期刊名称：PERFORMANCE RESEARCH
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Aims & Scope
Performance Research is a specialist journal that promotes a dynamic interchange between scholarship and practice in an expanding field of performance. Interdisciplinary in vision and international in scope, its emphasis is on research in contemporary performance arts within changing cultures.
Performance Research is published in English and welcomes submissions in other languages. The Editors encourage work that challenges boundaries between disciplines and media. Each 144 pp. issue contains articles, documents, interviews, reviews as well as illustrations and original artworks.
Performance Research acknowledges support from Centre for Performance Research, University of Aberystwyth; Dartington College of Arts, Devon, UK; Institute for Digital Arts & Technology (i-DAT), University of Plymouth.
Disclaimer for scientific, technical and social science publications:
Taylor & Francis makes every effort to ensure the accuracy of all the information (the "Content") contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis
Instructions to Authors
Instructions for Authors
***Note to Authors: please make sure your contact address information is clearly visible on the outside of all packages you are sending to Editors.***
Performance Research is published four times a year (March/ June/ September / December) and actively seeks submissions on all areas of performance research, practice and scholarship from artists, scholars, curators and critics as well as inviting submissions and proposals for forthcoming issues.
See http://www.performance-research.net/pages/futureissues.html for forthcoming themes.
As well as substantial essays, interviews, reviews and documentation we welcome proposals using visual, graphic and photographic forms, including photo essays and original artwork which extends the possibilities for the visual page. We are also interested in proposals for collaborations between artists and critics.
Proposals may be submitted at any time to the Administrator at the address below on one sheet of A4 or by e-mail attachment containing an abstract, proposed word count and description. Unsolicited articles may be submitted for consideration by e-mail attachment or on disk accompanied by double spaced hard copy.
Performance Research is MAC-based and prefers texts written in MS-Word using Harvard style and endnotes. Images should be generated as TIFF files with credits and captions.
Detailed Guidelines for Contributors are available on request.
Proposals, Articles and all Editorial Enquiries should be directed to:
Linden Elmhirst
Administrative Assistant/ Performance Research
Dartington College of Arts
Totnes, Devon
TQ9 6EJ, UK
t. +44 (0)1803 861683
e. performance-research@dartington.ac.uk
w. http://www.performance-research.net
PLEASE NOTE:
Submission of an article to Performance Research will be taken to imply that it presents original, unpublished work not under consideration for publication elsewhere. By submitting a manuscript, the authors agree that the exclusive rights to reproduce and distribute the article have been given to the publishers.
Free article access:
/p> Corresponding authors will receive free online access to their article through our website (www.informaworld.com) and a complimentary copy of the issue containing their article. Reprints of articles published in this journal can be purchased through Rightslink?when proofs are received. If you have any queries, please contact our reprints department at reprints@tandf.co.uk
Editorial Board
Editorial Board
Editors:
Ric Allsopp - Department of Contemporary Arts, Manchester Metropolitan University, UK
Richard Gough (General Editor) - University of Wales, Aberystwyth, UK
Review Editor:
Gianna Bouchard - Anglia Ruskin University, Cambridge and Chelmsford, UK
Consultant Editors:
Rachel Fenshaw - University of Surrey, UK
Claire MacDonald - Independant Writer and Research Fellow at Central St. Martins College of Art, London, UK
Alan Read - Roehampton University, UK
Heike Roms - University of Wales, Aberystwyth, UK
David Williams - Dartington College of Arts, UK
Editorial Board:
Philip Auslander - Georgia Institute of Technology, USA
Eugenio Barba - Director, Nordisk Teaterlaborium, Hostelbro, Denmark
Gunter Berhaus - University of Bristol, UK
Rustom Bharucha - Writer, Critic and Theoretician, Calcutta, India
Johannes Birringer - Nottingham Trent University, UK
Judie Christie - Centre for Performance Research, Aberystwyth, Wales
Toni Cots - Producer/ Researcher, Centre L'Animal a l'esquna, Girona, Catalunya
Enzo Cozzi - Royal Holloway, University of London, UK and Universidad ARCIS, Santiago, Chile
Scott deLahunta - Writing Research Associates, Amsterdam, Netherlands
Rachel Fensham - Monah University, Clayton, Australia
Josette Féral - University of Quebec, Montreal, Canada
Norman Frisch - Dramaturg and Producer, New York, USA
Deng Fuquan - Dramaturg and Critic, Singapore
Coco Fusco - Tyler School of Art, Philadelphia, USA
John Hall - Dartington College of Arts, Totnes, UK
Peter Holland - Notre Dame University, Ohio, USA
Marijke Hoogenboom - Amsterdam School of the Arts, Netherlands
Emil Hrvatin - Director ad Dramaturg, Ljubljana, Slovenia
Tyrone Huggins - Actor, Writer and Director, Birmingham, UK
Peter Hulton - Director, Arts Documentation Unit, Exeter, UK
Adrian Kear - Roehampton University, UK
Bojana Kunst - Philosopher and Dramaturg, Ljubljana, Slovenia
Stephanie Jordan - Roehampton University, UK
Nick Kaye - University of Exeter, UK
Hans-Thies Lehman - Johann Wolfgang Goethe-Universitat, Frankfurt am Main, Germany
Andr?Lepecki - New York University, USA
Alastair MacLennan - University of Ulster, UK
Susan Melrose - Middlesex University, UK
Marian Pastor Roces - Independent Curator and Critic, Sydney, Australia
Drew Milne - Trinity Hall, Cambridge, UK
Mark Minchinton - Victoria University, Melbourne, Australia
Patrice Pavis - University of Paris & France
Andrea Phillips - Goldsmiths College, University of London, UK
Mike Philips - University of Plymouth, UK
Goran Sergej Pristas - Centre for Dramatic Arts, Zagreb, Croatia
Talia Rodgers - Routledge, Taylor & Francis Ltd, London, UK
Valentina Valentini - University of Calabria, Italy
Mick Wallis - University of Leeds, UK
Tracey Warr - Oxford Brookes University, UK
Angharad Wynne-Jones - London International Festical of Theatre, UK
Performance Research was founded in 1995 by Ric Allsopp, Richard Gough and Claire MacDonald.
www.performance-research.net
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