期刊名称：JOURNAL OF NEW MUSIC RESEARCH
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Aims & Scope
The Journal of New Music Research (JNMR) was founded (previously under the title Interface) in 1972. JNMR seeks to establish an interdisciplinary foundation for the creation and study of music by means of the most advanced technologies, by publishing material which is both scientifically rigorous and musically relevant. JNMR draws on disciplines ranging from musicology (music theory, aesthetics, sociology), psychology (from psychoacoustics to cognitive psychology - with emphasis on modelling), acoustics (including sound engineering), computer science (from signal processing to artificial intelligence), philosophy (epistemology and methodology) to brain sciences.
Major issues covered in the Journal include (but are not limited to): AI and Music; Algorithmic Composition; Cognitive Musicology; Digital Sound Analysis, Processing and Synthesis; Electro-Acoustic Music; Formal Music Theory; Interactive Systems; Multimedia Systems; Music Analysis; Music Information Retrieval; Music Perception and Cognition
Peer Review Policy:
All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.
Disclaimer for scientific, technical and social science publications:
Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content? contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
Instructions to Authors
Instructions for Authors
Language
- The journal will only accept papers submitted in English. British spelling is preferred.
- Manuscripts should meet high academic standards. Contributors need to remember that they are writing for an international audience. National colloquialisms and idiomatic use of language should be avoided and gender neutral language used.
- It is advisory for non-English speakers to have a native English speaker read the article before submission.
Style
- Arbitrary rules of general style, punctuation, and language are not strictly imposed, but the general guidance set out in The Oxford Guide to Style and The Oxford Style Manual is preferred. Above all, authors should ensure clarity and consistency and avoid ambiguity.
- References must use the author-date form (APA style), and should include page numbers where appropriate (e.g., for quotations). Do not use footnotes for references.
- Clear presentation of data, tables and figures requires particular attention. Good guidance is given in the APA Publication Manual.
Terminology
- Use British musical terminology (e.g., 'bar' instead of 'measure') but use American terminology for note lengths or give American equivalents when first using the British terms (e.g., 'crotchet (quarter note)').
- When referring to pitches (but not when referring to keys), use the symbols (Unicode symbols 266D-F) rather than the words 'flat', 'natural' and 'sharp'.
- Use digits to refer to octaves (ranging from C to B), using 0 for the lowest audible octave. Thus middle C is C4 and A4 is (normally) equivalent to 440Hz. Do not set the digit as a subscript.
- When using scientific terminology and specialised musical terminology, remember that you are writing for an interdisciplinary readership, and so terms and abbreviations are more likely to require explanation.
Structure
- Please submit two versions of your paper, one version must be anonymous, all identifying information must be removed as this journal operates a double blind policy. The second version should include the author's name and affliations.
- Divide your material into logical sections using numbered headings and (where appropriate) numbered subheadings.
- Use footnotes sparingly and keep them short. Do not use endnotes.
- Acknowledgements should be included at the end of the text and before the references.
- Ensure good margins and line spacing. Please adhere to the style guides provided.
Illustrations, examples, figures and tables
- Illustrations, examples, figures and tables (including headings and notes) must be presented on separated pages, one to a page. Their approximate position in the printed article should be clearly indicated in the text.
- Ensure that illustrations, examples, figures and tables are clearly numbered, and refer to them in the text in the form 'Figure 1', etc. Do not use illustrations, examples, figures or tables which are not referred to in the text.
- Provide each illustration, example, figure and table with a short descriptive legend in the form 'Figure 1. [description]'. All legends must be supplied together on a separate page. Do not include a legend with the illustration, example, figure or table.
- Store digital files of figures and illustrations in either .EPS or .TIF format (with a minimum resolution of 300 dpi). Freehand or typewritten lettering is not acceptable.
Submission of manuscripts
All submissions should be made online at the Journal of New Music Research Manuscript Central site. New users should first create an account. Once a user is logged onto the site submissions should be made via the Author Centre.
All submissions are reviewed by two expert reviewers. You will be sent the reviewers' comments, but not their names. The Editors reserve the right to refuse any manuscript submitted, whether on invitation or otherwise, and to make suggestions and modifications before publication. Submitted papers should be in a final form, ready for publication. All corrections in the proofs other than printing errors are at the author's expense. Copyright will be established in the name of Taylor & Francis, and authors must sign a 'consent to publish' form. Authors are free to use materials published in their own articles in other articles or in books in which they are joint authors. The Editor and the Publisher of Journal of New Music Research are not responsible for the scientific content and statements of the authors of accepted papers. One complimentary issue is given to the (corresponding) author. Reprints and/or any additional issues may be ordered at proof stage.
Copyright: It is a condition of publication that authors assign copyright or license the publication rights in their articles, including abstracts, to Taylor & Francis. This enables us to ensure full copyright protection and to disseminate the article, and of course the Journal, to the widest possible readership in print and electronic formats as appropriate. Authors retain many rights under the Taylor & Francis rights policies, which can be found at the InformaWorld wesbite. Authors are themselves responsible for obtaining permission to reproduce copyright material from other sources.
Editorial Board
Editorial Board
Editor:
Alan Marsden - Music Department, Lancaster University, Bailrigg, Lancaster LA1 4YW, UK. E-mail: A.Marsden@lancaster.ac.uk; Fax: +44 1524 593939
Former Editors:
Paul Berg, Jan Broeckx, Gottfried Michael Koenig, Jos Kunst, Marc Leman, Hermann Sabbe, Frits Weiland.
Associate Editors:
Antonio Camurri - DIST, University of Genoa, Italy
Roger Dannenberg - Carnegie Mellon University, USA
Giovanni De Poli - University of Padova, Italy
Robert Rowe - New York University, USA
Xavier Serra - Pompeu Fabra University, Barcelona, Spain
Electronic Appendix Editor:
Dirk Moelants - Institute for Psychoacoustics and Electronic Music, Ghent University, Blandijnberg 2, B-9000 Ghent, Belgium. E-mail: dirk.moelants@rug.ac.be
Book Review Editor:
Agostino Di Scipio - Via Salaria Antica Est 33/a, 67100 L'Aquila, Italy. E-mail: discipio@tin.it
Advisory Editors:
Wolfgang Auhagen - Humboldt University, Berlin, Germany
Konrad Boehmer - Royal Conservatory, The Hague, The Netherlands
Jean-Pierre Boon - Free University of Brussels, Belgium
Sergio Canazza - University of Udine, Italy
Francesco Carreras - CNR, Pisa, Italy
Chris Chafe - CCRMA Stanford, USA
Ricardo Dal Farra - National Conservatory of Music, Argentina
Rolf Inge Godøy - University of Oslo, Norway
Shuji Hashimoto - Waseda University, Japan
Henkjan Honing - University of Amsterdam, The Netherlands
Mauricio Alves Loureiro - Federal University of Minas Gerais, Brazil
Jukka Louhivuori - University of Jyväskyl? Finland
Marcel Mesnage - Brussels, Belgium
Richard Parncutt - University of Graz, Austria
Henri Pousseur - Waterloo, Belgium
Dirk-Jan Povel - University of Nijmegen, The Netherlands
Bruno Repp - Haskins Laboratories, New Haven, USA
Jean-Claude Risset - Laboratoire de Mécanique et d'Acoustique, Marseille, France
Albrecht Schneider - University of Hamburg, Germany
Johan Sundberg - Royal Institute of Technology, Stockholm, Sweden
Heinrich Taube - University of Illinois at Urbana-Champaign, USA
Stan Tempelaars - Utrecht, The Netherlands
Petri Toiviainen - University of Jyväskyl? Finland
Barry Truax - Simon Fraser University, Burnaby, Canada
Leon Van Noorden - European Commission, Brussels, Belgium
David Wessel - University of California, Berkeley, USA
Gerhard Widmer - Johannes Kepler University, Linz, Austria
Trevor Wishart - York, UK
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