to Member Services.
The Art Bulletin is indexed in BHA, Art Index, and Arts and Humanities. Backissues may also be read online in the JSTOR archive at www.jstor.org and in ProQuest and other online archives.
Instructions to Authors
When in doubt, the author should include the language requested by the lender of a photograph and the language requested by the rights holder granting permission. (Frequently, these are separate documents from separate sources.)
In general, an artwork reproduced in The Art Bulletin using a digital scan from a published book should not include the publication information for that book in the caption, but only the collection information and any actual information relating to copyright permission. It is extremely rare for the publisher of a book to own the rights to individual images; therefore, authors should seek copyright permission for artworks (other than those in the public domain) from the copyright holder, not from the publisher of the book that is the source of the scan. (Publishers may be helpful in providing information about the identity or address of a copyright holder.)
An occasional exception to this is a diagram, floor plan, map, or other line drawing in a book. If they were created on commission for the book, the publisher may hold the copyright. If not, the book or publisher may be consulted to find the proper credit information (often in a "credits" section at the back.)
In cases where the reproduction in The Art Bulletin is of a period book illustration and the publication information about that book is germane to the argument of the essay, publication information about the book may be included in the caption at the author's discretion.
CAA does not use the phrase "courtesy of" in image captions; use "photograph provided by" instead.
Use:
Location unknown
Private collection
Collection of the artist
More Sample Captions
Please note: These are samples, not definitive models of what all captions must contain. The Art Bulletin aims to maintain consistency in caption style with some latitude.
- Baccio Bandinelli, Hercules and Cacus, 1525-34, marble, height 16 ft. 9 in. (5.05 m). Piazza della Signoria, Florence (photograph provided by James Smith, Rome)
- Attributed to Cherubino Alberti, Pietro, engraving after Michelangelo, ca. 1572. Albertina, Vienna
- Parthenon, east frieze, detail
- Tree of Vices, Le Verger de Soulas, northern French, ca. 1290. Paris, Bibliotheque Nationale de France, MS fr. 9220, fol. 10r
Note: some institutions and authors provide dimensions for manuscript illuminations, others do not. The Art Bulletin leaves this to the discretion of the author.
- Roman sarcophagus, Death of Meleager, 3rd century CE, detail. Musue du Louvre, Paris (photograph © James Smith, Rome)
- Jean Beraud, The Church of Saint-Philippe-du-Roule, Paris, 1877. New York, The Metropolitan Museum of Art, Gift of Mr. and Mrs. William B. Jaffe, 1955, 55.35 (photograph all rights reserved, The Metropolitan Museum of Art)
- Pierre Bonnard, Street Corner, ca. 1897, color lithograph, from Quelques aspects de la vie de Paris, Paris, 1899. New York, The Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1928, 28.50.4(3) (photograph all rights reserved, The Metropolitan Museum of Art)
- Étienne-Jules Marey, path of the different joints while walking, from Developpement de la methode graphique par l'emploi de la photographie, Paris, n.d., 48, fig. 34
Note: Here, the reproduction in The Art Bulletin is of a period book illustration and the publication information about that book is germane to the argument of the essay. In this instance, publication information about the book is in the caption. However, in general, an artwork reproduced in The Art Bulletin using a digital scan from a book should not include the publication information for that book, but only the collection information and any actual copyright information.
- Cathedral of Ste-Marie, Oloron-Ste-Marie, west portal (photograph provided by the author)
- History Master and workshop, Pulkau Passion Altarpiece (open), ca. 1518-20, painted wings and predella panels: oil on spruce, with carved and gilded shrine figures in limewood, attributed to Michael Tichter, overall height approx. 32 ft. 9 in. x 9 ft. 10 in. (10 m x 3 m). Pulkau, Church of the Holy Blood (photograph provided by the author)
- Follower (or workshop) of Jan Polack, Intercession of Christ and Mary before God to Halt the Plague (Pestvotivbild), ca. 1517. Munich, St. Peters (photograph by Alberto Luisa, provided by the Erzbischöfliches Ordinariat Munchen, Kunstreferat)
- Attributed to Gu Kaizhi (ca. 344-ca. 406), Admonitions of the Court Instructress (Nushi zhen tujuan), 5th-6th century copy after Gu Kaizhi, former handscroll, now mounted on two panels, ink and colors on silk, paintings panel, 9¾ x 97 in. (25 x 248.5 cm), colophons panel, 9¾ x 128¾ in. (25 x 329 cm). London, British Museum, (photograph provided by the Trustees of the British Museum). This figure, read from left to right and top to bottom, re-creates the painting's mounting as a handscroll between about 1746 and about 1916.
- Tsuchida Bakusen (1887-1936), Hair (Kami), 1911, hanging scroll, ink and colors on silk, 31¾ x 33in. (80 x 85.5 cm). Kyoto City University of Arts, University Art Museum
- Albrecht Durer, Mocking of Christ, woodcut with verses by Benedict I Cheldonius, title page of Passio domine nostri Jesu. . . . (the Large Passion), Nuremberg, 1511. London, British Museum, 1895-1-22-618 (photograph © the British Museum).
Foreign Language Fonts
Please call to the attention of the manuscript editor any non-Latin fonts or special diacritics. CAA cannot guarantee that these characters can be printed.
Images
Indicate on the picture list up to 4 images you would like to see reproduced in color, ranked from 1 to 4 in order of preference. (Usually, no more than 2 or 3 images per article are reproduced in color.)
Indicate on the picture list "S," "M," or "L" for each image, to guide the designer on the relative importance of each reproduction.
For guidelines on image formats, clearing rights and permissions, and image-rental contracts, see Obtaining Images for Reproduction.
Diagrams, charts, and line images
These images cannot be incorporated into text; each must be treated as a figure. Original diagrams, photographs copied from a book, and very sharp enlarged photocopies may all be acceptable. (Remember that you will need written permission from the copyright holder to reproduce these, unless the work is in the public domain.) They should be larger than the desired size of the reproduction. Any markings, such as i.d. letters or numbers, labels, keys, or other text added to a diagram or map must be in type, not handwritten. If the image requires longer text labels, the author is responsible for supplying a final image (usually in digital format). CAA cannot create or insert such data into images.
Manuscript for Book Reviews
The following information must be provided at the beginning of the review, starting new lines as follows:
- Author's/editor's name
- Complete title of book (with a colon between the main title and the subtitle)
- Place of publication; publisher; date of publication; total number of pages (including all front matter and illustrations that do not carry page numbers); number of illustrations (black and white and color); price
The format is as follows:
CRAIG HARBISON
Jan van Eyck: The Play of Realism
London: Reaktion Books, 1991. 228 pp.; 42 color ills., 80 b/w.
£25.00
WU HUNG
The Wu Liang Shrine: The Ideology of Early Chinese Pictorial Art
Stanford: Stanford University Press, 1991. 435 pp.; 210 b/w ills.
$60.00; $24.95 paper
Digital Files
When a manuscript is accepted, the author must provide a digital disk (CD), including all text, biographical statement, endnotes, captions, and abstract, each in a separate file. Please label the disk with name of author and the program used. Note: please remove any other files from the disk.
Expenses
It is the author's responsibility to pay any costs incurred for the article, including photography and permissions expenses. However, limited funds are available to assist some authors with the expenses for image permissions or photography. A request for reimbursement, with original receipts, should be sent to: CAA Director of Publications, College Art Association, 275 Seventh Ave., 18th Floor, New York, NY 10001. Reimbursement for such expenses is not automatic but is at the discretion of CAA. Authors with access to university research funds and senior faculty or curators may not be eligible to receive reimbursement. Preference is given to younger scholars and to those authors who face exceptionally high expenses for image reproductions.
Publishing Process and Scedule
After the manuscript is submitted to the editor-in-chief, it is sent to anonymous peer reviewers. It may be returned for revisions once or more.
Once a manuscript is accepted for publication, the editing and production process usually takes about 7 months. An accepted article may not appear in the immediately subsequent issue of the journal, at the discretion of the editor.
After the manuscript is accepted, it is sent to the manuscript editor, where it will be styled to conform to The Art Bulletin's style. A photocopy of the edited manuscript is returned to the author for final corrections, to be made on that copy. The author will be asked to proofread the page proofs of the article.
Editorial Board
Zainab Bahrani, Columbia University
Paul Duro, University of Rochester,
Helen C. Evans, Chair, Metropolitan Museum of Art
Sarah E. Fraser, Northwestern University
Marc Gotlieb, Past Editor, University of Toronto
Michael Koortbojian, Johns Hopkins University
Michael Leja, University of Delaware
Ikem Okoye, University of Delaware
Joanne Pillsbury, Dumbarton Oaks
Richard J. Powell, Editor-in-Chief, Duke University
David Roxburgh, Reviews Editor, Harvard University
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