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期刊名称:ETHNOMUSICOLOGY

ISSN:0014-1836
出版频率:Tri-annual
出版社:SOC ETHNOMUSICOLOGY INC, MORRISON HALL, ROOM 005 INDIANA UNIVERSITY, BLOOMINGTON, USA, IN, 47405
  出版社网址:http://webdb.iu.edu/sem/scripts/home.cfm
期刊网址:http://webdb.iu.edu/sem/scripts/publications/journal/journal.cfm
主题范畴:MUSIC

期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)   



About the journal

Ethnomusicology (ISSN 0014-1836), the official organ of the Society for Ethnomusicology, is a refereed journal published three times a year by the University of Illinois Press, 1325 S. Oak St., Champaign, IL 61820, on behalf of the Society. The journal publishes original articles in the field of ethnomusicology, broadly defined. Translations of previously published articles are generally not considered. Contributors need not be members of the Society. The views expressed are the authors' and not necessarily those of the Society or its officers. Articles and communications pertaining to the journal should be sent to the editor. Books and recordings for review and citations for current publications should be sent to the appropriate editor or bibliographer.


Instructions to Authors

Manuscript Submission

Article manuscripts should be submitted to the editor, Timothy Cooley, Department of Music, University of California, Santa Barbara, CA 93106-6070.

Submit three copies of all material related to the article, a brief biographical data sheet, and an abstract of no more than 100 words. Copies may be xerox, multilith, or similar good-quality reproductions, printed on one side only, on standard size paper. Authors must obtain in writing all permissions for the publication of material under copyright and submit a copy of the permissions file when the manuscript is first sent to the editor. Authors hold the editor and the Society for Ethnomusicology harmless against copyright claims.

Manuscripts must be typed double-spaced (including footnotes, quotations, song texts, references cited, indented material, and captions for illustration). Copies using single line or one and a half line spacing are not acceptable. Leave 1 1/2" margins on all sides with only the left-hand margin justified. If the article is accepted for publication, the author will be asked to submit a copy on IBM- or Macintosh-compatible computer disk.

Do not submit original artwork (tables, maps, musical transcriptions, etc) for review; submit copies. Original artwork may be requested upon acceptance for publication, in which case it must be of sufficient quality to permit direct reproduction.

All tables and figures, maps, black and white photographs, musical examples and other illustrative material should have captions and should be presented on separate sheets with notations made as to their location in the manuscript. Each should be mentioned in the body of the text and its approximate position noted in the margin.

References cited are carried within the text, e.g., (Rhodes 1955:262), and should be typed double-spaced on a separate sheet alphabetically by author and chronologically for each author. Fig. 16.2, p. 648, of the Chicago Manual of Style, 14th ed. (Chicago: University of Chicago Press, 1993) will serve as a model.

Acknowledgments are to be presented in a separate paragraph, thusly labeled, at the end of the text, preceding endnotes. Authors who welcome correspondence are encouraged to give their email addresses.

Manuscripts submitted to Ethnomusicology should not have been published elsewhere nor should they simultaneously be under review or scheduled for publication in another journal or in a book. Further, if an author submits a paper to Ethnomusicology that is based on material closely related to that in other published or submitted papers or books, the author should explain the relationships among them, in a cover letter to the editor.

Manuscripts must be in English and observe United States conventions of usage, spelling, and punctuation. This journal maintains the principles of gender-neutral discourse and the editors thus request authors and reviewers to adhere to these practices. A set of guidelines developed by the Society for Music Theory (SMT) has been adopted by the Society for Ethnomusicology and can be found on the SMT website.

Book, record, and film reviews ordinarily are solicited by the respective review editors, from whom authors will receive instructions. Authors should work footnotes into the body of the review and limit references cited. Authors should submit reviews simultaneously on hard copy and IBM- or Macintosh-compatible computer disk.

Manuscript Processing

A manuscript is read first by the editor, who determines if it is of sufficient interest to proceed further. If not, the editor notifies the author that this is the case. If the manuscript is of sufficient interest, it is sent to outside referees who send written evaluations and recommendations, sometimes with suggestions for revision, to the editor. The editor may reject the manuscript, delay a decision while encouraging revisions, or accept it substantially as is. Ordinarily, the editors will forward the referees' evaluations (anonymously) along with their decisions. Authors of articles may suggest names of appropriate (and inappropriate) referees.

The review process is generally completed within four months. Authors will be notified if there is a delay.

Articles and reviews are accepted for publication subject to editing for style. Authors of articles will have an opportunity to make final changes after copyediting, and to correct printer's errors in page proof.

Authors of articles will receive ten copies of the journal free of charge; authors of reviews will receive two copies.

For authorization to photocopy from Ethnomusicology for uses exceeding those permitted by Sections 107 and 108 of the U.S. Copyright Law, contact the Copyright Clearance Center (CCC), 222 Rosewood Drive, Danvers MA 01923. The CCC code for Ethnomusicology is 0014-1836. The CCC will send an invoice for permissions fees. Permissions given above do not extend to copying for advertising or promotional purposes or to creating new collective works.


Editorial Board

Peter Manuel
127 Park Ave
Leonia, NJ 07605-2011
Phone: 212-237-8344
Fax: 201-363-0285
E-mail: petermanuel3@aol.com

Incoming Ethnomusicology Journal Editor (starting Issue 51:1)
Timothy Cooley
Department of Music
University of California, Santa Barbara,
CA 93106-6070
Email: ethnomusicology@music.ucsb.edu

Book Review Editor
Frederick Moehn
Music Dept.
3304 Staller Center
Stonybrook, NY 11794-5475
Phone: 631-632-7326
Fax: 631-632-7404
Email: fmoehn@notes.cc.sunysb.edu

Recording Review Editor
Paul Greene
Music Dept.
Pennsylvania State University, Delaware County Campus
25 Yearsley Mill Rd
Media, PA 19063
Phone: 610-892-1474
E-mail: pdg4@psu.edu

Film/Video Review Editor
Rebecca S. Miller
Music Program, Mail Code MB
Hampshire College
Amherst MA 01002
Phone: 413-559-5545
Fax: 413-559-5481
E-mail: rmiller@hampshire.edu

Ographies Coordinator
Jennifer Post
150 Chipman Park
Middlebury, VT 05753-1389
Phone: 802-443-5653
E-mail: post@middlebury.edu

Current Bibliography
Randal Baier
319 Ann Arbor St
Manchester MI 48158-9796
Phone: 734-487-0020 Ext 2401
Fax: 734-487-8861
E-mail: rbaier@emich.edu

Current Discography
Karen A. Peters
5601 Laurel Court
Madison, WI 53705
Phone: (608) 238-9426
Email: kapeter1@wisc.edu

Current Film/Videography
David Henderson
Music Department
St Lawrence University
Canton, NY 13617
Phone: 315-229-5085
Fax: 315-229-7425
E-mail: dhenderson@stlawu.edu

Current Dissertations and Theses
Jennifer Post
150 Chipman Park
Middlebury, VT 05753-1389
Phone: 802-443-5653
E-mail: post@middlebury.edu




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