期刊名称：MEDICAL PROBLEMS OF PERFORMING ARTISTS
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
About MPPA
Medical Problems of Performing Artists is a peer-reviewed medical journal that provides a worldwide forum for professionals involved in practice and research related to performing arts medicine. Issued quarterly, it publishes information about the origin and nature, management, and rehabilitation of medical problems affecting musicians, dancers, vocalists, actors, and others, including anxiety, musculoskeletal injuries and overuse, finger and hand problems, voice and hearing problems, stress, eating disorders, and neuromuscular disorders.
Instructions to Authors
Medical Problems of Performing Artists
Information for Prospective Authors
Medical Problems of Performing Artists provides a worldwide forum for professionals in all fields of practice and research related to the medical aspects of the performing arts, including medical problems of musicians, dancers, vocalists, and others.
MPPA is pleased to consider original research studies, case reports, personal essays, review articles, book reviews, and letters to the editor with the understanding that they have not been published or submitted for publication elsewhere.
Manuscripts
Manuscripts should be submitted with a cover letter indicating the name, address, telephone and fax numbers, and e-mail address of the person responsible for correspondence regarding the manuscript. Authors should disclose any financial conflicts of interest that may influence interpretation of their study results, and the study should have been performed following standard ethical guidelines.
Copyright Release. A statement must be signed by all authors that says, ?In consideration of Medical Problems of Performing Artists? taking action in reviewing and editing my submission, the author(s) undersigned hereby indicates their material participation in the study and transfers, assigns, or otherwise conveys all copyright ownership to Science & Medicine, Inc., in the event that such work is published in Medical Problems of Performing Artists.?
Manuscripts accepted for publication are copyrighted by the publisher in the issue published and may not be reproduced elsewhere without written permission.
Format. Manuscripts should be submitted in standard word-processing format (e.g., MS Word, WordPerfect) via e-mail to the editor. If the file is large, figures, tables, and photos may be submitted as separate files. Alternatively, a CD with the manuscript in the same format may be mailed to the editor.
The manuscripts, including references, must be typed double-spaced with 1-inch margins throughout. Title page should include the following: title; authors, with highest earned degrees and institutional affiliations; name, mailing address, phone and fax numbers, and e-mail address of the corresponding author, acknowledgment of grants, any conflicts of interest, and prior presentation. Borrowed materials must be fully identified and written permission must be obtained from both author and publisher.
Abstracts. All articles should include an abstract summarizing the objective, methods, results, and conclusion of the study. Length should not exceed 250 words.
Tables and Illustrations. Tables should enhance rather than repeat material contained in the text. Illustrations are encouraged and should be professionally drawn and submitted as glossy or laser prints or as electronic files (EPS, TIFF, or high-resolution JPEG format preferred). (The publisher is able to provide assistance with improving the look of some figures.) All tables and illustrations must be cited, in order, in the text.
References. References should be listed consecutively as they appear in the text. Journal references must contain names of all authors, complete title, name of the journal (abbreviated in Index Medicus style), year, volume number (and issue number if needed), and inclusive numbers. Book references must contain names of all authors/editors, title of the book, name and location of the publisher, and year. Material from online sources should list the URL and date accessed. Generally, original articles should not cite more than 25 references.
The following are examples of a journal article and book citation:
Weinstein MS, Newmark J: Canary in the coal mine: how a performing artist?s medical program adapts to the changing medical marketplace. Med Probl Perform Art 1996; 11:12-14.
Sataloff RT, Brandfonbrener AG, Lederman RJ (eds): Textbook of Performing Arts Medicine. New York, Raven Press, 1991.
Review Process
All manuscripts are read by the editor and are subject to review by the editor, editorial board, or other authority in the field. Manuscripts are judged on their originality, methods, presentation, and appropriateness for the journal.
Most manuscripts require revisions before being accepted by the editor. Accepted manuscripts will be copyedited to eliminate grammatical errors, to enhance clarity, and to conform to journal style. The first author (or corresponding author) will receive PDF proofs of the edited article via e-mail prior to publication.
Indexing: The journal is listed in Current Contents/Arts & Humanities, ISI/BIOMED, Excerpta Medica/EMBASE, CINAHL, International Index to Music Periodicals, the Music Index, and RILM (Répertoire Internationale de Littérature Musicale) Abstracts of Music Literature. Content should be retrievable through Internet searches.
Reprints
Reprints may be purchased from the publisher. A price list and order form accompany the proofs.
Manuscripts should be submitted to the editor:
Ralph A. Manchester, MD
E-mail: rmanchester@uhs.rochester.edu
Editorial Board
EDITOR
Ralph A. Manchester, MD
University Health Service, University of Rochester, Rochester, NY
EDITORIAL BOARD
Bronwen Ackermann, Ph.D., P.T.
Physical Therapy, Canberra, Australia
Peter C. Amadio, M.D.
Mayo Clinic, Rochester, MN
Andr?François Arcier, M.D.
Montauban, France
John H. M. Austin, M.D.
Columbia University College of Physicians and Surgeons, New York, NY
Jochen Blum, M.D.
University Clinics Mainz, Mainz, Germany
Alice G. Brandfonbrener, M.D.
Rehabilitation Institute of Chicago, Northwestern University School of Music, Evanston, IL
Michael E. Charness, M.D.
Harvard University Medical School, Boston, MA
Kris Chesky, Ph.D.
Texas Center for Music and Medicine, University of North Texas, Denton, TX
William J. Dawson, M.D.
Northwestern University Medical School, Evanston, IL
Dwight K. Dowda, M.D.
Australasian Faculty of Occupational Medicine, Annandale, Australia
Richard G. Eaton, M.D.
St. Luke`s-Roosevelt Hospital Center, Columbia University College of Physicians and Surgeons, New York, NY
James G. Garrick, M.D.
Center for Sports Medicine, St. Francis Memorial Hospital, San Francisco, CA
Mark Hallett, M.D.
National Institute of Neurological Disorders and Stroke, NIH, Bethesda, MD
Linda H. Hamilton, Ph.D.
School of American Ballet and Alvin Ailey American Dance Center, New York, NY
William G. Hamilton, M.D.
Columbia University, New York City Ballet, American Ballet Theater, and School of American Ballet, New York, NY
Richard A. Hoppmann, M.D.
University of South Carolina School of Medicine, Columbia, SC
Justin Howse, F.R.C.S.
British Performing Arts Medicine Trust, London, UK
Robert Kalish, M.D.
Tufts?New England Medical Center, Boston, MA
Donna Krasnow, M.S.
York University, Toronto, Canada
Frederick Langendorf, M.D.
Hennepin County Medical Center, University of Minnesota Medical School, Minneapolis, MN
Richard J. Lederman, M.D., Ph.D.
The Cleveland Clinic Foundation, Medical Center for Performing Artists, Cleveland, OH
Susan A. Lee, Ph.D.
Marjorie Ward Dance Center, Northwestern University, Evanston, IL
Ralph A. Manchester, M.D.
University Health Service, University of Rochester, Rochester, NY
William B. Meinke, M.D.
Occupational Medicine, Wailuku, HI
Clay Miller, M.F.A., M.D.
Boston University Medical School, Boston, MA
Stephen A. Mitchell, M.D.
The Voice Clinic, Nashville ENT Clinic, Nashville, TN
Helmut Möller, M.D.
Deutsche Gesellschaft für Musikermedizin und Musikphysiologie, Berlin, Germany
Julie Jaffee Nagel, Ph.D.
Clinical Psychology, Ann Arbor, MI
Miikka Peltomaa, M.D., Ph.D.
Helsinki University Central Hospital, Helsinki, Finland
Kyle D. Pruett, M.D.
Yale Child Study Center, New Haven, CT
Susan D. Raeburn, Ph.D.
Clinical Psychology, Berkeley, CA
Boni Rietveld, M.D.
Medical Center for Dancers/Musicians, Westeinde Hospital, The Hague, The Netherlands
Bonnie Robson, M.D.
Psychiatry, Belleville, Ontario, Canada
Paul G. Salmon, Ph.D.
University of Louisville, Louisville, KY
G. James Sammarco, M.D.
University of Cincinnati Medical Center and Clinic for Performing Arts, Cincinnati, OH
Robert T. Sataloff, M.D., D.M.A.
Thomas Jefferson University, Philadelphia, PA
Vincent Travers, M.D.
Clinique du Musicien, Lyon, France
ARTISTIC ADVISORY BOARD
Merrill Ashley
New York City Ballet, New York, NY
Per Brevig
The Juilliard School, New York, NY
Earl Carlyss
Peabody Institute (Balt.) and The Juilliard School, New York, NY
Phyllis Curtin
Boston University, Boston, MA
Jacques d`Amboise
National Dance Institute, New York, NY
Brian Dennehy
Actor, Woodstock, CT
Leon Fleisher
Peabody Institute and Curtis Institute, Baltimore, MD
Frank Galati
Northwestern University Theatre Dept., Evanston, IL
Gary Graffman
Curtis Institute of Music (Philadelphia), New York, NY
Hakan Hagegard
Singer, Edane, Sweden
Jeffrey Irvine
Cleveland Institute of Music, Cleveland, OH
Robert Levine
Milwaukee Symphony Orchestra, Milwaukee, WI
Cho Liang (Jimmy) Lin
Violinist, New York, NY
Yo-Yo Ma
Cellist, Cambridge, MA
Zubin Mehta
Bayerischen Staatsoper, München, Germany
Joseph Polisi
The Juilliard School, New York, NY
Steve Rodby
Jazz/Fusion Bassist, Chicago, IL
Arnold Steinhardt
Violinist/Violist, New York, NY
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