期刊名称:MODERNISM-MODERNITY
期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
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Concentrating on the period extending roughly from 1860 to the present, Modernism/modernity focuses on the methodological, archival, and theoretical exigencies particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue between social scientists and humanists about the history of modernism and its relations to modernization. Each issue features a section of thematic essays as well as book reviews and a list of books received. Modernism/modernity is the official journal of the Modernist Studies Association; members of the MSA automatically receive four free issues of Modernism/modernity (published in January, April, September, and November) and have free access to the journal online through Project Muse. In 2003, Modernism/modernity received the Phoenix Award for Significant Editorial Achievement from the Council of Editors of Learned Journals. Modernism/modernity has three editors, one appointed to five-year terms by the MSA and two appointed by Johns Hopkins University Press. Each September issue is edited by the MSA editor and includes a selection of peer-reviewed articles from the proceedings of the prior year's annual MSA conference. Occasionally, one of the other three regular annual issues of the journal is a guest-edited special issue.
Instructions to Authors
Author Guidelines
Manuscript Format and Submission Procedure The MSA issue is the third issue of each volume and is edited by Drew University. Issues 1, 2, and 4 are edited alternately by the Stanford and York offices. Potential contributors should direct queries and submissions accordingly. The book review section is edited by the University of York office; all correspondence regarding reviews should be directed there.
Please double-space manuscripts throughout, with one-inch margins and endnotes. A copy of the manuscript, preferably in Microsoft Word, with covering letter, can be sent as an attachment via email.
Submissions should be sent to only one office; see below for more information. Style and format should be consistent with the The Chicago Manual of Style, 15th ed. or above.
Authors must obtain permissions for illustrations. A black-and-white glossy print of each illustration will be needed, though a photocopy of good quality is acceptable for initial submission. Captions should be typed on a separate piece of paper, with appropriate credits and permissions.
The following forthcoming issues will be edited by the York office: January 2007; November 2007; April 2008; January 2009; November 2009.
Department of English University of York Heslington, York YO1O 5DD United Kingdom E-mail: english-modernism@york.ac.uk Phone: 44-1904-433341
The following forthcoming issues will be edited by the Stanford office: April 2007; January 2008; November 2008; April 2009.
Dept. of Comparative Literature Building 260 Stanford University Stanford, CA 94305-2031 E-mail: modernism-modernity@stanford.edu Fax: 650-723-0482
Issue 3
Department of English Drew University 36 Madison Ave. Madison, N.J. 07940 E-mail: claity@drew.edu Phone: 973-408-3141
Editorial Board
Editors and Editorial Board
Editors Jeffrey T. Schnapp, Stanford University Cassandra Laity, Drew University Lawrence Rainey, University of York
Editorial Interns Jamie Cahiwat, Drew University
Editorial Board National Literatures Mary Gluck, Brown University / Central Europe Denis Hollier, New York University / France Paolo Valesio, Yale University / Italy Dorothea Dornhof, Humboldt University / Berlin, Germany Roberto Gonz¨¢lez-Echevarr¨ªa, Yale University / Spain and Latin America Sonia Mattalia, University of Valencia / Spain and Latin America Claude Rawson, Yale University / United Kingdom A. Walton Litz, Princeton University / United Kingdom and United States Marjorie Perloff, Stanford University / United Kingdom and United States Ronald Bush, St. John's College, Oxford University / United Kingdom and United States Robert von Hallberg, University of Chicago / United States and Germany
The Arts Robert Morgan, Yale University / Music Richard Taruskin, University of California at Berkeley / Music Charles Harrison, Open University / Visual Arts Patricia Leighten, Duke University / Visual Arts Francesco Dal Co, Yale University / Architecture Kenneth Frampton, Columbia University / Architecture
Intellectual History and Social Theory Martin Jay, University of California at Berkeley /Intellectual History Anthony Giddens, King's College, Cambridge University / Social Theory Robert Wohl, University of California at Los Angeles / Continental Culture Arthur Danto, Columbia University / Philosophy and Aesthetics Vincent Crapanzano, CUNY Graduate School / Anthropology Paul DiMaggio, Princeton University / Sociology
Other Fields Rachel Blau Duplessis, Temple University / Gender and Modernism Susan Stanford Friedman, University of Wisconsin-Madison / Transnational Modernism and Modernity Lisa Tickner, Middlesex University / History of Feminism Emilio Gentile, University of Rome / Fascism Jerome McGann, University of Virginia / Nineteenth-Century Literature Karlheinz Barck, Max Planck Center, Berlin / Avant-Garde Culture Peter Galison, Harvard University / History of Science Jean-Michel Rabat¨¦, University of Pennsylvania / Literary Modernism Michael Andr¨¦ Bernstein, University of California at Berkeley / Literary Modernism Peter Jelavich, University of Texas / German Culture John Sutherland, University College, London / Publishing History Rita Felski, University of Virginia / Feminist Theory
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