期刊名称：JOURNAL OF MODERN CRAFT
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
The Journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area. It addresses all forms of making that self-consciously set themselves apart from mass production—whether in the making of designed objects, artworks, buildings, or other artefacts.
The journal covers craft in all its historical and contemporary manifestations. It starts in the mid-nineteenth-century, when handwork was first consciously framed in opposition to industrialization, through to the present time, when ideas once confined to the ‘applied arts’ have come to seem vital across a huge range of cultural activities. Special emphasis is placed on studio practice, and on the transformations of indigenous forms of craft activity throughout the world. The journal also reviews and analyses the relevance of craft within new media, folk art, architecture, design, contemporary art, and other fields.
The Journal of Modern Craft is the main scholarly voice on the subject of craft, conceived both as an idea and as a field of practice in its own right.
The Journal of Modern Craft is covered by the following abstracting/indexing services:
* Abstracts in Anthropology
* ARTbibliographies Modern
* Current Contents/Arts and Humanities
* DAAI Design and Applied Arts Index
* IBR International Bibliography of Book Reviews of Scholarly Literature in the
Humanities and Social Sciences
* ISI Arts and Humanities Citation Index
* IBZ International Bibliography of Periodical Literature on the Humanities and Social
Sciences
Instructions to Authors
The Journal of Modern Craft Submissions
1) Manuscript Submissions
Should you have an article you would like to submit, please write to Glenn Adamson at g.adamson@vam.ac.uk.
2) Exhibition Reviews
Please contact Louise Mazantior for consideration for review in The Journal of Modern Craft.
Louise Mazanti
Denmark's Design School
Strandboulevarden 47
Copenhagen E.
2100
Denmark
Email: louise.mazanti@dkds.dk
3) Book Reviews
Please contact Catherine Whalen for consideration for review in The Journal of Modern Craft.
Catherine Whalen
The Bard Graduate Center
18 West 86th Street
New York, New York 10024
USA
Email: whalen@bgc.bard.edu
Notes for Contributors
Articles should be approximately 25 pages in length and must include a three-sentence biography of the author(s) and an abstract.
Interviews should not exceed 15 pages and do not require an author biography.
Exhibition and book reviews are normally 500 to 2,000 words in length.
The Publishers will require a disk as well as a hard copy of any contributions (please mark clearly on the disk what word-processing program has been used). Berg accepts most programs with the exception of Clarisworks.
The Journal of Modern Craft invites persons wishing to organize a special issue devoted to a single topic to submit a proposal comprising a 100-word description of the topic, together with a list of potential contributors and paper subjects.
Proposals are accepted only after review by the journal editors and in-house editorial staff at Berg.
Manuscripts
Manuscripts should be submitted to the The Journal of Modern Craft, c/o Glenn Adamson (email:
g.adamson@vam.ac.uk).
Manuscripts will be acknowledged by the editor and entered into the review process discussed below.
Manuscripts without illustrations will not be returned unless the autor provides a self-addressed stamped envelope.
Submission of a manuscript to the journal will be taken to imply that it is not being considered elsewhere for publication, and that if accepted for publication, it will not be published elsewhere, in the same form, in any language, without the consent of the editor and publisher.
It is a condition of acceptance by the editor of a manuscript for publication that the publishers automatically acquire the copyright of the published article throughout the world.
The Journal of Modern Craft does not pay authors for their manuscripts nor does it provide retyping, drawing, or mounting of illustrations.
Style
US spelling and mechanicals are to be used. Authors are advised to consult The Chicago Manual of Style (15th Edition) as a guideline for style. Webster’s Dictionary is our arbiter of spelling. We encourage the use of major subheadings and, where appropriate, second-level subheadings. Manuscripts submitted for consideration as an article must contain: a title page with the full title of the article, the author(s) name and address, a three-sentence biography for each author, and a 200 word abstract. Do not place the author’s name on any other page of the manuscript.
Manuscript Preparation
Manuscripts must be typed double-spaced (including quotations, notes, and references cited), one side only, with at least one-inch margins on standard paper using a typeface no smaller than 12pts. The original manuscript and a copy of the text on disk (please ensure it is clearly marked with the word-processing program that has been used) must be submitted, along with color original photographs (to be returned).
Authors should retain a copy for their records. Any necessary artwork must be submitted with the manuscript.
Footnotes
Footnotes appear as “Notes” at the end of articles. Authors are advised to include footnote material in the text whenever possible. Notes are to be numbered consecutively throughout the paper and are to be typed double-spaced at the end of the text. (Do not use any footnoting or end-noting programs that your software may offer as this text becomes irretrievably lost at the typesetting stage.)
References
The list of references should be limited to, and inclusive of, those publications actually cited in the text. References are to be cited in the body of the text in parentheses with the author’s last name, the year of original publication, and page number—e.g., (Rouch 1958: 45). Titles and publication information appear as “References” at the end of the article and should be listed alphabetically by author and chronologically for each author. Names of journals and publications should appear in full. Film and video information appears as “Filmography”. References cited should be typed double-spaced on a separate page. References not presented in the style required will be returned to the author for revision.
Tables
All tabular material should be part of a separately numbered series of “Tables”. Each table must be typed on a separate sheet and identified by a short descriptive title. Footnotes for tables appear at the bottom of the table. Marginal notations on manuscripts should indicate approximately where tables are to appear.
Figures
All illustrative material (drawings, maps, diagrams, and photographs) should be designated “Figures”. They must be submitted in a form suitable for publication without redrawing. Drawings should be carefully done with black ink on either hard, white, smooth-surfaced board or good quality tracing paper. Ordinarily, computergenerated drawings are not of publishable quality. Color photographs are encouraged by the publishers.
Whenever possible, photographs should be 8 × 10 inches. The publishers encourage artwork to be submitted as scanned files (600 dpi or above) on disk or via email. All figures should be clearly numbered on the back and numbered consecutively. All captions should be typed double-spaced on a separate page. Marginal notations on manuscripts should indicate approximately where figures are to appear. While the editors and publishers will use ordinary care in protecting all figures submitted, they cannot assume responsibility for their loss or damage.
Authors are discouraged from submitting rare or non-replaceable materials. Is the author's responsibility to secure written copyright clearance on all photographs and drawings that are not in the public domain. Copyright shold be obtained for worldwide rights and on-line publishing.
Criteria for Evaluation
The Journal of Modern Craft is a refereed journal.
Manuscripts will be accepted only after review by both the editors and anonymous reviewers deemed competent to make professional judgments concerning the quality of the manuscript. Upon request, authors will receive reviewers’ evaluations.
Copies
On publication, authors will be sent a PDF of the final version of their article for personal use only. Authors are also entitled to a complimentary copy of the issue they contributed to. Details on how to obtain it will be sent upon publication. Additional copies of the issue can be purchased at a discount rate from Berg.
Editorial Board
Editors
Glenn Adamson, Victoria & Albert Museum, UK
Edward S. Cooke, Jr., Yale University, USA
Tanya Harrod, Independent Scholar, UK
Exhibition Reviews
Louise Mazanti, Konstfack, Stockholm, Sweden
Book Reviews
Catherine Whalen, Bard Graduate Center, USA
Editorial Advisory Board
Dapo Adeniyi, Editor, Position International Arts Review, Nigeria
Charlotte Brown, Gregg Museum of Art & Design, NC State University, USA
Alan Crawford, Independent Scholar, UK
Edmund de Waal, Ceramist and Historian, UK
John Dunnigan, Rhode Island School of Design, USA
Simon Fraser, Central St. Martins College of Art and Design, UK
Alun Graves, Victoria & Albert Museum, UK
Louise Hamby, Australian National University, Australia
Fujita Haruhiko, Osaka University, Japan
Bernard Herman, University of North Carolina, USA
Gloria Hickey, Independent Scholar, Canada
Rosemary Hill, Independent Scholar, UK
Jyotindra Jain, Jawaharlal Nehru University, India
Janis Jefferies, Goldsmiths College, University of London, UK
Rüdiger Joppien, Museum für Kunst und Gewerbe, Germany
Gerhardt Knodel, Director, Cranbrook Academy of Art, USA
Janet Koplos, Independent Scholar, USA
Henrietta Lidchi, National Museums of Scotland, UK
Martina Margetts, Royal College of Art, UK
Nakayama Shuichi, Kobe University, Japan
Simon Olding, Crafts Study Centre, Farnham, UK
Gerald L. Pocius, Memorial University of Newfoundland, Canada
Venetia Porter, British Museum, UK
Jorunn Veiteberg, University of Bergen and University of Oslo, Norway
Anne Wilson, School of the Art Institute of Chicago, USA
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