期刊名称:RETHINKING HISTORY

ISSN:1364-2529
出版频率:Quarterly
出版社:ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2-4 PARK SQUARE, MILTON PARK, ABINGDON, ENGLAND, OXON, OX14 4RN
  出版社网址:http://www.tandfonline.com/
期刊网址:http://www.tandfonline.com/loi/rrhi20
影响因子: 0.302(2015年) 0.508(2014年)
主题范畴:HISTORY
变更情况:Newly Added by 2015

期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)   



About the journal

Rethinking History

ISSN
1364-2529 (Print), 1470-1154 (Online)

Subjects covered by this journal

Aims & scope

This acclaimed journal allows historians in a broad range of specialities to experiment with new ways of presenting and interpreting history. Rethinking History challenges the accepted ways of doing history and rethinks the traditional paradigms, providing a unique forum in which practitioners and theorists can debate and expand the boundaries of the discipline.

Rethinking History provides a balance of features not usually found in academic history journals. The mix often includes:

  • Articles of 5,000 or 7,000 words
  • Concepts - papers exploring key concepts or categories of historical analysis
  • Controversies - debates between historians
  • Essays of 8,000 to 10,000 words
  • Experimental pieces
  • Invitations to Historians - historians explain how and why they write history
  • Miniatures - pieces of 1,500 words or less, aimed to show brevity can be the soul of history
  • Re-reviews - reassessments of classic history texts
  • Reconsiderations - essays that "reconsider" the body of work produced by a single historian, an entire school or field
  • Reviews and review articles
  • Themed Issues

"I hope that this journal will become that missing venue where historians, young and old, can try out something new, can indulge in experiments... that bring us into new relationships with the traces of the past... We believe that the writing of History can be an art, and that innovation in any art calls for boldness, audacity, and the courage to try out things that can seem strange, even to the author..."
Robert A. Rosenstone, Founding Editor, Rethinking History

"By Re-thinking History I mean expanding the study of the nature of history in all its forms and conceptualizations. Rethinking it must mean questioning the boundaries of how we study the past"
Alun Munslow, UK Editor, Rethinking History

"My passion has been to re-think the writing of history, to demonstrate the inextricable links between content and form, between what we have to say and how we say it, between our arguments and interpretations and stories and our choice of structure, language, voice(s), imagery, point(s) of view, and more. I am eager to work with and publish writers at any stage in their careers who are thinking hard about the form of their writing. Perhaps they are learning from poets, novelists, and writers of general non-fiction as well as from fellow historians; or reviving and re-imagining some old and unappreciated form; or striking out in new directions in search of literary narrative, interpretation, or theory"
James Goodman, US Editor, Rethinking History

Peer Review Policy:
All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.

Abstracting & indexing

Rethinking History is abstracted/indexed in:
 
America: History and Life; British Humanities Index; Current Abstracts; Historical Abstracts; Humanities Index; Humanities International Index; OCLC; Thomson Reuters Arts & Humanities Citation Index and Thomson Reuters Social Science Citation Index.
 

Instructions to Authors
Thank you for choosing to submit your paper to us. These instructions will ensure we have everything required so your paper can move through peer review, production and publication smoothly. Please take the time to read them and follow the instructions as closely as possible.

Author Services

Should you have any queries, please visit our Author Services website or contact us at authorqueries@tandf.co.uk.

Use these instructions if you are preparing a manuscript to submit to Rethinking History. To explore our journals portfolio, visit http://www.tandfonline.com/, and for more author resources, visit our Author Services website.

Rethinking History is an international, peer-reviewed journal publishing high-quality, original research. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to peer review by independent, anonymous expert referees. All peer review is double blind and submission is .

Rethinking History considers all manuscripts on the strict condition that

  • the manuscript is your own original work, and does not duplicate any other previously published work, including your own previously published work.
  • the manuscript has been submitted only to Rethinking History; it is not under consideration or peer review or accepted for publication or in press or published elsewhere.
  • the manuscript contains nothing that is abusive, defamatory, libellous, obscene, fraudulent, or illegal.

Please note that Rethinking History uses CrossCheck™ software to screen manuscripts for unoriginal material. By submitting your manuscript to Rethinking History you are agreeing to any necessary originality checks your manuscript may have to undergo during the peer-review and production processes.

Any author who fails to adhere to the above conditions will be charged with costs which Rethinking History incurs for their manuscript at the discretion of Rethinking History’s Editors and Taylor & Francis, and their manuscript will be rejected.

This journal is compliant with the Research Councils UK OA policy. Please see the licence options and embargo periods here.

Contents List

Manuscript preparation

  1. General guidelines
  2. Style guidelines
  3. Figures
  4. Publication charges
  5. Reproduction of copyright material
  6. Supplemental online material

Manuscript submission

Copyright and authors’ rights

Free article access

Reprints and journal copies

Open access

Manuscript preparation

1. General guidelines

  • Manuscripts are accepted in English. Any consistent spelling and punctuation styles may be used. Please use single quotation marks, except where ‘a quotation is “within” a quotation’. Long quotations of 40 words or more should be indented without quotation marks.
  • A typical manuscript will not exceed 7000 words excluding tables, references, captions, footnotes and endnotes. Manuscripts that greatly exceed this will be critically reviewed with respect to length. Authors should include a word count with their manuscript.
  • Manuscripts should be compiled in the following order: title page; abstract; keywords; main text; acknowledgements; references; appendices (as appropriate); table(s) with caption(s) (on individual pages); figure caption(s) (as a list).
  • Abstracts of 300 words are required for all manuscripts submitted.
  • Each manuscript should have 6 to 8 keywords.
  • Search engine optimization (SEO) is a means of making your article more visible to anyone who might be looking for it. Please consult our guidance here.
  • xxNumberedSections
  • All authors of a manuscript should include their full names, affiliations, postal addresses, telephone numbers and email addresses on the cover page of the manuscript. One author should be identified as the corresponding author. Please give the affiliation where the research was conducted. If any of the named co-authors moves affiliation during the peer review process, the new affiliation can be given as a footnote. Please note that no changes to affiliation can be made after the manuscript is accepted. Please note that the email address of the corresponding author will normally be displayed in the article PDF (depending on the journal style) and the online article.
  • All persons who have a reasonable claim to authorship must be named in the manuscript as co-authors; the corresponding author must be authorized by all co-authors to act as an agent on their behalf in all matters pertaining to publication of the manuscript, and the order of names should be agreed by all authors.
  • Please supply a short biographical note for each author.
  • Please supply all details required by any funding and grant-awarding bodies as an Acknowledgement on the title page of the manuscript, in a separate paragraph, as follows:
    • For single agency grants: "This work was supported by the [Funding Agency] under Grant [number xxxx]."
    • For multiple agency grants: "This work was supported by the [Funding Agency 1] under Grant [number xxxx]; [Funding Agency 2] under Grant [number xxxx]; and [Funding Agency 3] under Grant [number xxxx]."
  • Authors must also incorporate a Disclosure Statement which will acknowledge any financial interest or benefit they have arising from the direct applications of their research.
  • For all manuscripts non-discriminatory language is mandatory. Sexist or racist terms must not be used.
  • Authors must adhere to SI units. Units are not italicised.
  • When using a word which is or is asserted to be a proprietary term or trade mark, authors must use the symbol ® or TM.

2. Style guidelines

3. Figures

  • Please provide the highest quality figure format possible. Please be sure that all imported scanned material is scanned at the appropriate resolution: 1200 dpi for line art, 600 dpi for grayscale and 300 dpi for colour.
  • Figures must be saved separate to text. Please do not embed figures in the manuscript file.
  • Files should be saved as one of the following formats: TIFF (tagged image file format), PostScript or EPS (encapsulated PostScript), and should contain all the necessary font information and the source file of the application (e.g. CorelDraw/Mac, CorelDraw/PC).
  • All figures must be numbered in the order in which they appear in the manuscript (e.g. Figure 1, Figure 2). In multi-part figures, each part should be labelled (e.g. Figure 1(a), Figure 1(b)).
  • Figure captions must be saved separately, as part of the file containing the complete text of the manuscript, and numbered correspondingly.
  • The filename for a graphic should be descriptive of the graphic, e.g. Figure1, Figure2a.

4. Publication charges

Submission fee

There is no submission fee for Rethinking History.

Page charges

There are no page charges for Rethinking History.

Colour charges

Colour figures will be reproduced in colour in the online edition of the journal free of charge. If it is necessary for the figures to be reproduced in colour in the print version, a charge will apply. Charges for colour figures in print are £250 per figure ($395 US Dollars; $385 Australian Dollars; 315 Euros). For more than 4 colour figures, figures 5 and above will be charged at £50 per figure ($80 US Dollars; $75 Australian Dollars; 63 Euros).

Depending on your location, these charges may be subject to Value Added Tax.

5. Reproduction of copyright material

If you wish to include any material in your manuscript in which you do not hold copyright, you must obtain written permission from the copyright owner, prior to submission. Such material may be in the form of text, data, table, illustration, photograph, line drawing, audio clip, video clip, film still, and screenshot, and any supplemental material you propose to include. This applies to direct (verbatim or facsimile) reproduction as well as “derivative reproduction” (where you have created a new figure or table which derives substantially from a copyrighted source).

You must ensure appropriate acknowledgement is given to the permission granted to you for reuse by the copyright holder in each figure or table caption. You are solely responsible for any fees which the copyright holder may charge for reuse.

The reproduction of short extracts of text, excluding poetry and song lyrics, for the purposes of criticism may be possible without formal permission on the basis that the quotation is reproduced accurately and full attribution is given.

For further information and FAQs on the reproduction of copyright material, please consult our Guide.

6. Supplemental online material

Authors are encouraged to submit animations, movie files, sound files or any additional information for online publication.

Manuscript submission

Authors should submit an electronic copy of their manuscript, via email, to the Editorial Office. It will be assumed that authors will retain a copy of their paper.

Editorial Office:
James Goodman, US Editor
Email: goodmanj@andromeda.rutgers.edu
Alun Munslow, UK Editor
Email: amunslow@tiscali.co.uk

Reviews and Books for review should be sent to:
William Gallois, Reviews Editor - Rethinking History,
Institute of Arab and Islamic Studies
University of Exeter
Stocker Road
Exeter
EX4 4ND
UK
Email: w.gallois@exeter.ac.uk
 
Authors must submit manuscripts electronically. Electronic submissions should be sent as email attachments using a standard word-processing program. If email submission is not possible, please send an electronic version on CD.

Click here for information regarding anonymous peer review.

To assure the integrity, dissemination, and protection against copyright infringement of published articles, you will be asked to assign us, via a Publishing Agreement, the copyright in your article. Your Article is defined as the final, definitive, and citable Version of Record, and includes: (a) the accepted manuscript in its final form, including the abstract, text, bibliography, and all accompanying tables, illustrations, data; and (b) any supplemental material hosted by Taylor & Francis. Our Publishing Agreement with you will constitute the entire agreement and the sole understanding between you and us; no amendment, addendum, or other communication will be taken into account when interpreting your and our rights and obligations under this Agreement.

Copyright policy is explained in detail here.

Free article access

As an author, you will receive free access to your article on Taylor & Francis Online. You will be given access to the My authored works section of Taylor & Francis Online, which shows you all your published articles. You can easily view, read, and download your published articles from there. In addition, if someone has cited your article, you will be able to see this information. We are committed to promoting and increasing the visibility of your article and have provided guidance on how you can help. Also within My authored works, author eprints allow you as an author to quickly and easily give anyone free access to the electronic version of your article so that your friends and contacts can read and download your published article for free. This applies to all authors (not just the corresponding author).

Reprints and journal copies

Article reprints can be ordered through Rightslink® when you receive your proofs. If you have any queries about reprints, please contact the Taylor & Francis Author Services team at reprints@tandf.co.uk. To order a copy of the issue containing your article, please contact our Customer Services team at Adhoc@tandf.co.uk.

Open Access

Taylor & Francis Open Select provides authors or their research sponsors and funders with the option of paying a publishing fee and thereby making an article permanently available for free online access – open access – immediately on publication to anyone, anywhere, at any time. This option is made available once an article has been accepted in peer review.

Full details of our Open Access programme

Last updated 20/02/2015

 


Editorial Board

Editors:

Alun Munslow - Visiting Professor, Centre for the Philosophy of History, St. Mary’s University, Twickenham, London, UK.
 
James Goodman - Rutgers University, Newark, USA
Founding Editor:

Robert A. Rosenstone - California Institute of Technology, USA

Reviews Editor:

William Gallois  - University of Exeter, UK

Editorial Board:

Frank Ankersmit - Groningen University, Netherlands
Jaume Aurell - University of Navarra, Spain
Douglas Booth - University of Otago, New Zealand
Linda J. Borish - Western Michigan University, USA
Robert Burgoyne - University of St. Andrews, UK
Peter Burke - University of Cambridge, UK
Jack R. Censer - George Mason University, USA
Sande Cohen - California Institute of the Arts, USA
Dennis Dworkin - University of Nevada at Reno, USA
Elizabeth D. Ermarth - Trent University, Canada
Patrick Finney - Aberystwyth University, UK
Jonathan Gorman - The Queens University, Belfast, N. Ireland
Jerome de Groot - University of Manchester, UK
David Harlan - California State University, San Luis Obispo (CalPoly), USA
Martha Hodes - New York University, USA
Keith Jenkins - University of Chichester, UK
Alison Landsberg – George Mason University, USA
Laura Mason - Johns Hopkins University, USA
Allan Megill - University of Virginia, USA
Sue Morgan - University of Chichester, UK
Rila Mukherjee - Hyderabad University, India 
Claire Norton - St. Mary’s University, UK
Kalle Pihlainen - University of Turku, Finland
David D. Roberts - University of Georgia, USA
Beverley Southgate - University of Hertfordshire, UK
Gabrielle Spiegel - Johns Hopkins University, USA
Barbara L. Tischler - Columbia University, USA
Jonathan Walker - Monash University, Australia
Guy Westwell - University of London, UK
Hayden White - University of California at Santa Cruz, USA

Copyright © 2014 武汉大学图书馆 版权所有