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期刊名称：CRITICAL STUDIES IN TELEVISION ISSN： 17496020 出版频率： Quarterly 出版社： SAGE PUBLICATIONS LTD, 1 OLIVERS YARD, 55 CITY ROAD, LONDON, ENGLAND, EC1Y 1SP   出版社网址： https://us.sagepub.com/en-us/nam 期刊网址： https://us.sagepub.com/en-us/nam/critical-studies-in-television/journal202513 主题范畴： FILM, RADIO, TELEVISION 变更情况： Newly Added by 2020 期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)    About the journal We are delighted to announce that effective the 4th September 2015, this title (previously published by Manchester University Press) will now be published by SAGE. For more information on the transfer of 10 titles from MUP to SAGE please click here. Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies. CSTonline is updated weekly to include industry and journal news, CFPs, event announcements (conference, symposia), as well as various blogs (where scholars reflect on various aspects of television studies). It also includes information about TV archives and resources, where to study and the latest research news. Books for review should be sent by publishers to: Amy Harris  Student Advice Centre  0.42 Clephan Building De Montfort University The Gateway Leicester LE1 9BH This journal is a member of the Committee on Publication Ethics (COPE). AIMS AND SCOPE Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies. CSTonline is updated weekly to include industry and journal news, CFPs, event announcements (conference, symposia), as well as various blogs (where scholars reflect on various aspects of television studies). It also includes information about TV archives and resources, where to study and the latest research news. ABSTRACTING / INDEXING Clarivate Analytics: Arts & Humanities Citation Index (AHCI) Clarivate Analytics: Current Contents - Arts & Humanities Scopus Instructions to Authors This Journal is a member of the Committee on Publication Ethics Please read the guidelines below then visit the Journal’s submission site https://mc.manuscriptcentral.com/mcst to upload your manuscript. Please note that manuscripts not conforming to these guidelines may be returned. Only manuscripts of sufficient quality that meet the aims and scope of Critical Studies in Television will be reviewed. There are no fees payable to submit or publish in this journal. As part of the submission process you will be required to warrant that you are submitting your original work, that you have the rights in the work, that you are submitting the work for first publication in the Journal and that it is not being considered for publication elsewhere and has not already been published elsewhere, and that you have obtained and can supply all necessary permissions for the reproduction of any copyright works not owned by you. If you have any questions about publishing with SAGE, please visit the SAGE Journal Solutions Portal What do we publish? 1.1 Aims & Scope 1.2 Article types 1.3 Writing your paper Editorial policies 2.1 Authorship 2.2 Acknowledgements 2.3 Declaration of conflicting interests Publishing policies 3.1 Publication ethics 3.2 Contributor's publishing agreement 3.3 Open access and author archiving Preparing your manuscript 4.1 Formatting 4.2 Artwork, figures and other graphics 4.3 Supplementary material 4.4 Reference style 4.5 English language editing services Submitting your manuscript 5.1 ORCID 5.2 Information required for completing your submission 5.3 Permissions On acceptance and publication 6.1 SAGE Production 6.2 Online First publication 6.3 Access to your published article 6.4 Promoting your article Further information Editorial Board CO-MANAGING EDITORS Kim Akass Rowan University, USA Stephen Lacey University of Glamorgan, UK Janet McCabe Birkbeck, University of London, UK ECREA EDITORS Simone Knox Reading University, UK Elke Weissmann Edge Hill University, UK EDITORIAL ADVISOR Sarah Cardwell University of Kent, UK BOOK REVIEWS EDITOR Christine Geraghty University of Glasgow, UK CST EDITORIAL ADVISORY BOARD Stacey Abbott University of Roehampton, UK Christine Geraghty University of Glasgow, UK ASSISTANT BOOK REVIEWS EDITOR Richard Hewett University of Salford, UK CSTONLINE ASSISTANT Debra Ramsay University of Exeter, UK CSTONLINE (ECREA) David Levente Palatinus University of Ruzomberok, Slovakia CORRESPONDING EDITORS Jonathan Bignell University of Reading, UK Simon Brown Kingston University, UK Michele Byers Saint Mary's University, Canada John Corner Liverpool University, UK Glen Creeber Aberystwyth University, UK Máire Messenger Davies University of Ulster, UK Lynne Edwards Ursinus College, USA John Ellis Royal Holloway, University of London, UK Jane Feuer University of Pittsburgh, USA Julia Hallam University of Liverpool, UK Dana Heller Old Dominion University, USA Richard Hewett University of Salford, UK Matt Hills Aberystwyth University, UK Su Holmes University of East Anglia, UK Jason Jacobs The University of Queensland, Australia Deborah Jermyn University of Roehampton, UK Lorna Jowett University of Northampton, UK Geoff Lealand University of Waikato, New Zealand Ruth McElroy University of South Wales, UK Brett Mills University of East Anglia, UK Albert Moran Griffith University, Australia Steven Peacock University of Hertfordshire, UK Roberta Pearson University of Nottingham, UK Susan Turnbull University of Wollongong, Australia Barbara Villez University Paris 8, France Marit Waade Aarhus University, Denmark Helen Wheatley Warwick University, UK Helen Wood Lancaster Univeristy, UK John Wyver University of Westminster, UK ECREA ADVISORY BOARD Milly Buonanno University of Rome, La Sapienza, Italy Manuel Jose Damasio Lusofona University, Portugal Alexander Dhoest University of Antwerp, Belgium David Fernandez-Quijada Autonomous University of Barcelona, Spain Lothar Mikos Film University Babelsberg Konrad Wolf, Germany Irena Reifová Univerzita Karlova v Praze, Czech Republic Jeanette Steemers King’s College London, UK US ADVISORY BOARD Gary R Edgerton Butler University, USA Michele Hilmes University of Wisconsin-Madison, USA Toby Miller Loughborough University in London, England; and Murdoch University, Australia Robert Thompson Syracuse University, USA FOUNDING EDITORS David Lavery Middle Tennessee State University, USA Robin Nelson Central School of Speech and Drama, University of London, UK Rhonda V Wilcox Gordon College, USA