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期刊名称:ADAPTATION-THE JOURNAL OF LITERATURE ON SCREEN STUDIES

ISSN:1755-0637
出版频率:Tri-annual
出版社:OXFORD UNIV PRESS, GREAT CLARENDON ST, OXFORD, ENGLAND, OX2 6DP
  出版社网址:http://www.oxfordjournals.org/
主题范畴:FILM, RADIO, TELEVISION;    LITERATURE
变更情况:New added in 2012

期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)   



About the journal

 
The Current Issue

About the Journal

Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews, including both book to screen adaptation, screen to book adaptation, popular and ‘classic’ adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues and genres in literature on screen. Adaptation provides an international forum to theorise and interrogate the phenomenon of literature on screen from both a literary and film studies perspective.

Comments on Adaptation


"Adaptation shows a great deal of promise. [It] remains focused on the relationship between literature and film, but most of the articles stretch the definitions of ‘literature’, ‘film’ and ‘adaptation’ in productive ways. …Tom Leitch’s ‘Adaptation Studies at a Crossroads’…is literally a must-read.”
Dennis Crutchins, Journal of Adaptation in Film and Performance

"On the evidence of the first volume, it seems that the editors have more than fulfilled their aims."

"...Adaptation has established a valuable outlet for work by new and established scholars, proving beyond all doubt that adaptation studies is here to stay. I look forward to further volumes."
Laurence Raw, Literature/Film Quarterly


"The new journal, Adaptation, and the new Association of Adaptation Studies are most welcome developments in an area that has been for so long under-represented in academic circles. As a practitioner, I find it rather thrilling to be the object of scholarly investigation!"
Andrew Davies

"The two initial volumes of Adaptation and the papers given at the London conference continue to demonstrate how adaptation studies is confidently developing away from its traditional approach...

...The suggestion that adaptation studies might be a building block in film studies rather than an optional extra is persistent in Leitch's argument that 'adaptation has a serious claim to be not only a genre, but the master Hollywood genre that sets the pattern for all the others' and in Falconer's musing that 'perhaps all genre movies are adaptations'. Here there is a vision of a wider discipline based on the moves that adaptation studies has made; in pressing for more attention literacy and writing, Leitch argues for the development of 'the discipline of textual studies - the study of how texts are produced, consumed, canonized, transformed, resisted and denied'.
Film studies scholars may deem it only of minor interest, but we need to consider this shift in the light of the admirably dogged conceptual and methodological rethinking that has led to these developments...Adaptation studies seems to be emerging from a period in which it was obsessed with its object of study and methods of analysis. Now might be a good time for film studies scholars to pay attention."
Christine Geraghty, Screen

Abstracting & Indexing Services

Adaptation is covered by the following abstracting and indexing services:

Film Literature Index
International Index to Film Periodicals
MLA International Bibliography
MLA Directory of Periodicals


Instructions to Authors

Instructions to Authors

SUBMISSION GUIDELINES

Manuscripts must be submitted online in an anonymous form and will be sent to two external reviewers. Short commissioned reviews will not be externally reviewed.

Once you have prepared your manuscript according to the instructions below please visit the online submission website. Instructions on submitting your manuscript online can be viewed here.

Editorial communications should be sent to:

Dr Deborah Cartmell
Editor, Adaptation
School of English and Performance Studies
De Montfort University
The Gateway
Leicester, LE1 9BH
UK
Email: djc@dmu.ac.uk

PREPARING YOUR MANUSCRIPT

For detailed instructions on style, presentation and formatting conventions, please see our Style Guide for Authors. If you use EndNote and/or Reference Manager to facilitate referencing citations (not required for submission), this journal's style is available here.

In general the journal follows the recommendations of the MLA Style Manual. Further information on the key elements of MLA style can be found at the following unofficial site www.docstyles.com. For the comprehensive style details we recommend authors refer to the official MLA site at: www.mla.org. For specific instructions on style contact the Editor at the above address.

Manuscripts should be typewritten with wide margins and all material should be double-spaced including notes, references, extracts and figure legends. Do not divide words at the ends of lines. Each section of the manuscript should begin on a separate page. The manuscript should include the author's address and telephone number (as well as fax number and e-mail address if available) on a separate, unnumbered page.

Acknowledgements and details of support must be included at the end of the text before references and not in footnotes. Personal acknowledgements should precede those of institutions or agencies.

The journal encourages the submission of suitable illustrations. Prepare your figures at print publication quality resolution, using applications capable of generating high-resolution .tif files (1200 d.p.i. for line drawings and 300 d.p.i. for colour and halftone artwork).

Colour figures should be supplied in CMYK not RGB colours. Most photo editing software will allow you to select CMYK colours when you save the figures. Please ensure that the prepared electronic image files print clearly.

A number of different file formats are acceptable, including: PowerPoint (.ppt), Tagged Image File Format (.tif), Encapsulated PostScript (.eps), Joint Photographic Experts Group (.jpg), Graphics Interchange Format (.gif), Adobe Illustrator (.ai) (please save your files in Illustrator's EPS format), Portable Network Graphics (.png), Microsoft Word (.doc), Rich Text Format (.rtf), and Excel (.xls) but not Portable Document Format (PDF).

The printing process requires your figures to be in this format if your paper is accepted for publication. For further information on the preparation of electronic artwork, please see http://cpc.cadmus.com/da.

All figures submitted to the journal in colour will be published in colour online at no cost (unless the author specifically requests that their figures be in black and white online). Authors may choose to also publish their figures in color in the print journal for per figure: you will be asked to approve this cost after your article is accepted for publication. Color figures must have a resolution of at least 300 dots per inch at their final sizes. You will be issued an invoice at the time of publication. Figure captions must be suitably worded to apply to both the print and online versions of the article.

PERMISSIONS

Permission to reproduce copyright material, for print and online publication without a time limit, must be cleared and if necessary paid for by the author; this includes applications and payments to DACS, ARS, and similar licensing agencies where appropriate. Evidence in writing that such permissions have been secured from the rights-holder must be made available to the editors. It is also the author's responsibility to include acknowledgements as stipulated by the particular institutions. Oxford Journals can offer information and documentation to assist authors in securing print and online permissions: please see Guidelines for Authors section. Information on permissions contacts for a number of main galleries and museums can also be provided. Should you require copies of this, please contact the editorial office of the journal in question or the Oxford Journals Rights department.

Film and TV Image Permissions

COPYRIGHT

It is a condition of publication in Adaptation that authors grant an exclusive licence to Oxford University Press. This ensures that requests from third parties to reproduce articles are handled efficiently and consistently and will also allow the article to be as widely disseminated as possible. As part of the licence agreement, Authors may use their own material in other publications provided that Adaptation is acknowledged as the original place of publication and Oxford University Press as the Publisher.

Upon receipt of accepted manuscripts at Oxford Journals authors will be invited to complete an online copyright licence to publish form.

Please note that by submitting an article for publication you confirm that you are the corresponding/submitting author and that Oxford University Press ("OUP") may retain your email address for the purpose of communicating with you about the article. You agree to notify OUP immediately if your details change. If your article is accepted for publication OUP will contact you using the email address you have used in the registration process. Please note that OUP does not retain copies of rejected articles.

Adaptation authors have the option to publish their paper under the Oxford Open initiative; whereby, for a charge, their paper will be made freely available online immediately upon publication. After your manuscript is accepted the corresponding author will be required to accept a mandatory licence to publish agreement. As part of the licensing process you will be asked to indicate whether or not you wish to pay for open access. If you do not select the open access option, your paper will be published with standard subscription-based access and you will not be charged.

Oxford Open articles are published under Creative Commons licences. Authors publishing in Adaptation can use the following Creative Commons licences for their articles:

• Creative Commons Attribution licence (CC-BY)
• Creative Commons Non-Commercial licence (CC-BY-NC)
• Creative Commons non-Commercial No Derivatives licence (CC-BY-NC-ND)

Please click here for more information about the Creative Commons licences.

You can pay Open Access charges using our Author Services site. This will enable you to pay online with a credit/debit card, or request an invoice by email or post. The open access charges applicable are:

Regular charge - £1500/ $2400 / €1950
List B Developing country charge* - £750 / $1200 / €975
List A Developing country charge* - £0 /$0 / €0
*Visit our Developing Countries page for a list of qualifying countries

Please note that these charges are in addition to any colour/page charges that may apply.

Orders from the UK will be subject to the current UK VAT charge. For orders from the rest of the European Union, OUP will assume that the service is provided for business purposes. Please provide a VAT number for yourself or your institution, and ensure you account for your own local VAT correctly.

CONFLICT OF INTEREST

All authors must declare any conflicts of interest. When submitting your manuscript via our online submission website, you will be asked whether you have any conflicts of interest. As submitting author, it is your responsibility to ascertain any conflicts of interest from your co-authors and to highlight these accordingly. If you are unable to declare any conflicts of interest on behalf of your co-authors, all contributing authors will need to complete and return Conflict of Interest forms. These must be sent to the editorial office by fax to: +44 (0)1865 355 950.

Any potential conflict of interest that might constitute an embarrassment to any of the authors if it were not to be declared and were to emerge after publication should be declared. Such conflicts might include, but are not limited to, author (or first degree relative) shareholding in or receipt of a grant or consultancy fee from a company whose product features in the submitted manuscript or which manufactures a competing product.

OFFPRINTS

For main articles, the corresponding author is entitled to receive 25 printed offprints free of charge. These can be claimed using the Oxford Journals Author Services site. You will receive a link to this site from the Production office when your paper has been accepted for publication in the journal.

All authors of Articles and Reviews receive free online access to their paper.

Note: Orders from the UK will be subject to the current UK VAT charge. For orders from elsewhere in the EU you or your institution should account for VAT by way of a reverse charge. Please provide us with your or your institution’s VAT number.

SELF-ARCHIVING POLICY

For information about Adaptation’s self-archiving policy, please visit our Author Self-Archiving policy page.

LANGUAGE EDITING

Particularly if English is not your first language, before submitting your manuscript you may wish to have it edited for language. This is not a mandatory step, but may help to ensure that the academic content of your paper is fully understood by journal editors and reviewers. Language editing does not guarantee that your manuscript will be accepted for publication. If you would like information about such services please click here. There are other specialist language editing companies that offer similar services and you can also use any of these. Authors are liable for all costs associated with such services.


Editorial Board

Editors

Deborah Cartmell
De Montfort University, UK

Imelda Whelehan
University of Tasmania, Australia

Timothy Corrigan
University of Pennsylvania, USA

Book Reviews Editor

Monika Pietrzak-Franger
TU Braunschweig, Germany

Editorial Board

Dudley Andrew
Yale University, USA

Judith Buchanan
University of York, UK

Richard Burt
University of Florida, USA

Jim Collins
University of Notre Dame, USA

Andrew Davies,
UK

Kamilla Elliott
University of Lancaster, UK

Hideaki Fujiki
Nagoya University, Japan

Ken Gelder
University of Melbourne, Australia

Christine Geraghty
University of Glasgow, UK

Martin Halliwell
University of Leicester, UK

Graham Holderness
University of Hertfordshire, UK

Zhu Jianxin
Fudan University, China

Douglas Lanier
University of New Hampshire, USA

Thomas Leitch
University of Delaware, USA

Joseph Luzzi
Bard College, USA

Millicent Marcus
Yale University, USA

Brian McFarlane
Monash University, Australia

Barton Palmer
Clemson University, USA

Dana Polan
New York University, USA

Laurence Raw
Baskent University, Turkey

Eric Rentschler
Harvard University, USA

Julie Sanders
University of Nottingham, UK

Erica Sheen
University of York, UK

Robert Stam
New York University, USA

Jeremy Strong
Writtle College, UK

Mark Thornton Burnett
Queens University, Belfast, UK

Evelyn Tribble
University of Otago, New Zealand

Linda Troost
Washington Jefferson College, USA

Eckart Voigts
TU Braunschweig, Germany




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