期刊名称:ARTIBUS ASIAE
期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal ARTIBUS ASIAE is a semi-annual publication of scholarly articles, research notes, and book reviews devoted to the history of art and archaeology of Asia. Initiated in 1925, it is now published by the Museum Rietberg Zurich in cooperation with the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C.
ARTIBUS ASIAE is pleased to announce that its back issues of 1925-2000 and supplementa of 1937-1993 are now also available electronically via JSTOR.
Instructions to Authors
SubmissionsARTIBUS ASIAE welcomes submissions of articles and shorter notes that present important original research. Book reviews are commissioned, but authors interested in writing reviews may contact the editor.
Manuscripts submitted for review must have all text typed double-spaced, including quotations, notes, appendices, bibliography, and captions. Use endnotes instead of footnotes and follow the style guide below. For initial submission, illustrations should be provided in the form of good photocopies. In order to allow for anonymous review the author's name should appear on a separate title page, and all self-references should be removed from text and notes.
Please submit manuscripts in duplicate to: ARTIBUS ASIAE Museum Rietberg Zurich Gablerstrasse 15 8002 Zurich Switzerland Fax +41-1-206-3132
Once a paper is accepted for publication, the author will be asked to submit an electronic copy of the manuscript (by email or on CD) for editing, along with a glossary of Chinese or Japanese characters (if any), an alphabetized list of all words containing diacritics (if any), and high-quality glossy black-and-white photographs, color slides, or black line drawings. High-quality digital reproductions are also acceptable.
Authors are responsible for obtaining all necessary permissions for reproduction of copyrighted images and texts and are requested to provide ARTIBUS ASIAE with copies thereof.
Electronic files must not include complex formatting, mixed fonts, or mixed codes. Rare diacriticals should be indicated using substitute characters in a regular font.
All contributors receive one issue of the journal and 25 offprints of their articles.
Style Sheet
CitationsCitation of sources should follow the guidelines of the Chicago Manual of Style (14th edition), chapter 15. At the first mention in a note, a work must be cited in full; thereafter only the author's last name and short titles are used (not op. cit., or loc. cit.). Page numbers are not preceded by p. or pp.
Samples
- Inchang Kim, The Future Buddha Maitreya: An Iconological Study (New Delhi: D. K. Print World, 1997), 223-225.
- Kim, Future Buddha, 223-225.
- Alexander C. Soper, "Northern Liang and Northern Wei in Kansu," Artibus Asiae 21, 2 (1958): 142.
- Soper, "Northern Liang and Northern Wei," 142.
- Li Xueqin, "Niaochongshu lungao," Wenwu (1989.4): 35-46.
- Ouyang Xiu (1007-1072) and Song Qi (996-1061), Xin Tangshu (225 juan, 1060; Beijing: Zhonghua shuju, 1975), 54.1386.
- Xin Tangshu, 54.1386.
- References to Taish shinsh daizôky should be abbreviated Taish volume:text number.page and column, e.g. Huayan jing [Avatamsaka-sûtra], Taish 9:278.293b.
Citation of sources on the Internet should include the author's name, title of document, title of complete work (if relevant), date of publication or last revision, URL (underlined or in italics), date of access (in parentheses).
- Brendan P. Kehoe, "Network Basics," Zen and the Art of the Internet (January 1992), http://www.cs.indiana.edu/docproject/zen/zen-1.0_toc.html (as of 4 June 1999).
- Kashinath Tamot and Ian Alsop, "A Kushan-period Sculpture from the reign of Jaya Varman, A.D. 185, Kathmandu, Nepal," asianart.com, Articles (10 July 1996; updated 25 December 2001), http://www.asianart.com/articles/jaya/index.html (as of 5 April 2003).
Asian TextAll Asian scripts must be transliterated and all foreign words must include full diacriticals. Excepted are words which have become part of the English vocabulary and are used as English terms, such as sutra, nirvana, shogun, Tokyo, Kyoto, or Osaka (instead of sûtra, nirvâna, shôgun, Tôky? Kyôto, or Ôsaka). If your word-processing software does not allow you to print all diacritical marks, please write them by hand clearly in ink on your typescript. The diacriticals in your final electronic file must be encoded in the manner described in this pdf file. Use the following transliteration systems:
- Chinese: Hanyu Pinyin - Japanese: Hepburn - Korean: McCune-Reischauer or Ministry of Culture - Sanskrit: American Oriental Society / Royal Asiatic Society, with full upper and lower diacriticals - Persian and Arabic: as used in the Encyclopedia of Islam, new edition (Leiden: Brill, 1960-), or as used in F. Steingass, A Comprehensive Persian-English Dictionary
Chinese and Japanese characters should be supplied in a separate, alphabetically organized glossary.
All foreign terms not naturalized in current editions of Merriam Webster's Collegiate Dictionary or comparable dictionaries should be italicized. Proper names are not italicized.
General RulesNames
- titles of books and works of art are in italics (both in English and original language)
- reign names are capitalized and not in italics (e.g. the Tianbao reign)
Dates
- BCE, not B.C. or B.C.E.
- CE, not A.D. or C.E.
- 1500s, not 1500's
- 1960s, not sixties
- seventh century, not Seventh Century or 7th Century
- March 5, 1980; or 5 March 1980
- 1980-1984, not 1980-84
Punctuation
- periods and commas go inside quotation marks
- semicolons and colons go outside quotation marks
- use "smart" (curly) quotation marks
- use serial commas
- no commas after "e.g." and "i.e."
Numbers
- numbers one to ninety-nine are written out; numbers 100 and over are in numerals
- approximations in place of numbers are written out (e.g. "around eight hundred")
- pages 232-238, not 232-38
- change fractions to decimals where possible
- centimeters, meters, not cm, m
Editorial Board
EditorsFrançois Louis, Bard Graduate Center, New York Editor-in-Chief
Anne McGannon, New York Editor
Editorial BoardHelmut Brinker, University of Zurich Eberhard Fischer, Museum Rietberg Zurich Jan Fontein, Museum of Fine Arts, Boston B.N. Goswamy, Panjab University, Chandigarh Jean-François Jarrige, Musée Guimet, Paris Donald McCullum, University of California, Los Angeles Kyôtar?Nishikawa, Kanagawa Prefectural Museum of Cultural History Jessica Rawson, Merton College, Oxford Adele Schlombs, Museum für Ostasiatische Kunst, Cologne Roderick Whitfield, University of London Joanna Williams, University of California, Berkeley
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