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期刊名称:FRENCH CULTURAL STUDIES

ISSN:0957-1558
出版频率:Quarterly
出版社:SAGE PUBLICATIONS INC, 2455 TELLER RD, THOUSAND OAKS, USA, CA, 91320
  出版社网址:http://www.uk.sagepub.com/home.nav
期刊网址:http://frc.sagepub.com/
影响因子: 0.196 (2020年) 0.200(2018年) 0.031(2017年) 0.074(2016年) 0.143(2015年) 0.125(2014年) 0.098(2013年) 0.022 (2012年)
主题范畴:CULTURAL STUDIES

期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)   



About the journal

Current Issue Cover

French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture. The study of literature has a place in the journal, but particular prominence is given to areas such as cinema, television, the press, the visual arts, popular culture, and cultural and intellectual debate.

Abstracting/Indexing

Academic Search Elite

 Academic Search Premier

 British Humanities Index

 Humanities Index

 Humanities International Complete

 Humanities International Index

 International Bibliography of the Social Sciences

 ISI Alerting Services

 Linguistics and Language Behavior Abstracts (LLBA)

 MasterFILE Elite

 MasterFILE full NET

 MasterFILE Premier

 MasterFILE Select

 MLA International Bibliography

 SciVal

 Scopus

 Social Services Abstracts

 Sociological Abstracts

 World Magazine Bank


Instructions to Authors
Associate Editors:
Nicola Cooper University of Swansea, Wales
Susan Harris Queen Mary, University of London, UK
Michael Kelly University of Southampton, UK
Emma Wilson Cambridge University, UK
Editorial Advisory Board:
Robert Aldrich University of Sydney, Australia
Christophe Campos Universite de Londres a Paris, France
T J Clark University of California at Berkeley, USA
Jackie Clarke University of Southampton
Peter Cryle University of Queensland, Australia
Clive Emsley Open University, UK
Elizabeth Ezra The University of Stirling
John Flower University of Kent, UK
Richard Griffiths King's College, London, UK
Marie-Paule Ha University of Hong Kong, Hong Kong
Jane Hiddleston Exeter College
Lynn A. Higgins Dartmouth College, USA
Stanley Hoffman Harvard University, USA
Shirley Jordan University of London
Roderick Kedward University of Sussex, UK
Philippe Lejeune Université de Paris XIII, France
Colin Nettelbeck Melbourne University, Australia
Pascal Ory Université de Versailles, France
Philippe Poirrier Université de Bourgogne, France
W D Redfern University of Reading, UK
Kristin Ross New York University, USA
Tyler Stovall University of Berkeley, USA
Dominic Thomas UCLA, USA
Ludovic Tournès Université Paris Ouest
Steven Ungar University of Iowa, USA
Phil Watts Columbia University, USA

Editorial Board

French Cultural Studies responds to the important changes that have affected the study of French culture, language and society in all sections of the education system. It provides a forum for the research into all aspects of modern French culture.

French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture. The study of literature has a place in the journal, but particular prominence is given to such areas as cinema, television, the press, the visual arts, popular culture, and cultural and intellectual debate. The emphasis is on the 20th and 21st centuries, but the study of the roots of modern culture is also seen as a major interest of the journal.

 

1. Peer review policy

French Cultural Studies adheres to a rigorous double-blind reviewing policy in which the identity of the reviewer and author are always concealed from both parties. Each manuscript is reviewed by at least two referees and all manuscripts are reviewed as rapidly as possible.

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2. Article types

French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth, Twentieth and Twenty-First Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate.

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3. How to submit your manuscript

Before submitting your manuscript, please ensure you carefully read and adhere to all the guidelines and instructions to authors provided below. Manuscripts not conforming to these guidelines may be returned.

Submission of mss: typescripts in English or French should be submitted via email to Professor Nicholas Hewitt, School of Modern Languages, Department of Cultural Studies, University of Nottingham, Nottingham, NG7 2RD, UK. e-mail: mailto:nick.hewitt@nottingham.ac.uk. They should be clearly typed using double spacing.

Covering letter: please attach to every submission a letter confirming that all authors have agreed to the submission and that the article is not currently being considered for publication by any other journal.

Format of mss: Each manuscript should contain:

(i) title page with full title and subtitle (if any). For the purposes of blind refereeing, full name of each author with current affiliation and full address/phone/fax/email details plus short biographical note should be supplied on a separate sheet.

(ii) abstract of 100-150 words

(iii) 5-8 key words

(iv) main text and word count - suggested target is about 6000 words. Text to be clearly organized, with a clear hierarchy of headings and subheadings and quotations exceeding 40 words displayed, indented, in the text

(v) end notes, if necessary, should be signalled by superscript numbers in the main text and listed at the end of the text before the references

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4. Journal contributor’s publishing agreement   

Before publication SAGE requires the author as the rights holder to sign a Journal Contributor’s Publishing Agreement. SAGE’s Journal Contributor’s Publishing Agreement is a exclusive licence agreement which means that the author retains copyright in the work but grants SAGE the sole and exclusive right and licence to publish for the full legal term of copyright.  Exceptions may exist where an assignment of copyright is required or preferred by a proprietor other than SAGE. In this case copyright in the work will be assigned from the author to the society. For more information please visit our Frequently Asked Questions on the SAGE Journal Author Gateway.

4.1 SAGE Choice and Open Access

If you or your funder wish your article to be freely available online to non subscribers immediately upon publication (gold open access), you can opt for it to be included in SAGE Choice, subject to payment of a publication fee. The manuscript submission and peer review procedure is unchanged. On acceptance of your article, you will be asked to let SAGE know directly if you are choosing SAGE Choice. To check journal eligibility and the publication fee, please visit SAGE Choice. For more information on open access options and compliance at SAGE, including self author archiving deposits (green open access) visit SAGE Publishing Policies on our Journal Author Gateway.

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5. Declaration of conflicting interests

Within your Journal Contributor’s Publishing Agreement you will be required to make a certification with respect to a declaration of conflicting interests. French Cultural Studies does not require a declaration of conflicting interests but recommends you review the good practice guidelines on the SAGE Journal Author Gateway.

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6. Other conventions

None applicable.

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7. Acknowledgements

Any acknowledgements should appear first at the end of your article prior to your Declaration of Conflicting Interests (if applicable), any notes and your References.

All contributors who do not meet the criteria for authorship should be listed in an `Acknowledgements’ section. Examples of those who might be acknowledged include a person who provided purely technical help, writing assistance, or a department chair who provided only general support. Authors should disclose whether they had any writing assistance and identify the entity that paid for this assistance.

7.1 Funding Acknowledgement

To compile with the guidance for Research Funders, Authors and Publishers issued by the Research Information Network (RIN), French Cultural Studies additionally requires all Authors to acknowledge their funding in a consistent fashion under a separate heading.  All research articles should have a funding acknowledgement in the form of a sentence as follows, with the funding agency written out in full, followed by the grant number in square brackets:

This work was supported by the Medical Research Council [grant number xxx].

Multiple grant numbers should be separated by comma and space. Where the research was supported by more than one agency, the different agencies should be separated by semi-colon, with “and” before the final funder. Thus:

This work was supported by the Wellcome Trust [grant numbers xxxx, yyyy]; the Natural Environment Research Council [grant number zzzz]; and the Economic and Social Research Council [grant number aaaa].

In some cases, research is not funded by a specific project grant, but rather from the block grant and other resources available to a university, college or other research institution. Where no specific funding has been provided for the research we ask that corresponding authors use the following sentence:

This research received no specific grant from any funding agency in the public, commercial, or not-for-profit sectors.

Please include this information under a separate heading entitled “Funding” directly after any other Acknowledgements prior to your “Declaration of Conflicting Interests” (if applicable), any Notes and your References.

For more information on the guidance for Research Funders, Authors and Publishers, please visit: http://www.rin.ac.uk/funders-acknowledgement

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8. Permissions

Authors are responsible for obtaining permission from copyright holders for reproducing any illustrations, tables, figures or lengthy quotations previously published elsewhere. For further information including guidance on fair dealing for criticism and review, Please visit our Frequently Asked Questions on the SAGE Journal Author Gateway.

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9. Manuscript style

9.1 File types

Only electronic files conforming to the journal's guidelines will be accepted. Preferred formats for the text and tables of your manuscript are Word DOC, RTF, XLS. LaTeX files are also accepted.  Please also refer to additional guideline on submitting artwork below.

9.2 Journal Style

French Cultural Studies conforms to the SAGE house style.  Click here to review guidelines on SAGE UK House Style [link to landing page for SAGE UK Style Guidelines]

9.3 Reference Style

French Cultural Studies operates a SAGE Harvard. Click here to review the guidelines on SAGE Harvard to ensure your manuscript conforms to this reference style.

9.4. Manuscript Preparation

The text should be double-spaced throughout and with a minimum of 3cm for left and right hand margins and 5cm at head and foot. Text should be standard 10 or 12 point.

9.4.1 Keywords and Abstracts: Helping readers find your article online

The title, keywords and abstract are key to ensuring readers find your article online through online search engines such as Google. Please refer to the information and guidance on how best to title your article, write your abstract and select your keywords by visiting SAGE’s Journal Author Gateway Guidelines on How to Help Readers Find Your Article Online.

9.4.2 Corresponding Author Contact details

Provide full contact details for the corresponding author including email, mailing address and telephone numbers. Academic affiliations are required for all co-authors.

9.4.3 Guidelines for submitting artwork, figures and other graphics

For guidance on the preparation of illustrations, pictures and graphs in electronic format, please visit SAGE’s Manuscript Submission Guidelines.
If, together with your accepted article, you submit usable colour figures, these figures will appear in colour online regardless of whether or not these illustrations are reproduced in colour in the printed version. If a charge applies you will be informed by your SAGE Production Editor. For specifically requested colour reproduction in print, you will receive information regarding the costs from SAGE after receipt of your accepted article.

9.4.4 Guidelines for submitting supplemental files

French Cultural Studies does not currently accept supplemental files.

9.4.5 English Language Editing services

Non-English speaking authors who would like to refine their use of language in their manuscripts might consider using a professional editing service.  Visit http://www.sagepub.co.uk/authors/journal/submission.sp for further information.

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10. After acceptance           

10.1 Proofs

We will email a PDF of the proofs to the corresponding author.

10.2 E-Prints

SAGE provides authors with access to a PDF of their final article. For further information please visit Offprints and Reprints on our Journal Author Gateway.

10.3 SAGE Production

At SAGE we place an extremely strong emphasis on the highest production standards possible. We attach high importance to our quality service levels in copy-editing, typesetting, printing, and online publication (http://online.sagepub.com/). We also seek to uphold excellent author relations throughout the publication process.

We value your feedback to ensure we continue to improve our author service levels. On publication all corresponding authors will receive a brief survey questionnaire on your experience of publishing in French Cultural Studies with SAGE. 

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11. Further information

Any correspondence, queries or additional requests for information on the Manuscript Submission process should be sent to the Editorial Office as follows:

Professor Nicholas Hewitt,
School of Modern Languages,
Department of Cultural Studies,
University of Nottingham,
Nottingham, NG7 2RD, UK.

E-mail: nick.hewitt@nottingham.ac.uk



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