期刊名称：EARLY MUSIC HISTORY
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
Instructions to Authors
Early Music History
Editorial policy
Early Music History is devoted to the study of music from the early Middle Ages to the end of the
seventeenth century. The journal demands the highest standards of scholarship from its contributors, all of
whom are leading academics in their fields. Early Music History gives preference to studies pursuing
interdisciplinary approaches and to those developing new methodological ideas. The scope is
exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the
relationship between words and music, and the relationship between music and society.
1.Submissions
All contributions and editorial correspondence should be sent to: The Editor, Dr Iain Fenlon, Early Music
History, King's College, Cambridge CB2 1ST, UK. The Editor can also be contacted via email at
iaf1000@hermes.cam.ac.uk. All submissions should be sent as hard copy in the first instance.
Submission of an article is taken to imply that it has not previously been published, and has not been
submitted for publication elsewhere. Authors of articles published in the journal assign copyright to
Cambridge University Press (with certain rights reserved) and you will receive a copyright assignment
form for signature on acceptance of your paper.
Contributors are responsible for obtaining permission to reproduce any material in which they do not own
copyright, to be used in both print and electronic media, and for ensuring that the appropriate
acknowledgements are included in their manuscript.
2.Manuscript preparation
All contributions should be in English and must be double spaced throughout, including footnotes,
bibliographies, annotated lists of manuscripts, appendixes, tables and displayed quotations. In the event of
the manuscript being accepted for publication the author will be asked to submit the text on computer disk
(Apple Macintosh or IBM compatible PC) as well as in hard copy, giving details of the wordprocessing
software used (Microsoft Word or Word Perfect). However, the publisher reserves the right to typeset
material by conventional means if an author's disk proves unsatisfactory.
Typescripts submitted for consideration will not normally be returned unless specifically requested.
Artwork for graphs, diagrams and music examples should be, wherever possible, submitted in a form
suitable for direct reproduction, bearing in mind the maximum dimensions of the printed version: 17.5 x
11 cm (7" x 4.5"). Photographs should be in the form of glossy white prints, measuring about 20.3 cm (8"
x 6").
All illustrations should be on separate sheets from the text of the article and should be clearly identified
with the contributor's name and the figure/example number. Their approximate position in the text should
be indicated by a marginal note in the typescript. Captions should be separately typed, double spaced.
Tables should also be supplied in separate sheets, with the title typed above the body of the table.
3.Text conventions
Spelling
English spelling, idiom and terminology should be used, e.g. bar (not measure), note (not tone), quaver
(not eighth note). Where there is an option, '-ise' endings should be preferred to '-ize'.
Punctuation
English punctuation practice should be followed: (1) single quotation marks, except for a 'a "quote"
within a quote'; (2) punctuation outside quotation marks, unless a complete sentence is quoted; (3) no
comma before 'and' in a series; (4) footnote indicators follow punctuation; (5) square brackets [ ] only for
interpolation in quoted matter; (6) no stop after contractions that include the last letter of a word, e.g. Dr,
St, edn (but vol. and vols.).
Bibliographical references
Authors' and editors' forenames should not be given, only initials: where possible, editors should be given
for Festschriften, conference proceedings, symposia, etc. In titles, all important words in English should
be capitalised; all other languages should follow prose-style capitalisation, except for journal and series
titles which should follow English capitalisation. Titles of series should be included, in roman, where
relevant. Journal and series volume numbers should be given in Arabic, volumes of a set in roman ('vol.'
will not be used). Places and dates of publication should be included. Dissertation titles should be given
in roman and enclosed in quotation marks. Page numbers should be preceded by 'p.' or 'pp.' in all
contexts. The first citation of bibliographical reference should include all details; subsequent citations
may use the author's surnames, short titles and relevant paper numbers only. Ibid. may be used, but not
op. cit. or loc. cit.
Abbreviations
Abbreviations for manuscript citations, libraries, periodicals, series, etc. should not be used without
explanation; after the first full citation an abbreviation may be used throughout text and notes. Standard
abbreviations may be used with explanation. In the text, 'Example', 'Figure' and 'bars' should be used (not
'Ex.', 'Fig.', 'bb.'). In references to manuscripts, 'fols.' should be used (not 'ff.') and 'v' (verso) and 'r' (recto)
should be typed superscript. The word for 'saint' should be spelled out or abbreviated according to
language, e.g. San Andrea, S. Maria, SS. Pietro e Paolo, St Paul, St Agnes, St Denis, Ste Clothilde.
Note names
Flats, sharps and naturals should be indicated by the conventional signs, not words. Note names should be
roman and capitalised where general, e.g. C major, but should be italic and follow the Helmholtz code
where specific (C,, C, Ccc'c"c'; c' = middle C). A simpler system may be used in discussions of
repertories (e.g. chant) where different conventions are followed.
Quotations
A quotation of no more than 60 words of prose or one line of verse should be continuous within the text
and enclosed in single quotation marks. Longer quotations should be displayed and quotation marks
should not be used. For quotations from foreign languages, an English translation must be given in
addition to the foreign-language original.
Numbers
Numbers below 100 should be spelled out, except page, bar, folio numbers etc., sums of money and
specific quantities, e.g. 20 ducats, 45 mm. Pairs of numbers should be elided as follows: 190-1, 198-9,
198-201, 212-13. Dates should be given in the following forms: l0 January 1983, the 1980s, sixteenth
century (16th century in tables and lists), sixteenth-century polyphony.
Capitalisation
Incipits in all language (motets, songs, etc.), and titles except in English, should be capitalised as in
running prose; titles in English should have all important words capitalised, e.g. The Pavin of Delight.
Most offices should have a lower-case initial except in official titles, e.g. 'the Lord Chancellor entered the
cathedral', 'the Bishop of Salford entered the cathedral' (but 'the bishop entered the cathedral'). Names of
institutions should have full (not prose-style) capitalisation, e.g. Liceo Musicale.
Italics
Titles and incipits of musical works in italic, but not genre titles or sections of the Mass/English Service
e.g. Kyrie, Magnificat. Italics for foreign words should be kept to a minimum; in general they should be
used only for unusual words or if a word might be mistaken for English if not italicised. Titles of
manuscripts should be roman in quotes, e.g. 'Rules How to Compose'. Names of institutions should be
roman.
4.Proofs
Typographical or factual errors only may be changed at proof stage. The publisher reserves the right to
charge authors for correction of non-typographical errors.
5. Offprints
Contributors of articles and review essays receive 25 free offprints and one copy of the volume. Extra
copies may be purchased from the publisher if ordered at proof stage.
Editorial Board
Editorial Board Editor
Professor Iain Fenlon
King's College
King's Parade
Cambridge CB2 1ST
UK
Email iaf1000@cam.ac.uk Editorial Board
Professor Wulf Arlt
University of Basel, Switzerland
Dr Margaret Bent
All Souls College, Oxford, UK
Professor Lorenzo Bianconi
University of Bologna, Italy
Dr Bonnie J Blackburn
Wolfson College, Oxford, UK
Professor Juan-Jose Carreras
University of Zaragoza, Spain
Dr David Fallows
University of Manchester, UK
Professor F. Alberto Gallo
University of Bologna, Italy
Professor James Haar
University of North Carolina at Chapel Hill, USA
Professor Kenneth Levy
Princeton University, USA
Professor Lewis Lockwood
Harvard University, USA
Professor Patrick Macey
Eastman School of Music, Rochester, USA
Professor Anthony Newcomb
University of California, USA
Professor Edward Roesner
New York University, USA
Professor H. Colin Slim
University of California at Irvine, USA
Professor Reinhard Strohm
University of Oxford, UK
Professor Andrew Wathey
Royal Holloway, University of London, UK
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