期刊名称：OXFORD ART JOURNAL
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
About the Journal
The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.
Abstracting and Indexing Services
Oxford Art Journal is covered by the following abstracting/indexing services:-
ABC CLIO America: History & Life
ABC CLIO Historical Abstracts
Alternative Press Index
Art Index
ARTbibliography Modern
Abery Index Architecture Periodical
BHA: Bibliography History of Art
British Humanities Index
ISI: Arts & Humanities Citation Index, Current Contents/Arts & Humanities, Research Alert
Periodicals Contents Index
RILA International Reports Literature & Art
Romantic Movement
Instructions to Authors
Information for Authors
NOTES FOR CONTRIBUTORS
For general guidance see The Oxford Guide to Style (Oxford, 2002) and the Oxford Dictionary for Writers and Editors (Oxford, latest edn).
The Oxford Art Journal normally publishes articles between 6000 and 10,000 words in length. Please provide an abstract of between 150 and 200 words. All text should be double spaced (including footnotes and captions). Unaccepted manuscripts will not be returned to authors. Texts should conform to English spelling. Avoid use of bold text unless essential.
Subheadings: use upper and lower case.
Quotations: use single quotation marks throughout; for quotations within quotations use double quotation marks. Longer quotations should appear as an indented block without quotation marks.
Signal breaks in the text thus: ... (where the set of three points [ellipsis] marks a break in the text, leave a space before and after); do not use an ellipsis at the beginning of quotations; if ... is used at the end of a quotation, add a final point, placing footnote inside last point (...1.).
Foreign words: keep in roman as much as possible (œuvre, fin-de-siiècle, repoussoir, trompe l'œil, Académie); italicise only if unfamiliar or in an inaccessible language. Do not italicise foreign words in quotations of text in a foreign language. In the main text, unless the foreign quotation is short and obvious, give an English translation in the text and the original (unitalicised) in a note.
Capitalisation: be consistent, especially with terms such as Cubist, Cubism, Surrealist, Surrealism and especially with Modernist.
Punctuation: do not use full points with contractions and acronyms (Dr, Mrs, St, RIBA, MOMA). Do not use apostrophes with 1880s, 1900s etc.
Dates: the nineteenth century, not 19th; 9 May 1962; BC or AD, no points.
Hyphenate adjectives: art-historical methodology, nineteenth-century France, middle-class values; do not hyphenate nouns: the nineteenth century, the middle class.
Illustrations: should be referred to in the text thus: (Fig. 1). All copyright permission must be cleared and if necessary paid for by the author; this includes applications and payments to DACS, ARS and similar licensing agencies where appropriate. It is also the author's responsibility to include acknowledgements as stipulated by particular institutions. Send photocopies in the first instance, not photographs. For accepted articles, photographs must be good quality black and white prints.
Captions: follow this pattern: Fig. 1. Jacques-Louis David, The Oath of the Horatii, 1784-5, oil on canvas, 200 x 300 cm. Musée du Louvre, Paris. (Photo: Réunion des Mus&eactue;e Nationaux.)
References in notes:
Articles: John Smith, 'Afterthoughts on Manet's Olympia', Oxford Art Journal, Vol. 33, no. 2, October 2010, pp. 89-99.
N.B. for volume numbers, use arabic numerals, not roman (20 not XX). For page numbers use pp. 70-7, not pp. 70-77, but note: 10-11, 16-18 etc., for the group of 10-19 in each hundred. Leave a space between p./pp. and numbers, also after vol. and no.
Books: John Smith, Manet: New Documents (Utopia Press: London, 2010).
Edited Works: John Smith (ed.), Manet, 2 vols (Oxford University Press: Oxford, 2010).
Exhibitions: Cézanne: The Late Work, Grand Palais, Paris, 1980.
French Titles: La Couleur éloquente, not La Couleur Éloquente. However, when adjective precedes first noun, it goes into capitals: Petit Dictionnaire critique et anecdotique des enseignes de Paris.
Use trans., and intro. as abbreviations followed by name: ed. or eds for editor or editors, edn for edition.
Do not use op. cit., ibid., etc. Refer to author and shortened version of reference (with date if this is required for clarity) thus: Smith, 'Afterthoughts' (2010), pp. 89-90, or: Smith, Manet, p. 12.
Copyright: It is a condition of publication in the journal that authors grant an exclusive licence to Oxford University Press. This ensures that requests from third parties to reproduce articles are handled efficiently and consistently and will also allow the article to be as widely disseminated as possible. As part of the licence agreement, authors may use their own material in other publications provided that the journal is acknowledged as the original place of publication, and Oxford University Press is notified in writing and in advance.
Offprints The publisher will supply authors with 25 free offprints and 1 gratis copy of the issue in which their article appears. The authors will also receive free online access to their papers.
Articles and editorial correspondence should be sent to:
Constance Gounod
Department of Art History
University College London
Gower Street
London WC1E 6BT
England
Books and other review material should be sent to:
Simon Baker or Richard Wrigley
Department of Art History
University College London
Gower Street
London WC1E 6BT
England
Editorial Board
Editorial Board
EDITORIAL GROUP:
Caroline Arscott
The Courtauld Institute of Art, UK
Simon Baker
University of Nottingham, UK
Professor Jon Bird
School of Arts
Middlesex University
Cat Hill
Barnet
Hertfordshire
EN4 8HT
UK
Telephone:
+44 (0)20 8411 5143
Gail Day
University of Leeds, UK
Mark Godfrey
The Slade School of Fine Art, UCL, UK
Maria Loh
University College London, UK
Pat Rubin
The Courtauld Institute of Art, UK
Frederic J. Schwartz
University College London, UK
Richard Wrigley
University of Nottingham, UK
BOOK REVIEW EDITOR:
Simon Baker or Richard Wrigley
Department of Art History
University of Nottingham
University Park
Nottingham NG7 2RD
UK
EDITORIAL ASSISTANT:
Constance Gounod
ADVISORY EDITORS:
J Alexander
O Baddeley
S Behr
C Duncan
H Guest
A Hemingway
P Higginson
J Onians
F Orton
A Potts
R M San Juan
P Simons
E Welch
P Wood
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