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期刊名称：FASHION THEORY-THE JOURNAL OF DRESS BODY & CULTURE ISSN： 1362-704X 出版频率： Bi-monthly 出版社： ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2-4 PARK SQUARE, MILTON PARK, ABINGDON, ENGLAND, OXON, OX14 4RN   出版社网址： http://www.bergpublishers.com/ 期刊网址： http://www.bergpublishers.com/us/fashion/fashion_about.htm 主题范畴： HUMANITIES, MULTIDISCIPLINARY 期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)    About the journal Fashion Theory is published quarterly in March, June, September and December (in print and online). The first issue was published in March 1997. ISSN: 1362-704X, e-ISSN 1751-7419 Edited by Valerie Steele, Director of The Museum at the Fashion Institute of Technology. 2006 marks Fashion Theory’s 10th year in print. To celebrate we are making the full range of back issues available online with all 2007 institutional subscriptions. For those of you who missed out on the early issues of Fashion Theory, we have reprinted some of the out-of-print issues and are now offering Volumes 1 through 7 at a special set price. With the full archive, students and researchers will easily be able to access the pioneering early work that made Fashion Theory a phenomenon straight from the beginning. Having toasted a Brazilian edition in 2002, we are proud now to salute the Russian edition of Fashion Theory, which was released in the summer of 2006. If Vogue can have Russian and Brazilian editions, so can we! Speaking of Vogue: as part of our anniversary celebration we have published a special double issue of the journal devoted to this iconic fashion magazine. This special issue is a must-have for anyone wishing to learn about Vogue’s profound influence and impressive international history. Fashion Theory takes as its starting point a definition of ‘fashion?as the cultural construction of the embodied identity. The importance of studying the body as a site for the deployment of discourses has been well established in a number of disciplines. In contrast, until Fashion Theory’s launch, the dressed body had suffered from a lack of critical analysis. Increasingly scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory provides an international and interdisciplinary forum for the rigorous analysis of cultural phenomena ranging from foot-binding to fashion advertising. It has been internationally reviewed in a wide range of mass media and academic journals and is cited in the major indices. All articles are peer-reviewed, have solid theoretical underpinnings and are based on original research. The journal is heavily illustrated and includes book/exhibition reviews and interviews. Fashion Theory provides a vital contribution to the following disciplines: cultural studies, art history, literary criticism, anthropology, fashion history, media studies, gender studies, folklore studies and sociology. Free online subscription for institutional subscribers Full colour images available online. Access your electronic subscription through www.ingenta.com Multi-disciplinary International coverage Heavily illustrated in full colour Annual special issues Exhibition reviews Book reviews   Instructions to Authors Manuscript Submissions                       Should you have an article you would like us to consider, please contact: Dr Valerie Steele The Museum at the Fashion Institute of Technology, E201 Seventh Avenue at 27th Street New York NY 10001-5992 USA Fax: (212) 924 3958 Email: valerie_steele@fitnyc.edu or steelemajor@aol.com Book and Exhibition Reviews             Book Reviews Editor Please send all books for consideration for review in Fashion Theory direct to: Dr Christopher Breward Research Department Victoria and Albert Museum South Kensington London SW7 2RL UK Email: c.breward@vam.ac.uk Exhibition Reviews Editor Alexandra Palmer Royal Ontario Museum 100 Queen's Park Toronto Ontario M5S 2C6, Canada Fax: +1 416 586 5877 E-mail: alexp@rom.on.ca Style Guidelines for Fashion Theory  Notes for Contributors Articles should be approximately 25 pages in length and must include a three-sentence biography of the author(s). Interviews should not exceed 15 pages and do not require an author biography. Film, exhibition and book reviews are normally 500 to 1,000 words in length. The Publishers will require a disk as well as a hard copy of any contributions (please mark clearly on the disk what word-processing program has been used). Fashion Theory: The Journal of Dress, Body & Culture will produce one issue a year devoted to a single topic. Persons wishing to organize a topical issue are invited to submit a proposal which contains a hundred-word description of the topic together with a list of potential contributors and paper subjects. Proposals are accepted only after a review by the journal editor and in-house editorial staff at Berg Publishers. Manuscripts Manuscripts will be acknowledged and entered into the review process discussed below. Manuscripts without illustrations will not be returned unless the author provides a self-addressed stamped envelope. Submission of a manuscript to the journal will be taken to imply that it is not being considered elsewhere for publication, and that if accepted for publication, it will not be published elsewhere, in the same form, in any language, without the consent of the editor and publisher. It is a condition of acceptance by the editor of a manuscript for publication that the publishers automatically acquire the copyright of the published article throughout the world. Fashion Theory: The Journal of Dress, Body & Culture does not pay authors for their manuscripts nor does it provide retyping, drawing, or mounting of illustrations. Style US spelling and mechanicals are to be used. Authors are advised to consult The Chicago Manual of Style (15th Edition) as a guideline for style. Webster's Dictionary is our arbiter of spelling. We encourage the use of major subheadings and, where appropriate, second-level subheadings. Manuscripts submitted for consideration as an article must contain: a title page with the full title of the article, the author(s) name and address, and a three-sentence biography for each author. Do not place the author's name on any other page of the manuscript. Manuscript Preparation Manuscripts must be typed double-spaced (including quotations, notes, and references cited), one side only, with at least one-inch margins on standard paper using a typeface no smaller than 12pts. The original manuscript and a copy of the text on disk (please ensure it is clearly marked with the word-processing programme that has been used) must be submitted, along with black and white original photographs (to be returned). Authors should retain a copy for their records. Any necessary artwork must be submitted with the manuscript. Footnotes Footnotes appear as 'Notes' at the end of articles. Authors are advised to include footnote material in the text whenever possible. Notes are to be numbered consecutively throughout the paper and are to be typed double-spaced at the end of the text (Please do not use any footnoting or end-noting programs which your software may offer as this text becomes irretrievably lost at the typesetting stage). References The list of references should be limited to, and inclusive of, those publications actually cited in the text. References are to be cited in the body of the text in parentheses with author's last name, the year of original publication, and page number - e.g., (Rouch 1958: 45). Titles and publication information appear as 'References' at the end of the article and should be listed alphabetically by author and chronologically for each author. Names of journals and publications should appear in full. Film and video information appear as 'Filmography'. References cited should be typed double-spaced on a separate page. References not presented in the style required will be returned to the author for revision. Tables All tabular material should be part of a separately numbered series of 'Tables'. Each table must be typed on a separate sheet and identified by a short descriptive title. Footnotes for tables appear at the bottom of the table. Marginal notations on manuscripts should indicate approximately where tables are to appear. Figures All illustrative material (drawings, maps, diagrams, and photographs) should be designated 'Figures'. They must be submitted in a form suitable for publication without redrawing. Drawings should be careful done with black ink on either hard, white, smooth-surfaced board or good quality tracing paper. Ordinarily, computer-generated drawings are not of publishable quality. Color photographs are encouraged by the publishers. Whenever possible, photographs should be 8 x 10 inches. The publishers encourage artwork to be submitted as scanned files (600 dpi or above) on disk or via email. All figures should be clearly numbered on the back and numbered consecutively. All captions should be typed double-spaced on a separate page. Marginal notations on manuscripts should indicate approximately where figures are to appear. While the editors and publishers will use ordinary care in protecting all figures submitted, they cannot assume responsibility for their loss or damage. Authors are discouraged from submitting rare or non-replaceable materials. It is the author's responsibility to secure written copyright clearance on all photographs and drawings that are not in the public domain. Copyright should be obtain for worldwide rights and on-line publishing. Criteria for Evaluation Fashion Theory: The Journal of Dress, Body & Culture is a refereed journal. Manuscripts will be accepted only after review by both the editors and anonymous reviewers deemed competent to make professional judgments concerning the quality of the manuscript. Upon request, authors will receive reviewers' evaluations. Reprints for Authors Twenty-five reprints of author's articles will be provided to the author free of charge. Additional reprints may be purchased upon request.   Editorial Board Fashion Theory Advisory Board Christopher Breward Victoria and Albert Museum, UK    Patrizia Calefato, University of Bari, Italy   Joanne B. Eicher, University of Minnesota, USA   Caroline Evans, Central Saint Martins College of Art and Design, UK   Akiko Fukai, Kyoto Costume Institute and Shizuoka University of Art and Culture, Japan   Anne Hollander, New York Institute for the Humanities, USA   Susan Kaiser, University of California at Davis, USA   Dorothy Ko, Rutgers University, USA   Harold Koda, The Metropolitan Museum of Art, USA   John S. Major, The China Institute, USA   Anne McClintock, Columbia University, USA   Patricia Mears, The Brooklyn Museum, USA   Nell Painter, Princeton University, USA   Alexandra Palmer, Royal Ontario Museum, Canada   Nicole Pellegrin, Institut d'Histoire Moderne et Contemporaine, CNRS, France   Philippe Perrot, École des Hautes Études, France   Simona Segre Reinach, IULM University, Milan, Italy   Aileen Ribeiro, Courtauld Institute of Art, UK   Jane Schneider, City University of New York, USA   Lou Taylor, University of Brighton, UK   Efrat Tseëlon, University College Dublin, Eire   Olga Vainshtein, Russian State University for the Humanities, Russia   Barbara Vinken, Hamburg University, Germany   Claire Wilcox, Victoria & Albert Museum, UK   Elizabeth Wilson, London College of Fashion, UK