期刊名称：ARTMARGINS
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Triannual
February/June/October
Founded: 2012
ISSN 2162-2574
E-ISSN 2162-2582
Sven Spieker (Executive Editor), Karen Benezra, Octavian Eşanu, Anthony Gardner, Angela Harutyunyan
ARTMargins publishes scholarly articles and essays about contemporary art, politics, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal seeks a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history and its methodologies.
See also ARTMargins' independent online outlet, ARTMargins Online (artmargins.com).
Instructions to Authors
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ARTMargins: Submission Guidelines
ARTICLES
ARTMargins invites authors to submit full-length articles (maximum 7,500 words) for possible publication.
REVIEW ESSAYS
ARTMargins also welcomes the submission of review essays of 4,000-5,0000 words in length dedicated to recent exhibitions or books (or a combination of the two) that deal with artistic practice, history, criticism or theory in the 20th and 21st centuries. It is our hope that such articles might highlight tendencies, regions, histories, ideologies, methodological approaches or problems that have been overlooked by, or brush against the grain of dominant discourse. Rather than merely describing or endorsing a given work or exhibition, we invite authors to think of their submissions as critical interventions in a broader field of practice, history or critique, without however neglecting the more traditional critical functions of a review. Exhibition reviews may choose to discuss the curatorial, historical or institutional context of one exhibition or art fair, or bring two or more such events into dialogue. Likewise, book reviews may focus on one work, analyzing the nature of its intervention into a given field, for example, or may discuss two or more related works. In the latter case, they should provide a descriptive and critical account of each of the works individually, and explain the relation they sustain with one another under a unifying thesis or perspective. We are especially interested in review essays that privilege very recent works or contextualize books and exhibitions produced outside of the English-speaking world.
ARTIST PROJECTS
ARTMargins invites proposals for the journal's Artist Project section. 10-16 pages in every issue of ARTMargins is handed over to an artist whom the editors invite to develop a new work especially for the journal. We are interested in receiving contributions that engage, within the format of a print journal, the idea of the margins formally, aesthetically, conceptually, and/or historically from an innovative perspective and/or visual language. We initially invite 400-word proposals after which the editors may extend an invitation to submit a project draft.
DOCUMENTS
ARTMargins also invites submissions for its “Documents” section, which presents the first English translations of artist texts, short essays, manifestos, interviews, and other texts that have transformed cultural histories in countries as diverse as Armenia and Chile, Estonia and China. We welcome proposals and submissions that continue this dedication to introduce readers to some of the most important writings in art and curatorial histories outside Anglophone contexts. In addition to translating the document into English, we invite authors to contribute a short prefatory essay setting out the document’s core arguments, addressing its significance within its original cultural context, and explaining its ongoing resonance for global art histories today. Together, the translation and commentary should total 5,000-6,000 words in length, while the document proposed should have the potential to serve as a primary source for a broad range of researchers internationally.
Please send inquiries or proposals to the managing editor at managing.ed.artmargins@gmail.com. All submissions are peer-reviewed. For full details on how to submit a manuscript, please reference the ARTMargins Style Sheet.
Return to the ARTMargins main page.
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ARTMargins: Submission Guidelines
ARTICLES
ARTMargins invites authors to submit full-length articles (maximum 7,500 words) for possible publication.
REVIEW ESSAYS
ARTMargins also welcomes the submission of review essays of 4,000-5,0000 words in length dedicated to recent exhibitions or books (or a combination of the two) that deal with artistic practice, history, criticism or theory in the 20th and 21st centuries. It is our hope that such articles might highlight tendencies, regions, histories, ideologies, methodological approaches or problems that have been overlooked by, or brush against the grain of dominant discourse. Rather than merely describing or endorsing a given work or exhibition, we invite authors to think of their submissions as critical interventions in a broader field of practice, history or critique, without however neglecting the more traditional critical functions of a review. Exhibition reviews may choose to discuss the curatorial, historical or institutional context of one exhibition or art fair, or bring two or more such events into dialogue. Likewise, book reviews may focus on one work, analyzing the nature of its intervention into a given field, for example, or may discuss two or more related works. In the latter case, they should provide a descriptive and critical account of each of the works individually, and explain the relation they sustain with one another under a unifying thesis or perspective. We are especially interested in review essays that privilege very recent works or contextualize books and exhibitions produced outside of the English-speaking world.
ARTIST PROJECTS
ARTMargins invites proposals for the journal's Artist Project section. 10-16 pages in every issue of ARTMargins is handed over to an artist whom the editors invite to develop a new work especially for the journal. We are interested in receiving contributions that engage, within the format of a print journal, the idea of the margins formally, aesthetically, conceptually, and/or historically from an innovative perspective and/or visual language. We initially invite 400-word proposals after which the editors may extend an invitation to submit a project draft.
DOCUMENTS
ARTMargins also invites submissions for its “Documents” section, which presents the first English translations of artist texts, short essays, manifestos, interviews, and other texts that have transformed cultural histories in countries as diverse as Armenia and Chile, Estonia and China. We welcome proposals and submissions that continue this dedication to introduce readers to some of the most important writings in art and curatorial histories outside Anglophone contexts. In addition to translating the document into English, we invite authors to contribute a short prefatory essay setting out the document’s core arguments, addressing its significance within its original cultural context, and explaining its ongoing resonance for global art histories today. Together, the translation and commentary should total 5,000-6,000 words in length, while the document proposed should have the potential to serve as a primary source for a broad range of researchers internationally.
Please send inquiries or proposals to the managing editor at managing.ed.artmargins@gmail.com. All submissions are peer-reviewed. For full details on how to submit a manuscript, please reference the ARTMargins Style Sheet.
Return to the ARTMargins main page.
Editorial Board
Editorial Information
EDITORS
Sven Spieker, Executive Editor (Los Angeles/Berlin; ed., ARTMargins Online)
Karen Benezra (New York)
Octavian Eşanu (Beirut)
Anthony Gardner (Oxford; ed., ARTMargins Online)
Angela Harutyunyan (Beirut)
MANAGING EDITOR
Nick Pici (Santa Barbara)
EDITORIAL ASSISTANTS
Mia Jankowicz (London/Cairo)
Cheryl Jaworski (Santa Barbara)
EDITORIAL BOARD
Esra Akcan (Chicago)
Alexander Alberro (New York)
Jo Applin (York)
Vardan Azatyan (Yerevan)
Ivana Bago (Zagreb/Durham)
Omar Berrada (Paris)
Claire Bishop (New York)
Eda Cufer (Boston)
Francesca Dal Lago (Paris)
Patrick Flores (Manila)
Claire Fox (Iowa City)
Esther Gabara (Durham, NC)
Elisabeth Harney (Toronto)
Tom Holert (Berlin)
Amelia Jones (Montreal)
Andres Kurg (Tallinn)
Anneka Lenssen (Berkeley)
Ana Longoni (Buenos Aires)
Suzana Milevska (Skopje)
Luke Skrebowski (Cambridge)
Susan Snodgrass (Chicago; ed., ARTMargins Online)
Pelin Tan (Istanbul)
Olesya Turkina (St. Petersburg)
Dietmar Unterkofler (Novi Sad/Vienna)
Jelena Vesić (Belgrade)
ADVISORY BOARD
Edit Andras (Budapest)
Zdenka Badovinac (Ljubljana)
Boris Groys (New York)
Geeta Kapur (New Delhi)
Viktor Misiano (Moscow)
Nataša Petrešin-Bachelez (Paris)
Piotr Piotrowski (Poznań)
Hito Steyerl (Berlin)
Miško Suvaković (Belgrade)
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