期刊名称：SCREEN
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
About the Journal
Screen is the leading international journal of academic film and television studies. From video art to popular television, from Hollywood to Hong Kong, from art cinema to British film finance, Screen authors cover a wide range of issues, both contemporary and historical, from a variety of disciplinary perspectives. Each quarterly issue combines substantial scholarly essays with reports and debates on conferences and current research, along with book reviews.
Abstracting and Indexing Services
Screen is covered by the following abstracting/indexing services:-
HW Wilson: Art Index
ISI: Arts Humanities Citation Index
CSA: British Humanities Index
ISI: Current Contents Arts Humanities
Film Literature Index
Research Alert
Studies in Women Abstracts
Instructions to Authors
Information for Authors
Papers submitted to Screen should be double spaced on good quality A4 or equivalent size paper, with wide margins, and sent to: The Editors, Screen, John Logie Baird Centre, Department of Theatre, Film and TV Studies, University of Glasgow, Glasgow G12 8QQ, Scotland. Typescripts will not be sent back to authors unless return postage is enclosed. An electronic copy should also be submitted to Screen. Authors should ensure that papers submitted are correct in style and language and that the print is dark enough to photocopy. Author's name should be printed on title page only.
Authors should include with submitted material a brief biographical note, including institutional affiliation, and a 250-word abstract.
Submission of a manuscript is taken by the Editors to imply that the paper represents original work not previously published and not under consideration for publication, elsewhere; and if accepted for publication that it will not be published elsewhere in the same form, in any language, without the consent of the Editors and Publisher. It is also assumed that the author will have obtained the necessary permissions to include in the paper copyright material such as illustrations, extended quotations, etc. Authors who have material published in Screen will receive one free copy of the journal issue and 25 offprints of their contribution free of charge. Republication in an anthology or collection of an author's own work is freely permissible, with due credit to Screen. Republication otherwise requires the permission of Screen, the Publisher and the author.
Photographs and other illustrative material submitted with the typescript should be clearly labelled with the author's name and with figure number and caption. Tables should be submitted separately from written text, with a note indicating desired position in text.
Notes and references, which should be kept to a minimum, should be on an automatic numbering system where possible, and appear at the end of the article, not at the foot of individual pages.
Style for citations of written sources is as follows:
1. Christian Metz, Psychoanalysis and Cinema: The Imaginary Signifier, trans. Celia Britton. Annwyl Williams, Ben Brewster and Alfred Guzzetti (London: Macmillan, 1982).
2. Ginette Vincendeau, 'Melodramatic realism: on some French women's films in the 1930s', Screen, vol. 30, no. 3 (1989), pp. 51-65.
3. Monika Treut, 'Female misbehaviour', in Laura Pietrapaolo and Ada Testaferri (eds), Feminisms in the Cinema (Bloomington and Indianapolis: Indiana University Press, 1995), pp. 106-21.
References to films in both notes and main text should include full title with initial capitalisation according to accepted style of the language concerned. Titles should be italicised, and in the case of non-English language films original release title should precede US and/or British release title, followed by director and release date in round brackets:
A bout de souffle/Breathless (Jean-Luc Godard, 1960)
Where such information is relevant to the argument and does not appear elsewhere in the text, details of production company and/or country of origin may also be included:
The Big Sleep (Howard Hawks, Warner Bros, US, 1945).
References to television programmes should be dated from the year of first transmission, and, in the case of long-running serials, the duration of the run should be indicated. Details of production company, transmitting channel, country, may be supplied where they are relevant to the argument:
Coronation Street (Granada, 1961- )
Where writers or producers are credited their role should be indicated:
Where the Difference Begins (w. David Mercer, BBC, 1961).
It is a condition of publication in the journal that authors grant an exclusive licence to Oxford University Press. This ensures that requests from third parties to reproduce articles are handled efficiently and consistently and will also allow the article to be as widely disseminated as possible. As part of the licence agreement, you may however reuse your material in other publications provided that the journal is acknowledged as the original place of publication and Oxford University Press as the Publisher.
Editorial Board
Editorial Board
REVIEWS EDITOR:
Karen Lury
Publishers: Sending books for review
WEBSITE EDITOR:
Annette Kuhn
REPORTS AND DEBATES EDITOR:
EDITORIAL ADVISORY BOARD:
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