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期刊名称:DANCE CHRONICLE

ISSN:0147-2526
出版频率:Tri-annual
出版社:ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2-4 PARK SQUARE, MILTON PARK, ABINGDON, ENGLAND, OXON, OX14 4RN
  出版社网址:http://www.taylorandfrancisgroup.com/
期刊网址:http://www.informaworld.com/smpp/title~content=t713597243~db=jour
主题范畴:DANCE

期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)   



About the journal

Aims & Scope

To serious students and lovers of dance, Dance Chronicle is indispensable for keeping up with this rapidly changing field. It covers a wide variety of topics, including dance and music, theater, film, literature, painting, and aesthetics. Offering the best from both established dance historians and the new generation of dance scholars, Dance Chronicle is an ideal source for those who love dance, both past and present. Dance Chronicle has featured unique articles on the Bedaya-Serimpi dances of Java and the dancing choirboys of Seville Cathedral. Other, broader articles have presented studies on Renaissance dance, Baroque dance, romantic ballet, and dancing for Broadway, Hollywood, and television. Individual issues have been devoted to Bournonville, Gautier on Spanish dance, the Camargo Society, and Moscow's Island of Dance. Coverage also includes comprehensive pieces on Sada Yacco, Cyril W. Beaumont, Andrie Howard, Maya Plisetskaya, Merce Cunningham, the Judson Dance Theater, Trisha Brown, and Meredith Monk.


Instructions to Authors

Instructions for Authors

Printable PDF Version

***Note to Authors: please make sure your contact address information is clearly visible on the outside of all packages you are sending to Editors.***

Aims and Scopes

To serious students and lovers of dance, Dance Chronicle is indispensable for keeping up with this rapidly changing field. It covers a wide variety of topics, including dance and music, theater, film, literature, painting, and aesthetics. Individual issues have been devoted to Bournonville, Gautier on Spanish dance, the Camargo Society, and Moscow's Island of Dance. Articles have ranged from Greek folk dance, the dancing choirboys of Seville Cathedral, and dance education in Ghana to dancing for Broadway, Hollywood, and BBC Television, from renaissance and baroque dance and the romantic ballet to Sada Yacco, Jean Borlin, Balanchine, Maya Plisetskaya, Merce Cunningham, the Judson Dance Theater, Trisha Brown, Meredith Monk, and Siobham Davies. Offering the best from both established dance historians and the new generations of dance scholars, Dance Chronicle is an ideal source for those who love dance, both past and present.

Submission of Manuscripts

Please submit the original manuscript along with 2 copies to the Editors, George Dorris and Jack Anderson, Box 331, Village Station, New York, NY 10014. Authors are strongly encouraged to submit manuscripts on disk along with their hardcopies. The disk should be prepared using MS Word or WordPerfect and should be clearly labeled with the authors' names, file name, and software program. Each manuscript must be accompanied by a statement that it has not been published elsewhere and that it has not been submitted simultaneously for publication elsewhere. Authors are responsible for obtaining permission to reproduce copyrighted material from other sources and are required to sign an agreement for the transfer of copyright to the publisher. All accepted manuscripts, artwork, and photographs become the property of the publisher.

All parts of the manuscript, including extracts (block quotations) and notes, should be typewritten, double-spaced, with margins of at least one inch on all sides. Number manuscript pages consecutively at the top throughout the paper. Authors should also supply a shortened version of the title suitable for the running head, not exceeding 50 character spaces. Each article should be summarized in an abstract of not more than 100 words. Avoid abbreviations, diagrams, and reference to the text in the abstract. Abstract should include three to five key words that will facilitate indexing and data retrieval purposes. Any notes should appear as numbered footnotes.

References

Prepare footnotes and endnotes in accordance with the Chicago Manual of Style, 14th edition, Chapter 15. Footnotes are for additional material and endnotes are for source references. Examples:

Journal: Lisa C. Arkin, "Bronislava Nijinska and the Polish Ballet, 1937-1938: Missing Chapter of the Legacy, Dance Research Journal, Vol. 24 (1992):1-16.
Book: Roger Copeland, Merce Cunningham: The Modernizing of Modern Dance (New York: Routledge, 2004), 23-26.
Contribution to a Book: Christena L. Schlundt, The Still Point of Perfection, in Proceedings of the Fifth Annual Conference of the Society of Dance History Scholars, ed. Christena L. Schlundt, (Cambridge, Mass.: Dance History Scholars, 1982), 103- 110.

Illustrations

Illustrations submitted (line drawings, halftones, photos, photomicrographs, etc.) should be clean originals or digital files. Digital files are recommended for highest quality reproduction and should follow these guidelines:

  • 300 dpi or higher
  • Sized to fit on journal page
  • EPS, TIFF, or PSD format only
  • Submitted as separate files, not embedded in text files

Color illustrations will be considered for publication; however, the author will be required to bear the full cost involved in their printing and publication. The charge for the first page with color is $900.00. The next three pages with color are $450.00 each. A custom quote will be provided for color art totaling more than 4 journal pages. Good-quality color prints should be provided in their final size. The publisher has the right to refuse publication of color prints deemed unacceptable.

Tables and Figures

Tables and figures (illustrations) should not be embedded in the text, but should be included as separate sheets or files. A short descriptive title should appear above each table with a clear legend and any footnotes suitably identified below. All units must be included. Figures should be completely labeled, taking into account necessary size reduction. Captions should be typed, double-spaced, on a separate sheet. All original figures should be clearly marked in pencil on the reverse side with the number, author's name, and top edge indicated.

Offprints/Reprints

The corresponding author of each article will receive five complete copies of the issue in which the article appears.


Editorial Board

Editorial Board

Editors

GEORGE DORRIS
JACK ANDERSON

Associate Editors

EDWIN BAYRD
BARBARA PALFY

Advisory Board

ERIK ASCHENGREEN - Copenhagen, Denmark
HORST KOEGLER - Stuttgart, Germany
MARIE-FRANCOISE CHRISTOUT - Neuilly-sur-Seine, France
IVOR GUEST - London, England
GENEVIEVE OSWALD - New York, New York
PATRICIA McANDREW - Bethlehem, Pennsylvania
ELIZABETH SOURITZ - Moscow, Russia




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