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期刊名称:LIFE WRITING

ISSN:1448-4528
出版频率:Quarterly
出版社:ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2-4 PARK SQUARE, MILTON PARK, ABINGDON, ENGLAND, OXON, OX14 4RN
  出版社网址:http://www.tandfonline.com/
期刊网址:http://www.tandfonline.com/toc/rlwr20/current
主题范畴:LITERATURE
变更情况:New added in 2012

期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)   



About the journal

Life Writing

Life Writing is one of the leading journals in the field of biography and autobiography. It has the unique and unusual policy of carrying both scholarly articles and critically informed personal narrative. The journal has three sections: Academic Articles, Reflections and Reviews. Reflections essays differ from academic articles in that we do not expect a high level of analysis and referencing. We do, however, expect that the reflexive "I" will filter the subject matter, and that on the continuum from discursive/analytical to creative, these essays will fall somewhere in the middle. In other words, we do not publish purely creative essays, ficto-criticism, or memoirs; we include essays which fall into the genre of autoethnography. Our editorial board comprises leaders in the field of life writing practice, such as Paul John Eakin, Sidonie Smith, Lila Abu-Lughod and Ruth Behar.

The journal aims to publish work from many disciplines as well as work that is interdisciplinary. Historically, life writing has been the preserve of literary studies. Now, however, many other perspectives use biography and autobiography as analytical tools, hence object biography, autoethnography, autofiction, and many other inter-generic codes are thriving.  Life Writing provides expert and sympathetic reviewing of such interdisciplinary work. 

Acclaim for Life Writing:

"I want to sing the praises of the editors of the journal. Their interventions and communications made the paper and the revising of it a pleasurable process–or at least as pleasurable as revising can be."
 
"Good editing is a crucial part of our scholarly work. When it is done well, you feel that you are in not just capable but supportive hands. I feel that the editors care about my work–and about me. That’s respectful and rewarding in every possible way. Thank you CH and MP at Life Writing."


Peer Review Policy
All research articles in this journal have undergone rigorous peer review, based on initial editor screening and blind refereeing by two anonymous referees.

Disclaimer
Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Instructions to Authors
Use these instructions if you are preparing a manuscript to submit to Life Writing . To explore our journals portfolio, visit http://www.tandfonline.com/ , and for more author resources, visit our Author Services website.
 
Life Writing considers all manuscripts on the strict condition that
  • the manuscript is your own original work, and does not duplicate any other previously published work, including your own previously published work.
  • the manuscript has been submitted only to Life Writing ; it is not under consideration or peer review or accepted for publication or in press or published elsewhere.
  • the manuscript contains nothing that is abusive, defamatory, libellous, obscene, fraudulent, or illegal.

Please note that Life Writing uses CrossCheck™ software to screen manuscripts for unoriginal material. By submitting your manuscript to Life Writing you are agreeing to any necessary originality checks your manuscript may have to undergo during the peer-reviewand production processes.

Any author who fails to adhere to the above conditions will be charged with costs which Life Writing incurs for their manuscript at the discretion of the Life Writing ’s Editors and Taylor & Francis, and their manuscript will be rejected.

This journal is compliant with the Research Councils UK OA policy. Please see the licence options and embargo periods
here .


Contents List

 
 
Manuscript preparation
 
1 . General guidelines
  • Manuscripts are accepted only in English. British English spelling and punctuation is preferred. Please use single quotation marks, except where ‘a quotation is “within” a quotation’.
  • A typical manuscript will not exceed 8,000 words not including notes and references. Review articles should be approximately 2,000 words. Manuscripts that greatly exceed these guidelines will be critically reviewed with respect to length. Authors should include a word count with their manuscript.>
  • Manuscripts should be compiled in the following order: title page; abstract; keywords; main text; acknowledgements; references; appendices (as appropriate); table(s) with caption(s) (on individual pages); figure caption(s) (as a list).
  • Abstracts of 200 words are required for all manuscripts submitted.
  • Each manuscript should have four keywords .
  • Search engine optimization (SEO) is a means of making your article more visible to anyone who might be looking for it. Please consult our guidance here .
  • Section headings should be concise.
  • Review articles must include an image of the relevant book cover and accompanying permissions for use.
  • All authors of a manuscript should include their full names, affiliations, postal addresses, telephone numbers and email addresses on the cover page of the manuscript. One author should be identified as the corresponding author. Please give the affiliation where the research was conducted. If any of the named co-authors moves affiliation during the peer review process, the new affiliation can be given as a footnote. Please note that no changes to affiliation can be made after the manuscript is accepted. Please note that the email address of the corresponding author will normally be displayed in the article PDF (depending on the journal style) and the online article.
  • All persons who have a reasonable claim to authorship must be named in the manuscript as co-authors; the corresponding author must be authorized by all co-authors to act as an agent on their behalf in all matters pertaining to publication of the manuscript, and the order of names should be agreed by all authors.
  • Please supply a short biographical note for each author.
  • Please supply all details required by any funding and grant-awarding bodies as an Acknowledgement in a separate paragraph as follows:

For single agency grants

This work was supported by the under Grant .

For multiple agency grants

This work was supported by the under Grant ; under Grant ; and under Grant .

This Acknowledgement should appear on the title page of the manuscript.

  • Authors must also incorporate a Disclosure Statement which will acknowledge any financial interest or benefit they have arising from the direct applications of their research.
  • For all manuscripts non-discriminatory language is mandatory. Sexist or racist terms must not be used.
  • Authors must adhere to SI units . Units are not italicised.
  • When using a word which is or is asserted to be a proprietary term or trade mark, authors must use the symbol ® or TM.
 
2. Style guidelines
 
 

3. Figures

  • Please provide the highest quality figure format possible. Please be sure that all imported scanned material is scanned at the appropriate resolution: 1200 dpi for line art, 600 dpi for grayscale and 300 dpi for colour.
  • Figures must be saved separate to text. Please do not embed figures in the manuscript file.
  • Files should be saved as one of the following formats: TIFF (tagged image file format), PostScript or EPS (encapsulated PostScript), and should contain all the necessary font information and the source file of the application (e.g. CorelDraw/Mac, CorelDraw/PC).
  • All figures must be numbered in the order in which they appear in the manuscript (e.g. Figure 1, Figure 2). In multi-part figures, each part should be labelled (e.g. Figure 1(a), Figure 1(b)).
  • Figure captions must be saved separately, as part of the file containing the complete text of the manuscript, and numbered correspondingly.
  • The filename for a graphic should be descriptive of the graphic, e.g. Figure1, Figure2a.
 

4. Publication charges

Submission fee
There is no submission fee for Life Writing .

Page charges
There are no page charges for Life Writing .

Colour charges
Colour figures will be reproduced in colour in the online edition of the journal free of charge. If it is necessary for the figures to be reproduced in colour in the print version, a charge will apply. Charges for colour pages in print are £250 per figure ($395 US Dollars; $385 Australian Dollars; 315 Euros). For more than 4 colour figures, figures 5 and above will be charged at £50 per figure ($80 US Dollars; $75 Australian Dollars; 63 Euros).

Depending on your location, these charges may be subject to Value Added Tax .

5. Reproduction of copyright material

If you wish to include any material in your manuscript in which you do not hold copyright, you must obtain written permission from the copyright owner, prior to submission. Such material may be in the form of text, data, table, illustration, photograph, line drawing, audio clip, video clip, film still, and screenshot, and any supplemental material you propose to include. This applies to direct (verbatim or facsimile) reproduction as well as “derivative reproduction” (where you have created a new figure or table which derives substantially from a copyrighted source).

You must ensure appropriate acknowledgement is given to the permission granted to you for reuse by the copyright holder in each figure or table caption. You are solely responsible for any fees which the copyright holder may charge for reuse.

The reproduction of short extracts of text, excluding poetry and song lyrics, for the purposes of criticism may be possible without formal permission on the basis that the quotation is reproduced accurately and full attribution is given.

For further information and FAQs on the reproduction of copyright material, please consult our Guide .
 
6. Supplemental online material

Authors are encouraged to submit animations, movie files, sound files or any additional information for online publication.
 
Manuscript submission
 
Please indicate on your submission which section of the journal you are submitting to: Articles, Reflections, or Reviews.

Articles for consideration should be sent to the editor: Maureen.Perkins@curtin.edu.au  
Reflections for consideration should be sent to the Reflections editor, Dr Christina Houen: farthestnorth1@westnet.com.au   
 
Reviews for consideration should be sent to either Dr Bettina Stumm or Dr Lis Hanscombe: Email: bettinastumm@yahoo.ca ; hanscombe@netspace.net.au  
 
Electronic submissions should be sent as email attachments using a standard word processing program.

Complete this form and send it to the Editor with your submission.
 
 
Copyright and authors’ rights
 
To assure the integrity, dissemination, and protection against copyright infringement of published articles, you will be asked to assign us, via a Publishing Agreement, the copyright in your article. Your Article is defined as the final, definitive, and citable Version of Record, and includes: (a) the accepted manuscript in its final form, including the abstract, text, bibliography, and all accompanying tables, illustrations, data; and (b) any supplemental material hosted by Taylor & Francis. Our Publishing Agreement with you will constitute the entire agreement and the sole understanding between you and us; no amendment, addendum, or other communication will be taken into account when interpreting your and our rights and obligations under this Agreement.

Copyright policy is explained in detail here .

Free article access

As an author, you will receive free access to your article on Taylor & Francis Online. You will be given access to the My authored works section of Taylor & Francis Online, which shows you all your published articles. You can easily view, read, and download your published articles from there. In addition, if someone has cited your article, you will be able to see this information. We are committed to promoting and increasing the visibility of your article and have provided guidance on how you can help . Also within My authored works , author eprints allow you as an author to quickly and easily give anyone free access to the electronic version of your article so that your friends and contacts can read and download your published article for free. This applies to all authors (not just the corresponding author).

Reprints and journal copies

Article reprints can be ordered through Rightslink® when you receive your proofs. If you have any queries about reprints, please contact the Taylor & Francis Author Services team at reprints@tandf.co.uk . To order a copy of the issue containing your article, please contact our Customer Services team at Adhoc@tandf.co.uk .

Open access

Taylor & Francis Open Select provides authors or their research sponsors and funders with the option of paying a publishing fee and thereby making an article permanently available for free online access – open access – immediately on publication to anyone, anywhere, at any time. This option is made available once an article has been accepted in peer review.


Updated 13 September 2013


Editorial Board

Editor:

Maureen Perkins                                                                           
Department of Social Sciences
Curtin University
GPO Box U1987
W.A. Perth 6845
Australia
 
Reflections Editor:
Christina Houen - Curtin University of Technology, Australia

Reviews Editor:
Bettina Stumm - University of British Columbia, Canada
Lis HanscombeSwinburne University of Technology, Australia
 
Associate Editor:
Rachel Robertson - Curtin University

Editorial Board:

Lila Abu-Lughod  - Columbia University, U.S.A.
Ruth Behar  - University of Michigan, U.S.A.
Mary Besemeres  - Australian National University, Australia 
Jerome Bruner  - New York University, U.S.A.
G. Thomas Couser - Hofstra University, U.S.A.
Rosamund Dalziell - Australian National University, Australia 
Paul John   Eakin - Indiana University, U.S.A.
Susanna Egan  - University of British Columbia, Canada
Richard Freadman  - La Trobe University, Australia
Ghassan Hage  - University of Melbourne, Australia
Eva Hoffman  - Hunter College, U.S.A.
Philip Holden - National University of Singapore
Joy Hooton - Formerly University of New South Wales, ADFA
Jackie Huggins  - University of Queensland, Australia
Margaretta Jolly  - University of Sussex, UK
Shirley Geok-Lin Lim  - UC Santa Barbara, U.S.A.
David McCooey  - Deakin University, Australia
David Parker  - Chinese University of hong Kong, Hong Kong
Aneta Pavlenko  - Temple University, U.S.A.
Peter Read  - University of Sydney, Australia



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