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期刊名称:LITERATURE & HISTORY-THIRD SERIES

ISSN:0306-1973
出版频率:Semi-annual
出版社:SAGE PUBLICATIONS LTD, 1 OLIVERS YARD, 55 CITY ROAD, LONDON, ENGLAND, EC1Y 1SP
  出版社网址:http://www.manchesteruniversitypress.co.uk/
期刊网址:http://www.manchesteruniversitypress.co.uk/journals/journal.asp?id=1
主题范畴:HISTORY;    LITERATURE

期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)   



About the journal

Literature & History is a biannual international refereed journal concerned to investigate the relations between writing, history and ideology. It provides an open forum for practitioners coming from the distinctive vantage points of either discipline (or from other adjacent subject areas) to explore issues of common concern: period, content, gender, class, nationality, changing sensibilities, discourse and language. Unique in its essentially plural identity, Literature & History began publication in 1975 and since 1992 has appeared under the imprint of Manchester University Press. Special issues devoted to a particular period or theme (produced under guest editorship) are published from time to time. Literature & History is a well known, theoretically self-conscious, and much referred to landmark in interdisciplinary studies and has consistently attracted contributions of high calibre.


Instructions to Authors

Notes for contributors

Contributions may be sent to the journal editors. Essays should not exceed 7,500 words. Contributors should supply submissions in triplicate and with a stamped, self-addressed return envelope.

Please see our guidelines on preparing and submitting a journal typescript.


Guidelines on preparing and submitting an article
for Literature & History


• These guidelines are intended to help you and us ¨C the better prepared an article is the more efficiently it
will pass through the production process.
• Please pay particular attention to the Notes and references section.
• Please make sure the style you use is consistent throughout the article and is compatible with the rest of
the journal.
Submission of manuscripts
• Articles should not exceed 7,500 words, including notes. The author is responsible for the word count.
• Articles should be sent on a 3.5 floppy disk with three printed copies and an SAE, plus an article
abstract of around 100 words and a list of between 3 and 6 key words (for use on search engines when
the journal goes online). The printouts and disk files should be identical.
• The disc, if possible, should be PC-compatible. The preferred word processing formats are MS Word or
WordPerfect. If possible please also save the document in Rich Text format for back-up purposes.
• The printed copies should be on A4 paper, single-sided with double line spacing throughout (including
notes and quotations). Leave generous margins (at least 1.5¡±/3.8cm) for copy-editing. New paragraphs
should be indented.
• Pages should be numbered throughout and the last page labelled LAST
• Please print your name, institutional address and e-mail address at the end of your article.
• Any minor changes made after the final typescript has been printed out can be made manually on the
printout in red ink.
• Please send articles to:
Professor R. C. Richardson
Department of History
King Alfreds College
Winchester
SO22 4NR
UK
General
Journal style points
• UK punctuation throughout article.
• UK spelling consistently throughout article but retain American spelling in American proper names, such
as Pearl Harbor.
• Use a single space after all punctuation. Initials should also be spaced, A. J. Smith not A.J. Smith (NB,
i.e. and e.g. are exceptions).
• Use a single space after the point in the following contractions: ed., p., pp., ch., vol., etc.
• Maximum capitalisation is used on all article headings and sub-headings, and for all titles of published
works within the text and the notes, e.g. ¡®Spenser and the Stuart Succession
• Page numbers are elided: 4¨C7, 8¨C13, 16¨C18 (not 16¨C8), 20¨C7, 34¨C76, 104¨C6, 136¨C42. Use an en rule if
possible between number spans.
• Dates are written in full: 31 January 1678.
• Spell out  nineteenth century but 1800s. Use 1890s, not nineties, 90s or 90s. Remember that 19th
Century, 19th century and other variations should be written as  nineteenth century  without capitals or
numbers BUT hyphenate when adjectival, e.g.  authors in the nineteenth century  but  nineteenthcentury
authors .
• References to the Journal itself should appear as Literature & History.
• Years are elided to two digits: 1674¨C89, 1674¨C77, 1674¨C1723.
• Apostrophe usage: Thomas s, Jones s, but Moses , Bridges , i.e. when the word ending is pronounced
  .use an apostrophe only.
• Name initials should have full points and should be spaced (T. S. Eliot).
• For special sorts that cant be reproduced on your word processor, use another unique symbol or
combination of symbols and indicate what special sort it symbolises and where it appears.
Quotations
• Quotations of less than c. 30 words should be integrated (i.e. run on in the text) and placed in single
quotation marks. Use double quotation marks for quotes within these quotes. If the source appears with
the quote, place it in parentheses after the closing quotation mark but before the final full point.
• Quotations of above c. 30 words can be extracted (i.e. begun on a new line and indented) with one line
space above and below and no quotation marks unless its direct speech. If the extract source appears
with the quote it should run on from the last line of the extract in parentheses immediately after the
closing full point, or should be footnoted.
• Use an ellipsis (a row of dots with a space in between each) to indicate missing material from quotations.
DONT use ellipses at the beginning or end of quotes however, unless the sense would be affected
otherwise, i.e. NOT this  quote  Use three dots for material missing from within a quotation, but if
the quotation takes in more than one sentence, use four dots to show material missing at the end of a
sentence, i.e.quote . . . . Quote

• If a verse quotation is integrated, use a stroke / to indicate a line break.
• Any raised letters/superscripts in quotes should be clear.
• When quotation marks enclose less than a complete sentence, the closing quote should precede the
final punctuation.

• When quotation marks enclose a complete sentence, the closing quote should follow the final
punctuation.
Numbers
• Spell out numbers below 100, use digits for numbers over 100. Exceptions. Use digits for numbers in a
mixed sequence (i.e. under and over 100). Use digits for numbers giving exact measurements or units
such as 7 kg, 15.8 mm, 5 p.m. (but words for five o clock ). Phrases involving hundreds, thousands,
millions, should be written (#a thousand people ). Where round numbers are given (e.g. two hundred,
fifteen thousand) they should be written.
• Units of measurement: no   to appear in plural (5 kg not 5 kgs). If pre-decimal currency is used, follow
this style: £5 15s 6d.
• Always put a number on either side of a decimal point, e.g., 0.6 (not .6).
Abbreviations/punctuation/spacing
• Uncommon abbreviations should be avoided, or explained at their first occurrence.
• & may be used for names of companies, institutions, etc. (Faber & Faber). Otherwise use  and .
• cf. (not italic). Note that cf. means  compare , not ¡ see .
• fos for  folios , not ff. which means  following .
• ll. ( lines ) should be avoided as it can be confused with roman numeral II or arabic 11: spell out instead.
• per cent (not percent): use % only in tables.
• v. not vs. (roman, not italic).
• Use full points after abbreviations (e.g., i.e., etc., ibid., v., Ph.D., vol., p.m., Prof., Rev., ed.) but not for
 per cent  (two words). Exceptions. After units of measurement (kg, mm, cm). Contractions where the first
and last letters are given: vols, eds, Dr, Mrs, Mr, Ltd. Initials (BBC, DNA, GMT, NATO, USA, ICI, TV).
• No apostrophe with common abbreviations (phone, bus, pram, etc.).
Italic/bold
• Use italic for titles of publications (except series), including books (except the Bible, the Koran, etc.)
journals, films, videos, plays, radio/TV programmes and titled musical works (but use roman for
Symphony no. 5 in C minor, etc.).
• Use italic for titles of long poems (e.g., Four Quartets), but roman enclosed in quotation marks for short
poems.
• Use italic for titles of paintings and sculpture, names of ships; species and varieties; foreign terms and
phrases (except anglicised terms, such as  elite   role , naive , which should appear without accents, and
except for those phrases which are quotations); names of parties in legal cases (but leave the v. in
roman, e.g. Churchill v. Wilson); directions to the reader and stage directions, such as see also and
above; ibid., et al., c. (NB do not use ca.), but via, vice versa, i.e., e.g. are roman.
• As a general rule, avoid using bold type ¨C headings will be marked up later and should be in roman (use
different typesizes to distinguish different levels of heading); if emphasis is required, italic is preferred.
Job titles/affiliations/subjects
• the King (referring to a specific individual), but a king.
• Member of Parliament.
• the President, but a president, presidential (NB for Vice-President and other compound titles, capitalise
both initials).
• the Prime Minister, but a prime minister.
• the Professor of Political Science, but a professor of political science.
Institutions/organisations/places
• the Church (institution) but the church (building).
• the Crown (meaning the monarchy).
• the Government (specific) but the government (general).
• House of Commons/Lords (always initial caps) and also the House.
• Liberal (use cap. only for Liberal Party or party member) and also applies to Conservative, Labour,
Communist, etc.
• Northern Ireland, but northern England.
• the Parliament but parliamentary.
• the Senate (always cap.).
• the State (when referring to political communities).
• the West, Western Europe, etc., but western England.
Note on bias/gender/racial and ethnic groups
• Avoid using terms and phrases which express gender, racial or other bias. Examples are: humanity or
humankind, not mankind; workers or workforce, not workmen; chairperson or chair, not chairman; artisan
or craftsperson, not craftsman; firefighters not firemen; manufactured, not manmade; ancestors, not
forefathers; senior citizens or the elderly, not old people; person with a disability or differently abled
person, not cripple or handicapped/ retarded/disabled person.
• Use  he or she ,  her or him (note alphabetical order); do not refer to objects or places (such as ships
and countries as  she : use  it ).
• Be specific and accurate when referring to a racial, ethnic or national group. The word aborigine signifies
the original inhabitants of any country; for native Australians use Aborigine with a capital A.
• Afro-Caribbean, African or black African etc., are preferable.
• Asian covers the whole of Asia, not just India and Pakistan: be more specific if possible.
• Avoid  coloured people : specify racial/ethnic origin.
• Eskimo: use Inuit instead.
• Europe includes East Europe and cannot be substituted for West Europe or European Community.
• Use Native American or Native Canadian, not Indian (which signifies a native of India) or Red Indian.
• North America: remember this includes Canada and Mexico; use United States if this is what is meant.
• Use  in Britain  or  in France  not at home .
Notes and references
Books
• Book titles: maximum capitalisation, no quotation marks, italic.
• Chapter titles: maximum capitalisation, not italic, in single quotation marks.
• Play refs (act, scene, line): V.iii.120-122
• Bible refs (book, chapter, verse) Genesis II.27
• For all book references, give both place and date of publication
• Give full details of the publication the first time it occurs, and on second and further references cite only
the author¡¯s surname and short form of title, and page reference.
• Abbreviations to be used: (ed.), (eds), fo. and fos or fol. and fos, p., pp., r and v for recto and verso on
the line with no full point.
• Author, Title of Book (place published, date of publication), page references.
J. A. Chartres, Irish Literature (Oxford, 1984), pp. 112¨C19.
S. Butler,  Internal Trade in England, 1560¨C80 , in J. V. Smith (ed.), Trade in the Sixteenth Century
(London, 1977), pp. 26¨C9.
W. Shakespeare, Hamlet, ed. J. Wilders (Cambridge, 1995), p. 4.
Chartres, Irish Literature, pp. 104¨C9.
Butler,  Internal Trade , pp. 78¨C89.
Ibid., p. 56
Journals
• Journal titles: always in full at first occurrence, maximum capitalisation, in italics.
• Article titles: maximum capitalisation, not in italics, in single quotation marks.
• Give volume number either in arabic or roman numerals (but once this style is chosen it must be
adhered to for every journal); part or issue number (only necessary if each issue is paginated
individually) separated by a colon (vol., no., p. not necessary); parenthesis round the year.
• Author,  Name of Article , Journal, volume:issue (year published), page references.
J. A. Chartres, ¡®Irish Literature , New Literary History, 3:6 (1984), 112¨C19.
S. Butler,  Internal Trade in England, 1560¨C80 , Economic History Review, 4:2 (1995), 104-6.
Chartres, ¡®Irish Literature , 98.
General
• The journal uses endnotes not footnotes. All references should have an endnote and be numbered
consecutively throughout the article.
• Note numbers should be in arabic superscript i within the text and full size arabic numbers 1 in the notes,
with no punctuation after the note number.
• Ibid., after references that cite the title previously mentioned. Do not use idem, loc. cit. or op. cit.
• Notes at the end of the article should mention all publications cited in the text.
• Where a single edition or text is referred to continually throughout the article, full reference should be
given to the first citation in a note, followed by  All subsequent quotations are taken from this edition.
Page/canto/stanza/line/act/scene (as appropriate) numbers will follow in brackets .
• Please use the short-title system as shown below. Please make sure that the style you use is consistent
throughout the notes section at the end of your article, and that all source material is included. The titles
of books and journals should be in italics. If the author s initials are used instead of their full first name,
please make sure this style is carried through to all entries, and vice versa.
• Unpublished books, theses and dissertations should be in roman in quotes: type, place and date should
be given, e.g.  Ph.D. dissertation, University of Manchester, 1999
• Archival sources should use the following order: place, reference no. of document, status of document,
author, title, date, page no. e.g. Public Record Office, London (hereafter PRO), T235/134, MAC (52) 153.
Memo by C. Cottrell, Money , 6 August 1952, p. 2.
• Newspaper articles and magazine titles: do not include the The in references (The should only be used
for The Times), e.g. Smith, J., The Prime Minister on the Defensive .Guardian, 6 September 1989, pp.
7¨C19.
• Unless published (in which case treat like an article from a book), conference papers should give the
name of the organising body, the title of the conference and the date given.
• Titles of individual manuscripts should be in roman in quotes.
• Titles of manuscript collections should be in roman without quotes, and the citation should contain the
name of the depository and a full reference following the usage of the depository concerned, e.g. British
Library, Additional MS 2787.
• Parts of the references may be abbreviated, provided that the abbreviation is explained or selfexplanatory:
e.g. ULC Add. 3963.28: the full reference should always be given at the first occurrence.
• Government and official sources: ensure the correct use of C, Cd, Cmd, Cmnd and Cm, as these refer to
different series: 1¨C4222 1833¨C69; C 1¨C9550 1870¨C99; Cd 1¨C9239 1900¨C18;Cmd 1¨C9889 1919¨C56;
Cmnd 1¨C9927 1956¨C86; Cm 1¨C 1986¨C. Note that Hansard documents are numbered by column rather
than page; use the correct abbreviations (vol., vols, col., cols) before the appropriate numbers.
Black and white half-tones and line drawings
• Inclusion of illustrations is only possible with the prior agreement of the Editors and Publishers.
• For illustrations you must supply one of the following:
1. an original that we can scan and reproduce. This is always the preferred option. Black and white
originals should be supplied as glossy black and white prints such as those rented from photo
libraries. We can also accept transparencies, slides, original photographs, etc. Line drawings should
be supplied as bromides, black and white prints or finished artwork.
2. a non-half-tone image that can be redrawn. For example simple maps, bar charts, line graphs, etc.
can be included in your manuscript (done in Word or enclosed as photocopies for example) and can
be redrawn by our typesetter.
3. if you are unable to send us an original (e.g. if it cannot leave the country) but you are able to scan it
yourself and send us the scan, you must ensure that the scan is preferably black and white, has a
resolution of 300 dpi and is of a reasonable size and clarity. (A scan of a terrible original will merely
result in a terrible scan). Please apply this same criteria to any jpegs, TIFFs etc, which you may wish
to include. Feel free to email images to me at
greg.thorpe@man.ac.uk and I will advise on their
suitability. Non-original images can only be run at our discretion so please make finding originals a
priority. Bear in mind that images pulled off the Internet are rarely usable and difficult to get copyright
for. A print-out from a scan is not acceptable. It is understood that originals incur rental fees so they
will be scanned and returned promptly.
• You must supply a photocopy or printout of each illustration. All originals must be numbered as Fig 1, 2
etc. (including slides and transparencies); please use a small sticker on the back of the illustration (don¡¯t
use post-it notes on the front as they can easily be lost and can leave a mark; avoid writing on the back
of prints). If an illustration actually consists of more than one picture, put the number in brackets (e.g.
Fig. 1 (a¨Cc)). Photocopies must be numbered identically to the originals (just write the number on the
front of the photocopy).
• If you wish to provide guidance on the relative importance of the illustrations, please indicate this on the
photocopy e.g.  full-page , half-page , etc. and give any relevant information, e.g. importance of detail or
cropping.
• Please include, on a separate sheet, a list of your illustrations (Fig 1, 2 etc.), a corresponding list of
captions and a credit/permission line for each image. All permissions should be cleared before
submission of the typescript.


Instructions to Authors
guidelines.pdf
instruction for authors.pdf

Editorial Board

Editors

Alan Armstrong
Center for Shakespeare Studies
Southern Oregon University
Ashland
Oregon 97520-5038
USA
email:
armstrong@sou.edu

John King
Department of English
The Ohio State University
164 West 17th Avenue
Columbus
Ohio 43210-1370
USA
email:
king.2@osu.edu

Andrew Thacker
Faculty of Humanities
De Montfort University
Leicester
LE1 9BH

UK
email:
athacker@dmu.ac.uk

Roger Richardson
Department of History
University College Winchester
Winchester
SO22 4NR
UK
email:
Roger.Richardson@winchester.ac.uk



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