A&HCI期刊信息库

Aims & Scope

Digital Creativity is a major peer-reviewed journal at the intersection of the creative arts and digital technologies. It carries articles of interest to those involved in the practical task of making or using software for creative purposes. By the term reative arts' we include such disciplines as fine art, graphic design, illustration, photography, printmaking, sculpture, 3D design, product design, textile and fashion design, film making, animation, games design, music, dance, drama, creative writing, poetry, interior design, architecture, and urban design. We also address technology-oriented disciplines such as artificial intelligence, computer-supported collaborative work, GPS systems, human-computer interaction, virtual and augmented reality.

The following list, while not exhaustive, indicates a range of topics that fall within the scope of the journal:

New insights through the use of computers in the creative process
The relationships between practice, research and technology
The design and making of computer-based products and environments
Digital technologies in the teaching of arts and design
New relationships with audiences and the public
Theoretical concepts (such as consciousness, narrativity, subjectivity, virtuality)

Peer Review Policy:
All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and refereeing by at least two referees.

Disclaimer for scientific, technical and social science publications:
Taylor & Francis makes every effort to ensure the accuracy of all the information (the content contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Instructions to Authors

Digital Creativity - Instructions for Authors
Full articles should emphasize their original contribution, be written in a style
which is disciplined and precise and include illustrations where possible. They
should be around 5000 words in length and contain (in the following order)
Title
Author(s) name(s)
Institution and country
Email address
A brief abstract of the content of the paper (maximum 150 words)
5 key words or phrases
The main text and illustrations (see below)
Notes (optional - see below)
Acknowledgements (optional - see below)
References (see below)
A short biographical note for each author (maximum 100 words)
Short articles may outline work in progress or provide a viewpoint on a current
issue. They should not exceed 2000 words and should contain (in the
following order)
Title
Author(s) name(s)
Institution and country
Email address
The main text and illustrations (see below)
Acknowledgements (see below)
References (see below)
A short biographical note for each author (maximum 100 words)
Page numbers, sections and sub-sections
Number pages consecutively with the first page being page 1. Number
sections using Arabic integers (1, 2, 3) and subsections by using a decimal
point (1.1, 1.2, 1.3...) Except for the first letter, headlines, titles of books,
articles and captions should all be in lower case.
Referencing (see Appendix)
Illustrations
Each figure and table should be numbered consecutively using Arabic
numbers in the order of appearance. An indication may be given in the text
indicating approximately where the figure or table should be inserted. Create
a separate electronic file for each table and illustration. Images should be up
to 16 cm wide in Greyscale at 300 dpi and saved as a TIFF file in Macintosh
format using LWZ compression. Every figure should have a caption which
gives the number of the figure, explains the content, names the author or
creator and acknowledges any copyright.
Notes (optional)
Explanatory notes should be used sparingly and indicated by consecutive
superscript numbers in the text. Notes should appear at the end of the
document immediately after the main text and before acknowledgements and
references.
Acknowledgements (optional)
Acknowledgement of sources of support and the like, should be given in a
separate brief section after the notes and before the references.
Copyright
Copyright of the text will be in the name of Taylor & Francis.
Permissions
It is the responsibility of the author to obtain written permission for a quotation
from unpublished material, and for all quotations in excess of 250 words in
one extract or 500 words in total from any work still in copyright, and for the
reprinting of images, illustrations or tables from unpublished or copyrighted
material. It is the responsibility of the author to obtain written permission for
the use of any illustration which remains in copyright. The author should
supply details of any acknowledgement that may need to be placed in
captions.
Additional information
For more information on the suitability of manuscripts, please contact the
editors.
Submission of manuscript
An electronic copy of the manuscript (preferably in .doc or .pdf format) should be sent as an attachment to an email message addressed to one of the editors:
Lone Malmborg lone.malmborg@k3.mah.se
Colin Beardon cbeardon@ihug.co.nz
Artist Space is a regular part of the journal devoted to visual work and is
curated by Sue Gollifer. It will include the work of artists and printmakers who
use digital technologies significantly in their work. Material intended for Artist
Space should be sent direct to:
Sue Gollifer s.c.gollifer@bton.ac.uk
Appendix: Referencing
Capitalisation of titles
Titles of books
Capitalise the first letter of the first word of the title and any proper names in the title. Titles should always be in italics. (This is called minimal capitalisation.)
e.g. Recent developments in dementia care or The nurse in Australia.
Titles of journals, magazines and newspapers, works of art, exhibitions, films, performances, research projects, conferences, workshops, series, symposia, software
Capitalise the first letter of the first word of the title and every other word except for definite articles (the, an, a), prepositions (of, for, in, to, on etc.) and conjunctions (but, and, than). (This is called maximal capitalisation). These titles should always be in italics,
e.g. Journal of Advanced Nursing, Australian or Sydney Morning Herald.
Titles of journal articles, book chapters and conference papers
Use minimal capitalisation, as for books. Do not italicise, the titles are set in single quotation marks.
e.g. 'Transportation planning'
Titles of unpublished works
An unpublished work can be a thesis, a manuscript, distributed lecture notes or an unpublished paper presented at a conference, seminar or meeting. Use minimal capitalisation but do not italicise. The titles are set in single quotation marks.
e.g. 'The tender infant: Invenzione and Figura in the art of Poussin'
Punctuation
All the elements of the reference after the date are separated from each other by commas. A full stop concludes the citation.
______________________________________________________________
The list of references
The list of references contains details only of those works cited in the text.
In the event that you refer to two or more works published by the same author(s) published in the same year, the citation and the reference should contain a lower case letter after the date to distinguish the works.
e.g. Berkman, R. I. (1994a)   Berkman, R. I. (1994b) Multiple works by the same author(s) should appear in ascending order of date (i.e. the lowest date first).
e.g. Simons, R. C. (1996)   Simons, R. C. (2001) _____________________________________________________________
References in the text of your article
A citation to printed material requires only the name of the author(s) and the year of publication (and specific page(s) if necessary).
e.g.:
It is futile to maintain that the sexes are interchangeable (Moir & Jessel 1991).
It is futile to maintain that the sexes are interchangeable (Moir & Jessel 1991, p. 94).
Moir and Jessel (1991) have shown that it is futile to maintain that the sexes are interchangeable.
Moir and Jessel (1991, pp. 93-94) have shown that it is futile to maintain that the sexes are interchangeable.
Multiple references are separated by semi-colons. They should appear in ascending order of date.
e.g. (Moir & Jessel 1991; Simons 1996)
The titles of books, journals, magazines and newspapers, works of art, exhibitions, films, performances, research projects, conferences, workshops, series, symposia or software should appear in italics. Capitalisation should be as in the reference.
e.g. the painting Mr and Mrs Robert Andrews by Thomas Gainsborough (1748)
The titles of journal articles, book chapters and conference papers should appear in roman (normal) enclosed in single quotation marks.
e.g.in his article ‘Tasmania’s railway goes private   Simpson (1997) argues ______________________________________________________________
Books
1 name/s of author/s, editor/s, compiler/s (surname, and initials or given name) or the institution responsible
2 year of publication
3 title of publication and subtitle if any (all titles must be italicised)
4 series title and individual volume if any
5 edition, if other than first
6 publisher
7 place of publication
8 page number(s) if applicable
One author
Berkman, R. I. (1994) Find it fast: how to uncover expert information on any subject, HarperPerennial, New York.
Two or more authors
Moir, A. & Jessel, D. (1991) Brain sex: the real difference between men and women, Mandarin, London.
Cheek, J., Doskatsch, I., Hill, P. & Walsh, L. (1995) Finding out: information literacy for the 21st century, MacMillan Education Australia, South Melbourne.
Editor(s)
Robinson, W. F. & Huxtable, C. R. R. (eds) (1988) Clinicopathologic principles for veterinary medicine, Cambridge University Press, Cambridge.
Sjostrand, S. (ed.) (1993) Institutional change: theory and empirical findings, M.E. Sharpe, Armonk, NY.
Sponsored by institution, corporation or other organisation
Australian Government Publishing Service (1994) Style manual for authors, editors and printers, 5th edn, AGPS, Canberra.
Queensland Tourist and Travel Corporation, Market Research Department (1991) An examination of the effect of the domestic aviation dispute on Queensland tourism, Queensland Tourist and Travel Corporation, Brisbane.
Series
Simons, R. C. (1996) Boo!: culture, experience and the startle reflex, Series in Affective Science, Oxford University Press, New York.
Edition
McTaggart, D., Findlay, C. & Parkin, M. (1995) Economics, 2nd edn, Addison-Wesley, Sydney.
Translated work
Heidegger, M. (1962 [1927]) Being and time, trans. J. Macquarrie & E. Robinson, Basil Blackwood, Oxford.
Chapter or part of a book to which a number of authors have contributed
Bernstein, D. (1995) 'Transportation planning' in The civil engineering handbook, ed. W.F.Chen, CRC Press, Boca Raton.
No author or editor
If no author is given, the title is used as the first element of a citation. Alphabetise the entry by the first main word of the title in the bibliography.
The CCH Macquarie dictionary of business (1993) CCH Australia, North Ryde, NSW.
______________________________________________________________
Articles
1 name/s of author/s of the article (surname, and initials or given name)
2 year of publication
3 title of article, in single quotation marks
4 title of periodical ( italicised)
5 volume number
6 issue (or part) number
7 page number(s)
Journal article
Huffman, L. M. (1996) 'Processing whey protein for use as a food ingredient', Food Technology, vol. 50, no. 2, pp. 49?2.
Conference paper
Bohrer, S., Zielke, T. & Freiburg, V. (1995) ‘Integrated obstacle detection framework for intelligent cruise control on motorways', IEEE Intelligent Vehicles Symposium, Detroit, MI, Piscataway, pp. 276?81.
Newspaper article
Simpson, L. (1997) ‘Tasmania’s railway goes private    Australian Financial Review, 13 Oct., p. 10.
Theses
1 name of author
2 year of submission
3 title of thesis
4 award for which accepted
5 university or awarding body
Colantuono, A. (1986) ‘The tender infant: Invenzione and Figura in the art of Poussin', PhD, John Hopkins University.
______________________________________________________________
Multimedia material
The details required are the same as for a book, with the form of the item (e.g. videorecording, tape, computer file, etc.) indicated at the end of the entry.
Get the facts (and get them organised) (1990) Williamstown, Vic., Appleseed Productions, [videorecording].
CDATA 91 with Supermap: data for Australia 1995, release 2.1 rev., Hawthorne East, Vic., Space-Time Research, [CD-ROM].
Electronic resources with author
This could include sources from full text compact disk products, electronic journals or other sources from the Internet.
1 name/s of author/s
2 date of publication
3 title of publication
4 publisher/organisation
5 edition, if other than first
6 type of medium
7 name or site address on internet (if applicable)
8 date item accessed
Weibel, S. (1995) ‘Metadata : the foundations of resource description', D-lib Magazine, [online], http://www.dlib.org/dlib/July95/07weibel.html
ASTEC (1994) The networked nation, [online], http://astec.gov.au/astec/net_nation/contents.html, accessed 29 August 2005.
Electronic resources with no author
If no author is given, the title is used as the first element of a citation:
Hacker attack (1995) Sydney, NSW, SBS, [videorecording].
______________________________________________________________
Film and video
Films should be listed by title and should include the name of the director (who is considered as the author).
1 title of program or film
2 date of production or recording
3 director (or producer)
4 name of production company
5 place of production
6 format of the recording (e.g. video or film)
MacBeth (1948) directed by Orson Welles, Republic Pictures, USA, [film].
Titanic (1997) directed by J. Cameron, 20th Century Fox, USA, [video].
TV and radio
1 Title
2 Year of broadcast
3 Broadcasting station/channel
4 Date & time of broadcast
5 Medium
Newsnight (2003) BBC2, 21 July, 20:30hrs, [TV].
The Archers (1995) BBC Radio 4, 1 September, 15:00hrs, [radio].
For individual programmes within a series, you should also include the number and title of the episode and the series title.
Yes Prime Minister, Episode 1, The Ministerial Broadcast (1986) BBC2, 16 January, 22:30hrs, [TV].
Interviews
1. Name of person interviewed
2. Name of interviewer
3. Title of interview (if any)
4. Title of programme
5. Year
6. Production information ?station/channel
7. Date and time of interview
8. Medium
Jackson, M. interviewed by: Bashir, M. Living with Michael Jackson (2003) ITV, 12 January, 21:30hrs, [TV].
Live performances
Live performances (e.g. theatre, dance) should be listed by title and should include the name of the production company (which is considered as the author).
1 name of production company
2 year of production
3 title of play or performance
4 director or choreographer
5 place/s of performance
6 genre (e.g. play or dance)
Random Dance (2002) Nemesis, W. MacGregor, Sadler’s Wells, London, [dance].
______________________________________________________________
Works of art
1 name/s of artist(s) (first name, surname)
2. title of work
3 year of execution
4. medium
5. size
6. current location (e.g. gallery, location)
Thomas Gainsborough, Mr and Mrs Robert Andrews, 1748, oil on canvas, 27.5 x 47 in, National Gallery, London.
Solo artist exhibitions
1 name of artist
2 year of exhibition
3. title of exhibition
4. place of exhibition (gallery name, location)
5. dates of exhibition
6. author of catalogue
7. title of catalogue (if different from title of exhibition)
8. publisher
9. place of publication
Thomas Gainsborough (2002) Gainsborough, Tate Gallery, London, 24 Oct 2002?9 Jan 2003, Rosenthal, M. & Myrone, M. (eds), Tate Gallery, London.
Group or multiple artist exhibitions
1 city location of exhibition(s)
2 year of exhibition
3. title of exhibition
4. place of exhibition (gallery name, location)
5. dates of exhibition
6. title of catalogue (if different from title of exhibition)
7. publisher of catalogue
8. place of publication
Washington (1986) The age of Breugel: Netherlandish drawings in the sixteenth century, National Gallery of Art, Washington, MIT Press, Cambridge, Mass.
Washington, Paris and Berlin (1990) The age of Michelangelo, National Gallery of Art; Washington, Louvre, Paris, Gemäldegalerie, Berlin, National Gallery of Art, Washington.
Catalogues of exhibitions
1. author/editors of catalogue
2. date of publication
3. title of catalogue
4. publisher of catalogue
5. place of publication
6. medium (i.e. [catalogue])
7. title of exhibition
8. place of exhibition
9. dates of exhibition
Rosenthal, M. & Myrone, M. (eds) (2002), Gainsborough, Tate Gallery, London, [catalogue], Gainsborough, Tate Gallery, London, 24 Oct. 2002?9 Jan. 2003.

Editorial Board
Editorial Board

Editors:

Colin Beardon - University of Waikato, Hamilton, New Zealand
Lone Malmborg - IT University, Denmark

Editorial Board:

Espen Aarseth - IT University of Copenhagen, Denmark
Roy Ascott - University of Wales College Newport, UK
Tony Brooks - Aalborg University, Denmark
Paul Brown - Fine Art Forum, Australia
Diana Domingues - Universidade de Caxias do Sul, Brazil
Elisabeth Dena Eber - Bowling Green University, USA
Sue Gollifer - University of Brighton, UK
Joan Greenbaum - City University of New York, USA
Derek Hales -university of Huddersfield, UK
Simon Niedenthal - Malmo University, Sweden
Janni Nielson - Copenhagen Business School, Denmark
Mark Palmer - University of the West of England, UK
Frieder Nake - University of Bremen, Germany
Richard Povall - halfAngel, UK
Jay Rutherford -Bauhaus University Weimar, Germany
Stephen Scrivener - Coventry University, UK
Lucy Suchman - Lancaster University, UK
Maureen Thomas - University of Cambridge, UK
Mika Tuomola - UIAH MediaLab, Finland
Ina Wagner - Vienna University of Technology, Austria