期刊名称：SOUNDINGS
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
We started life through the merger of Martin Lawrence, the Communist Party's press and Wishart Ltd, a family-owned liberal and anti-fascist publisher. The late 1930s were a time of political and cultural turmoil, and the new press was immersed in the political and cultural life of the Popular Front, publishing literature, drama and poetry, as well as political economy, working-class history and the classics of Marxism; New Writing, a twice-yearly L&W anthology, published writers such as W.H.Auden, Ralph Fox, Christopher Isherwood and Cecil Day Lewis.
During the post-war period, we published work from the party's History Group, including early work by Eric Hobsbawm, Christopher Hill, Edward Thompson and John Saville. Other outstanding marxist writers published in this period include J.D.Bernal, George Thompson and Brian Simon. Amongst the many working-class writers, both of fiction and reportage, that we published during the 1950s and 1960s, The Ragged Trousered Philanthropists stands out as a classic.
The 1970s was the decade of Eurocommunism and critical marxism. L&W began its project of translating the work of Antonio Gramsci, whose work remains crucial for an understanding of the relationship between politics and culture. In a more contemporary vein, we published essay collections from the acclaimed communist universities of London, including writing by Ros Brunt, Stuart Hall, Alan Hunt and Anne Sassoon.
From the mid-1980s, L&W began a period of new development. The exciting work being done in cultural studies brought a new dimension to critical political theory, and we began to publish work that brought the insights of cultural studies to bear on more traditional political concerns with questions of ideology, politics and power. Our writers in this area have included Joseph Bristow, Beatrix Campbell, Lorraine Gamman, Doreen Massey, Christopher Norris, Michael Rustin, Judith Squires, Jeffrey Weeks and Lola Young - to name a few. New political subjects, especially the areas of gender, race and sexuality, have widened our understanding of the meanings of politics and culture.
From the 1990s L&W began to establish a reputation as a journals publisher. We now publish Soundings, New Formations, Renewal, Critical Psychology and Anarchist Studies. All of which, in their different ways attempt to engage critically with contemporary political culture. We believe that the debates make no sense without an understanding of the contexts in which they emerged. And although L&W has changed in many ways, we continue to believe that serious critical thought is a crucial - and often missing - part of politics. We hope you will agree that the titles on our website contribute to an understanding of the past, as well as reflecting an engagement with the present and future.
Instructions to Authors
Guidelines for Contributors
Prospective writers are encouraged to contact the editor to discuss their ideas and to make reference to the style guidelines below.
When each article is submitted it should have with it:
1. An abstract of about 150 words
2. A couple of sentences to describe the author, for inclusion on the notes on contributors page. These will normally consist of the author's job and a recent publication, if applicable. If not applicable, something else which indicates their suitability as an author.
3. Author's name and address. Submissions:
Email sally@lwbooks.co.uk with initial proposal. Please note: we will not open attachments from unknown correspondents. Please send an initial proposal without attachment. Once your proposal is agreed, send your article as an rtf file.
Submissions of a paper to Soundings will be taken to imply that it presents original, unpublished work not under consideration for publication elsewhere. By submitting a manuscript the author agrees that he or she is granting the Publisher for a fixed term the exclusive right to reproduce and distribute the paper including reprints, photographic reproductions, microfilm or any other reproduction of a similar nature, and translations. He or she will not be required to assign the copyright.
Style:
Although Soundings maintains very rigorous standards, our aim is for the journal to be accessible to a readership outside academia as well as within. We therefore ask authors not to write in a traditional academic style, and to avoid jargon. We also ask for footnotes to be kept to an absolute minimum, and to be used, for referencing sources rather than simply for indicating lots of other articles in the same field.
References and Notes:
For style, please see below. In general we aim to have very few footnotes in Soundings. Only use footnotes when absolutely essential. Each reference should follow this basic format: name, book, publisher date.
Note the commas. Book in italics, no brackets around publisher.
p6, not p.6 or p. 6
pp67-69 not pp. 67-69 or pp.67-69
op cit not op. cit.
ibid not ibid.
Proofs:
Proofs will only be sent to authors on specific request, arranged in advance. Complimentary Copies and Offprints:
Offprints are not supplied, but every author will naturally receive a free copy of the issue to which he or she has contributed, and may purchase further copies (and back numbers) on trade terms.
Style Guide
- Follow style of Hart's Rules and the Oxford Dictionary for Writers and Editors. Generally consistency is all-important.
- Extracts (quotations of 60 words or more): indent without quotation marks, with a line space above and below, giving reference by superscript numeral and endnote.
- Italics: for names of ships, play titles, newspapers (only The Times, The Guardian and The Economist have 'The' as part of title), paintings, film titles, books, magazines, journals, TV programme names. Poem, essay and short story titles in roman and single quotes.
- Quotations (less than 60 words): single quote marks, but double for quotation within quotation. Square brackets for author/editor's insertion of words not in the original, eg 'in many respects [hers is an] exemplary biography.'
- S/Z: please use s spellings (eg organise, apologise, etc)
- Dashes: spaced 'en' rules - to be typed thus.
- Ellipses: three dots with spaces on either side thus ... even if a sentence ends of starts with one.
- Paragraphs: first paragraph of chapter/section is full out, following paragraphs are closed up and indented.
- Hyphens: maintain consistency (keep list if in doubt): compound nouns, eg film-maker, make-up (but not established compounds, eg soundtrack, comeback, breakdown, etc); adjectival phrases, eg middle-class (but not the noun, eg 'the working class'); but normally not between adverb and adjective, eg well illustrated, widely known); clashing vowels, eg co-operate, re-introduce (but not rewrite, rethink, etc).
- Foreign words/phrases: check with Oxford Dictionary for Writers and Editors for accents and italicisation. Roman only for words/phrases in common usage, eg rendezvous, role, regime (note: no accents).
- Contractions: omit full point of contractions (which end in last letter of word), e.g.: Dr, Mr, Mrs, St, edn, eds, Ltd; and after metric unites (preferred to Imperial measures, but please be consistent), e.g.: cm, m, km, kg, etc.
- Abbreviations: end with full points (since truncated), e.g.: p.m., ed., vol., no., etc. And for initials of people, e.g.: R. A. Butler, Edward W. Said, etc. No full points with initials for organisations etc, e.g.: RAC, BBC, SWP, HMSO, USA, etc.
- Dates: use 1950s not fifties, '50s or 1950's. Use 1984, not '84; and use 1914-18, unless 1899-1902. For complete dates, give thus: 25 June 1992 (not 25th June 1992, or June 25, 1992). Spell out nineteenth century, not 19th century (and note hyphenation of adjectival usage, e.g.: a nineteenth-century tradition).
- Numbers: spell out to 100 (e.g.: eighty-nine), then use numerals (e.g.: 253). The exceptions are measurements (see below) and millions/billions (e.g.: 7.8 million). Thousands: use comma only in five- or six-figure numbers, ie. 4000 but 45,000.
- Measurements: use figures (numerals), e.g.: 8 km, 15 hectares, etc. Film/camera lens measurements thus, 16mm, 35mm (closed up as shown).
- Percentages: use figures, and spell out per cent (two words) (e.g.: 20 per cent).
- Notes and References: when you really do need to give a reference, use a superscript number in the text, and list footnotes at the end in the following way: author's (or editor's) surname (with first name preferably, or initial[s]), title (italicized) and subtitle, publisher, place and date, e.g.: Stuart Hall and Martin Jacques (eds), The Politics of Thatcherism, Lawrence and Wishart, London 1983. Only add page references where appropriate at end. Use ibid. and op. cit., according to Hart's Rules, e.g.: Hall and Jacques, lc. cit., pp49-53.
- Capitalisation: check with Oxford Dictionary for Writers and Editors for capitalisation of proper names etc. Do not capitalise socialism, communism, fascism, the left, the right, etc. For chapter/section headings use upper case for initial letter for all words of three letters and more, excluding conjunctions/articles (after initial capital), e.g.: The End of Fordism and Organised Capitalism.
PoetryPoems should be sent to:
Ruth Borthwick, Poetry Editor
Soundings
c/o Lawrence and Wishart
99a Wallis Road
London E9 5LN
Book ReviewsBook reviews (and books for review) should be sent to the following address:
Jo Littler, Reviews Editor
Soundings
c/o Lawrence and Wishart
99a Wallis Road
London E9 5LN Reviewers should note the following variations from the main style guidelines:
- Manuscripts:: The maximum length is usually 2000 words.
- Reference and Notes: Footnotes should be kept to an absolute minimum. Page references to the book(s) reviewed should be incorporated in the text (eg: 'as the author herself claims (p23)'). References to other works requiring footnotes should be avoided where possible.
- Book Title: Publication details of books under review should include the number of pages and the price of paper and cloth editions where appropriate, eg.: Robert Markley (ed.), Virtual Realities and their Discontents, Johns Hopkins Press, Baltimore 1996, 171pp; ?2.50 paperback, ?2 cloth.
Editorial Board
Editor: Jonathan Rutherford
Managing Editor: Sally Davison
Editorial board: Stuart Hall, Doreen Massey and Michael Rustin (founding editors), Geoff Andrews, Sarah Benton and Jo Littler
Reviews Editor: Jo Littler
Poetry Editor: Jonathan Rutherford
Art Editor: Tim Davison
STAFF
Managing Editor: Sally Davison. sally@lwbooks.co.uk
Finance Director: Avis Greenaway. avis@lwbooks.co.uk
Permissions: Vanna Derosas. vanna@lwbooks.co.uk
Website: Liz Millner liz@lwbooks.co.uk
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