期刊名称：CULTURAL STUDIES
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Aims & Scope
2005 Impact Factor: 0.300
Ranking: 36/51 (Anthropology),2/59 (Social Science Interdisciplinary)
Thomson ISI Journal Citation Reports 2006
Cultural Studies is an international journal which explores the relation between cultural practices, everyday life, material, economic, political, geographical and historical contexts. It fosters more open analytic, critical and political conversations by encouraging people to push the dialogue into fresh, uncharted territory. It also aims to intervene in the processes by which the existing techniques, institutions and structures of power are reproduced, resisted and transformed.
Cultural Studies understands the term 'culture' inclusively rather than exclusively, and publishes essays which encourage significant intellectual and political experimentation, intervention and dialogue. Special issues focus on specific topics, often not traditionally associated with cultural studies, and occasional issues present a body of work from a particular national, ethnic or special tradition.
The journal represents the truly international and interdisciplinary nature of contemporary work in cultural studies, and since its inception in 1987, has reflected the discipline in becoming ever more global in scope and perspective(s).
Cultural Studies welcomes work covering a range of topics and styles, and invites articles, reviews, critiques, photographs and other forms of 'cultural' and 'intellectual' production.
Celebrating 20 years of Cultural Studies with Routledge in 2006
I was first introduced to cultural studies about thirty-five years ago, when no one quite knew what it was. It was a project. It had its enemies, on the left, and in the disciplines. Maybe not that much has changed. After all, cultural studies is still almost impossible to define, especially given the enormous diversity of work that is carried on in its name. And it has even more enemies—on the left and in the disciplines, and now we can always add various conservative fractions. Yet, everything has changed. By many quantitative measures, cultural studies has become a success—it has a real presence in the academy and in publications. Its audiences and outlets have exploded. When Cultural Studies first began publishing over twenty years ago, there were no other outlets. Now there are more than anyone can keep up with. More importantly, cultural studies as a transdisciplinary formation and practice has transformed many of our most basic disciplinary and political practices and assumptions. And despite the many misappropriations and misrepresentations of cultural studies, I now understand that it is precisely as a project—a radically contextual practice of the articulation of knowledge and power-- that cultural studies will continue to challenge dominant intellectual and political practices, and to look to the possibilities of the future. As the world speeds into a increasingly precarious and inhumane future, I still believe, as I did thirty five years ago, that cultural studies has something to contribute to making another future possible.
Lawrence Grossberg, Editor, Cultural Studies
Peer Review Policy:
All papers in this journal have undergone editorial screening and peer review.
Instructions to Authors
Submission
Authors should submit three complete copies of their paper, including any
original illustrations to:
Professors Lawrence Grossberg and Della Pollock, Editors of Cultural Studies ,
Department of Communication Studies, CB#3285, 115 Bingham Hall,
University of North Carolina at Chapel Hill, Chapel Hill, NC 27599/3285,
USA; e-mail: cs-journ@email.unc.edu
It will be assumed that the author has retained a copy of his or her paper.
Submission of a paper to Cultural Studies will be taken to imply that it presents
original, unpublished work not under consideration for publication elsewhere.
Copyright
It is a condition of publication that authors assign copyright or licence the
publication rights in their articles, including abstracts, to Taylor & Francis.
This enables us to ensure full copyright protection and to disseminate the
article, and of course the Journal, to the widest possible readership in print and
electronic formats as appropriate. Authors may, of course, use the article
elsewhere after publication without prior permission from Taylor & Francis,
provided that acknowledgement is given to the Journal as the original source of
publication, and that Taylor & Francis is notified so that our records show that
its use is properly authorised. Authors retain a number of other rights under
the Taylor & Francis rights policies documents. These policies are referred to
at http://www.tandf.co.uk/journals/authorrights.pdf for full details. Authors
are themselves responsible for obtaining permission to reproduce copyright
material from other sources.
Manuscript format
All submissions should be in English, typed or computer printed in double
spacing on one side of the paper only. Please include an abstract of up to
300 words (including 6 keywords) for purposes of review. All papers should
conform to the reference system set out below. Submissions undergo blind
peer review. Therefore, the author(s) name(s) should not appear anywhere on
the manuscript except for on a detachable cover page along with an address,
short biographical note and the title. Please supply an e-mail address and a
contact number. Every effort will be made to complete the review process
within six months of submission. An electronic version of the manuscript must
be provided in the appropriate software format upon acceptance for
publication.
Notes for contributors
Cultural Studies Vol. 20, No. 1 January 2006, pp. 113 /117
ISSN 0950-2386 print/ISSN 1466-4348 online 2006 Taylor & Francis
http://www.tandf.co.uk/journals DOI: 10.1080/09502380500529680
Photographs, tables and figures
Photographs should be high contrast black and white glossy prints. Tables and
figures need not be rendered professionally but should be neatly drawn in
black ink.
Copyright-protected material
Written permission to reproduce photographs, tables, figures, song lyrics or
any other copyright-protected material must be obtained by authors from the
copyright-holders before submission.
Citation style
Manuscripts must conform to the Harvard reference style. When an author's
name is mentioned in the text, the date alone is inserted in parentheses
immediately after the name: Smith (1970). When a less direct reference is
made the name and date are given together in parentheses. Several authors are
separated by a comma: (Smith 1970, Mbene 1984).
When the reference is to dual or multiple authorship use: Smith and Jones
(1971) for two authors and Smith et al . for more than two. Only use initials if
two authors have the same surname: (Smith, A. 1970, Smith, B. 1971).
If two or more works by the same author are cited for the same year, add
lower case letters after the date to distinguish them: (Smith 1970a, 1970b).
When using a republished book, a translation or a modern edition of an
older book, give the date of the original publication as well: Smith (1970/
1999). When using a reprinted article, cite the date of the original publication
only.
When referring to mass media materials, include relevant information
within parentheses: (Women's Weekly, 16 July 1983, p. 32).
Treat recorded music as a book: the musician or group is the author, the
title is underlined and the distributor is listed as the publisher; treat television
series and films similarly. Treat television episodes, poems, songs and short
stories (i.e. works that are not usually published separately) as articles, placing
the title in single quotation marks.
Reference list
Submissions should include a reference list conforming to the style shown in
the following examples:
Book
Leach, E. (1976) Culture and Communication , Cambridge University Press,
Cambridge.
1 1 4 CULTURAL STUDIES
Two or more references to the same author
Leach, E. (1976) Culture and Communication , Cambridge University Press,
Cambridge.
Leach, E. (1974) Levi-Strauss , Fontana, London.
Multiple authors
Ogden, C. G. & Richards, I. A. (1949) The Meaning of Meaning, 2nd edn,
Routledge and Kegan Paul, London.
Two references published in the same year; translated text; two places of publication
Lacan, J. (1977a) Ecrits: A Selection , trans. Alan Sheridan, Norton, New York
and London. (Originally published 1966).
Article in reader not already cited; multi volume work; article in book by same author
Leavis, F. R. (1945) Thought and emotional quality, in A Selection from
Scrutiny , ed. F. R. Leavis, vol. 1, Cambridge University Press,
Cambridge, pp. 211/230.
Article in journal
Macherey, P. & Balibar, E. (1978) Literature as an ideological form: some
Marxist propositions, Oxford Literary Review, vol. 3, no. 1, pp. 4/12.
Article in magazine or newspaper
Burstall, T. (1977) Triumph and disaster for Australian films, The
Bulletin , 24 September, pp. 45/54.
Film or TV programme
The War Game (1966) Dir. Peter Watkins, BBC.
Proofs
PDF proofs will be sent for correction by email to the author whose name appears
first on the title page of the article unless otherwise requested. The difficulty and
expense involved in making amendments at this stage make it essential for authors
to prepare their typescripts carefully: any alteration to the original text is strongly
discouraged. The proofs should be returned as quickly as possible.
Offprints
An "eprint" of the finished article and a copy of the issue in which the article
appears will be supplied free of charge to the corresponding author; offprints
are available on request, further information will be supplied with page proofs.
There is no remuneration for publication in Cultural Studies .
Guidelines for Book Reviews
Cultural Studies publishes reviews of current books that are of potential interest
to the journal's main audience: i.e., an international readership of scholars,
students, activists, and cultural workers interested in cultural studies (broadly
defined). Given the cross/multi-disciplinary nature of the journal's focus,
reviews should focus specifically on the relevance of the book(s) in question to
NOTES FOR CONTRIBUTORS 1 1 5
cultural studies (rather than to either the author's or the reviewer's "home"
discipline).
Completed reviews should be concise / i.e., 1000 words or less /
and carefully proofread. External citations and endnotes do count against
your word limit, so use them sparingly (if at all). Your review should
include:
Heading information:
Your name
Title of the book review (short, preferably 5/6 words)
Publication information: book author(s)/editor(s), book title, city/cities,
publisher, date, page count, ISBN number and price for cloth/hardback,
ISBN number and price for paperback.
Body of review:
Brief description or explanation of the book's contents
Discussion of the book's relevance to cultural studies
Critical engagement with and assessment of the book's contents
Other information (on separate page):
Word count of your review (excluding the heading information)
Brief biographical note for the reviewer (2/3 lines)
Your address/contact information (including phone number(s) and
e-mail address)
General formatting guidelines:
Reviews should be written in English and adhere to the journal's usual style
guidelines (i.e., Harvard style).
Reviews should be submitted in one of the following formats:
WordPerfect (version 9.0 or earlier), Microsoft Word (2000 or earlier),
or RTF (Rich Text Format).
Reviews should be submitted either as an e-mail file attachment or on an
IBM-compatible 3.5 floppy disk to the book review editor:
Gil Rodman
Department of Communication Studies
University of Minnesota
225 Ford Hall
224 Church Street SE
Minneapolis, MN-55455
USA
rodma014@umn.edu
gbrodman@mindspring.com
1 1 6 CULTURAL STUDIES
Radar Love
Cultural Studies wants to publish brief reports in English on published
scholarship, research in progress, conferences, and other events, taking place
or addressing places outside of the field's usual centers, particularly in
languages other than English. We do not intend this column to be an occasion
for publicity, announcements or formal scholarly reviews. Rather we seek to
provide pointed summaries that will make the readers of the journal better
aware of the range of cultural studies practices taking place around the world
and sometimes, even in their own backyard. In this way, at the very least, we
hope to foster a greater international conversation among dispersed cultural
studies scholars working on common or related questions. Proposed contributions
can be sent directly to the editors.
NOTES FOR CONTRIBUTORS 1 1 7
Editorial Board
Editorial Board
Editors:
Lawrence Grossberg - University of North Carolina, Chapel Hill, USA
Della Pollock - University of North Carolina, Chapel Hill, USA
Associate Editors:
Rivker Eisner- University of North Carolina, Chapel Hill, USA
Mark Hayward - University of North Carolina, Chapel Hill, USA
Josh Smicker - University of North Carolina, Chapel Hill, USA
Book Reviewer Editors:
Mark Davis - University of Melbourne, Victoria, Australia
Alvaro Pina - University of Lisbon, Portugal
Stuart Price - De Montfort University, UK
Gil Rodman - University of Minnesota, USA
Editorial Board:
Charles Acland - Concordia University, Canada
Ien Ang - University of Western Sydney, Nepean, Australia
Srinivas Aravamudan - Duke University, USA
Anne Balsamo - University of Southern California, USA
Tony Bennett - Open University, UK
Lisa Cartwright - University of Rochester, USA
Stephen Chan - Lingnan University, China
Kuan-Hsing Chen - National Tsing Hua University, Taiwan
John Clarke - The Open University, UK
Mark Davis - University of Melbourne, Victoria, Australia
Paul du Gay - The Open University, UK
Arturo Escobar - University of North Carolina, Chapel Hill, USA
John Nyuget Erni - City University of Hong Kong, Hong Kong
Judith Farquhar - University of Chicago, USA
John Frow - University of Queensland, Australia
Paul Gilroy - Yale University, USA
Henry Giroux - McMaster University, Canada
Herman Gray - University of California, Santa Cruz, USA
Larry Gross - University of Pennsylvania, USA
Ahkil Gupta - Stanford University, USA
Ghassan Hage - University of Sydney, Australia
James Hay - University of Illinois, Urbana Champaign, USA
James Hevia - University of Chicago, USA
Roman Horak - University of Applied Arts, Vienna, Austria
Shannon Jackson - University of California, Berkeley, USA
Steve Jones - University of Illinois, Chicago, USA
Jane Juffer - Pennsylvania State University, USA
Myung Koo Kang - Seoul National University, Korea
Mikko Lehtonen - University of Tampere, Finland
Rolf Lindner - Humbolt Universität zu Berlin, German
Wahneema Lubiano - Duke University, USA
Doreen Massey - The Open University, UK
Maria Mastronardi - University of Illinois, Urbana Champaign, USA
Daniel Mato - Universidad Central de Venezuela, Venezuela
Anna McCarthy - New York University, USA
Angela McRobbie - Goldsmiths College, UK
Toby Miller - University of California - Riverside, USA
David Morley - Goldsmiths College, UK
Meaghan Morris - Linghan University, China
Stephen Muecke - University of Technology, Sydney, Australia
Lutz Musner - Internationales Forschungszentrum, Kulturwissenschaften, Austria
Sean Nixon - University of Essex, UK
Cindy Patton - Simon Fraser University, Canada
John Pickles - University of North Carolina, Chapel Hill, USA
Alvaro Pina - University of Lisbon, Portugal
Stuart Price - De Montfort University, UK
Elspeth Probyn - University of Sydney, USA
Janice Radway - Duke University, USA
Gil Rodman - University of South Florida, USA
Andrew Ross - New York University, USA
Karen Salamon - School of Design - Copenhagen, Denmark
Ellen Seiter - University of California, San Diego, USA
Jennifer Daryl Slack - Michigan Technological University, USA
Lynn Spigel - Northwestern University, USA
Carol Stabile - University of Pittsburgh, USA
Jonathan Sterne - McGill University, Canada
Charles Stivale - Wayne State University, USA
John Storey - Sunderland University, UK
Will Straw - McGill University, Canada
Marita Sturken - New Yok University, USA
Sarah Thornton - University of Sussex, UK
Keyan Tomaselli - University of Natal, Durban, South Africa
Graeme Turner - University of Queensland, Australia
J Macgregor Wise - Arizona State University West, USA
Handel Wright - University of Tennessee, Knotsville, USA
Shunya Yoshimi - University of Tokyo, Japan
George Yudice - New York University, USA
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