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期刊名称：ART HISTORY ISSN： 0141-6790 出版频率： Bi-monthly 出版社： WILEY, 111 RIVER ST, HOBOKEN, USA, NJ, 07030-5774   出版社网址： http://www.blackwellpublishing.com/ 期刊网址： http://www.blackwellpublishing.com/journal.asp?ref=0141-6790&site=1 主题范畴： ART 期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)    About the journal Aims and Scope Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier  or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches. Visit the website for the Association of Art Historians Instructions to Authors 1.  Guidelines for Contributors:   Three copies of an article (double spaced) for consideration should be sent to the editor (AAH address below), together with a word count (including notes), a 100 word abstract, list of illustrations and photocopies of illustrations, also in triplicate. Authors are responsible for securing permission to reproduce quoted material and all illustrations. Please also include (on a separate sheet) a very short biographical note which incorporates your institutional address. To assist the referee process the author's name must only appear on a separate cover sheet. All manuscripts must conform to the Art History Guidance, available from the Association of Art Historians, 70 Cowcross Street, London Style EC1M 6EK, UK or the AAH website.    Contributions should be sent to Deborah Cherry, Editor, Art History, at the above address in UK English on single sided white paper double-spaced in Times New Roman illustrated (initial submission with accompanying photocopies of illustrations) 12 point throughout, including endnotes and abstract Cover Sheet should include: full name and Title Institutional address Home address (optional) Telephone number Fax number (optional) Email address Title of submission Please ensure that your name does NOT appear anywhere other than on the Cover Sheet. This is to preserve author anonymity and failure to comply with these guidelines may result in considerable delay to the review process.   Editorial Procedures Art History does not publish previously published material Art History is a peer-reviewed journal and articles considered for publication are read by specialist readers, as well as the editorial team Art History aims to inform potential contributors of a decision within three to four months of their submission though this can be variable All submitted articles are read by three readers, one of whom is the Editor Decisions by the Editor are final Once accepted, it can take up to eighteen months for an essay to be published The editors reserve the right to edit the texts received. Any substantial changes will be made in consultation with the author Once accepted for publication, the author must agree to undertake any necessary revisions and to deliver a final copy to the editor by a mutually agreed date Art History encourages illustrated articles and if necessary may ask authors to supply extra images All articles accepted for publication will be sent to author at proof stage Authors are expected to correct page proofs which will normally be dispatched three months before publication; they must be returned to the editor or deputy editor within ten days of receipt No material changes may be made at proof stage; printer's errors must be corrected Authors can order off prints of their article Length and format Art History does not impose a set length for submissions Art History encourages fully illustrated submissions but please remember that it is the responsibility of the author to provide both the image and the permission to reproduce UK English All contributions must be typed (three copies for articles; one copy in case of reviews) Double spaced Times New Roman 12 pt throughout, including endnotes and abstract on one-side of the paper only The title page should indicate the author's name, institution (if any), address, telephone number and email address Do not put author's name on any subsequent pages Indicate word count (text and notes) Do not use headers and footers Disk file and print outs of the article submitted and accepted for publication must be identical. Please use virus checks of files Text files should be submitted in MS word with simple file names, such as 'smith.doc' (Mac users: all files should be free of dots other than .doc extension) Disks must be clearly labelled Please use generous margins: at least 5cm Endnotes only; not footnotes Endnotes to begin on a new page Do not use Latin abbreviations in endnotes (ibid, op. cit., etc) No separate bibliographies; please incorporate all references into endnotes Illustrations: please supply photocopies of all suggested illustrations with the initial submission including captions as a Word document If presenting images as e-files or on CD please accompany submission with a typed list of file names identifying images and a print copy of each image Acknowledgements should be an unnumbered endnote at the beginning of Endnotes Endnotes are for cited references not for lengthy argument Please supply an abstract of 100-150 words Please retain a copy of the typescript as submitted Editorial Board Editor Deborah Cherry, Central St. Martin's College of Art and Design, UK Deputy Editor Fintan Cullen, University of Nottingham, UK Reviews Editor Cordelia Warr, University of Manchester, UK Editorial Assistant Sarah Sears Editorial Coordinator Jody Patterson Editorial Board Colin Cruise, Chair, Association of Art Historians Claire Davies, Senior Administrator, Association of Art Historians Eric Fernie, Courtauld Institute of Art Valerie Fraser, University of Essex Clare Harris, University of Oxford Mark Haworth-Booth, London College of Communication Zhang Hongxing, Victoria and Albert Museum David Jaffe, National Gallery David Lomas, University of Manchester Liz Prettejohn, University of Bristol Dorothy Rowe, Roehampton University  Katie Scott, Courtauld Institute of Art Timon Screech, School of Oriental and African Studies, University of London Margit Thofner, University of East Anglia Cordelia Warr, University of Manchester International Advisory Board Members Leonard Bell, University of Auckland Thomas Crow, The Getty Research Institute Page Dubois, University of California at San Diego Suzann von Falkenhausen, Humboldt-Universität zu Berlin Thomas Gaehtgens, Freie Universität Berlin Jonathan D. Katz, Yale University Pat Kirkham, Bard Center for Studies in Decorative Arts, Design and Culture Ségolène Le Men, Universit?de Paris Alexander Nagel, University of Toronto Mari Carmen Ramirez, Museum of Fine Arts, Houston Adrian Randolph, Dartmouth College Mary Roberts, University of Sydney Conrad Rudolph, University of California, Riverside Susan Seigfried, University of Michigan Richard Shiff, University of Texas, Austin Charlotte Townsend-Gault, University of British Columbia Association of Art Historians Colin Cruise, Chair, Association of Art Historians Claire Davies, AAH Administrator, Association of Art Historians