期刊名称：TIME & MIND-THE JOURNAL OF ARCHAEOLOGY CONSCIOUSNESS AND CULTURE
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Peer-reviewed, lively and highly interdisciplinary, Time & Mind presents new perspectives on landscape, monuments, people and culture. The journal features scholarly work addressing cognitive aspects of cross-related disciplines such as archaeology, anthropology and psychology that can shape our understanding of archaeological sites, landscapes and pre-modern worldviews. It also explores how modern minds create images of the past, and addresses how new findings about prehistory can inspire current research on the brain and consciousness.
Time & Mind explores such diverse yet curiously related topics as:
* Archaeoastronomy
* The prehistory of mind
* Ancient and pre-industrial symbolic
landscapes deriving from
religious/mythological beliefs
* The involvement of light and sound in
monumental structures
* The phenomenology of landscape
* Ritual
* Rock art
* The multi-sensory properties of natural
places from antiquity
* The cognition of memory of place
* Ecopsychology
Time & Mind is covered by the following abstracting/indexing services:
* Abstracts in Anthropology
* AIO Anthropological Index Online
* British Humanities Index
* Linguistics and Language Behaviour Abstracts
* IBR International Bibliography of Book Reviews of Scholarly Literature in the
Humanities and Social Sciences
* IBZ International Bibliography of Periodical Literature on the Humanities and Social
Sciences
* ISI Arts & Humanities Citation Index
* Scopus
* Sociological Abstracts
* Zetoc
Instructions to Authors
Time & Mind Submissions
1) Manuscript Submissions
Should you have an article you would like to submit, please write to the managing editors Paul Devereux and George Nash at timeandmind@bloomsbury.com
2) Book Reviews
Please contact Jeremy Harte for consideration for review in Time & Mind:
Jeremy Harte
Curator
Bourne Hall Museum
Spring Street
Ewell
KT17 1UF
Surrey
UK
Email: timeandmindreviews@bloomsbury.com
Notes for Contributors
The Editors welcome submissions that explore issues related to the areas described in the Time & Mind journal description document. Indeed, any relevant aspect of time and mind will be considered as long as both those elements form the core of the submission. It is requested that plain language be aspired to, with the use of jargon or specialized terminology kept to the absolute minimum. (Where specialized terms are unavoidable, please supply a glossary.) All submissions considered for publication will be subject to peer review.
Submissions aimed at being major articles should be approximately 3,000–10,000 words in length and must include a brief (two- or three-sentence) biography of the author(s), an abstract (up to about 200 words) and up to five keywords.
Shorter papers (“Notes”) should range between 500 and 2,500 words in length.
Interviews should not exceed 15 pages (about 4,000 words) and do not require an author biography.
Exhibition and book reviews are normally 500-2,000 words in length.
Electronic submissions (preferred, certainly in the first instance) should be sent to timeandmind@bloomsbury.com. Microsoft Word is the preferred word-processing program, where possible. Scanned illustrations will suffice, though originals may possibly be requested in certain circumstances if the submission is successful. (Originals will be returned.) Please scan to letter or A4 size at 300 dpi for photographs/halftone, or 600 dpi for maps or illustrations containing text. Illustrations embedded in Word documents cannot be used. Similarly, graphics downloaded from webpages are not of sufficient quality for print reproduction.
A disk as well as a hardcopy of any finally accepted contributions may occasionally be requested. (Please mark clearly on the disk what word-processing program has been used. Berg accepts most programs with the exception of Clarisworks.) Manuscripts or disks should be submitted to the current Time & Mind postal address: T&M, PO Box 11, Moreton-in-Marsh, GL56 0ZF, UK.
Submissions will be acknowledged by the managing editors and those accepted for further consideration will be entered into the review process. Electronic manuscripts and scanned illustrations will not be returned. Submission to the journal will be taken to imply that the article is not being considered elsewhere for publication, and that if accepted for publication it will not be published elsewhere, in the same form, in any language, without the consent of the editors and publisher. It is a condition of acceptance by the editors of a submission for publication that the publishers, Berg, automatically acquire the copyright of the published article throughout the world. Time & Mind does not pay authors for their submissions nor does it provide retyping, drawing, or mounting of illustrations.
Style
The journal’s text will use US spelling and mechanicals. The Chicago Manual of Style [15th Edition] is our style guideline and Webster’s Dictionary is our arbiter of spelling. While it would be preferred if contributors used US English, British English will be acceptable (though it will be transliterated into US spelling and mechanicals). We encourage the use of major subheadings and, where appropriate, second-level subheadings.
Manuscripts (whether electronic or hardcopy) submitted for consideration as an article must contain: a title page with the full title of the article, the author(s) name, address and affiliation where relevant (do not place the author’s name on any other page of the manuscript), a two- or three-sentence biography for each author, and a 200-word abstract. Up to five keywords are requested to aid in any future library searches. Please present the keywords after the abstract.
Electronic manuscripts can be either single- or double-spaced. If hardcopy manuscripts are involved, then they must be typed double-spaced (including quotations, notes, and references cited), one side only, with at least one-inch margins on standard paper using a typeface no smaller than 12pt. Authors should retain a copy for their records.
It would be preferred if paragraph breaks involved a line space (double line space if presenting a double-spaced text, of course) between paragraphs and without indentation, as on this page.
Notes and References
References to notes are to be by means of consecutive numbers inserted in-text throughout the paper and are to be written up at the end of the text. (Do not use any footnoting or end-noting programs that your software may offer as this text becomes irretrievably lost at the typesetting stage.)
For references, the “Harvard system” is to be used in-text, thus:
Centuries ago in Europe, country people were terrified of the walking dead, of “revenants” (Smith, 1989). They developed all kinds of protective procedures (Jones, 1957; Morris, 1972, 1984), and though these may seem bizarre to us now they were deemed absolutely necessary at the time.
The cited references should be presented at the end of the paper, after any notes, in this manner:
References
Dewdney, S., 1962. Indian Rock Paintings of the Great Lakes. Toronto: University of Toronto Press.
Dowson, T., 1992. Rock Engravings of Southern Africa. Johannesburg: Witwatersrand University Press.
Fagg, B., 1957. “Rock Gongs and Slides.” Man 57: 30-2.
Goldhahn, J., 2002. “Roaring Rocks: An Audio-Visual Perspective on Hunter-Gatherer Engravings in Northern Sweden and Scandinavia.” Norwegian Archaeological Review 35(1): 29-61.
Hedges, K., 1990. “Petroglyphs in Menifee Valley.” Rock Art Papers 7: 75-82.
Lawson, G., Scarre, C., Cross, I., and Hills, C., 1998. “Mounds, Megaliths, Music and Mind: Some Thoughts on the Acoustical Properties and Purposes of Archaeological Spaces.” Archaeological Review from Cambridge 15(1): 11-34.
Palmer, D., and Pettitt, P., 2001. “In Search of Our Musical Roots.” Focus 105: 80-4.
Rajnovich, G., 1994. Reading Rock Art: Interpreting the Indian Rock Paintings of the Canadian Shield. Toronto: Natural Heritage/ Natural History Inc.
Reznikoff, I., 1995. “On the Sound Dimension of Prehistoric Painted Caves and Rocks,” in E.Taratsi (ed.), Musical Signification. Berlin: Mouton de Gruyter.
Rowland, I., and Howe, T.N. (eds.), 1999. Vitruvius: Ten Books on Architecture. Cambridge: Cambridge University Press.
Copies
On publication, authors will be sent a PDF of the final version of their article for personal use only. Authors are also entitled to a complimentary copy of the issue they contributed to. Details on how to obtain it will be sent upon publication. Additional copies of the issue can be purchased at a discount rate from Berg.
Editorial Board
Editors
Paul Devereux, Royal College of Art, UK
John Baker, Moorpark College, USA
Johannes Loubser, Strtum Unlimited, USA & University of the Witwatersand, SA
Neil Mortimer, Former Editor, 3rd Stone: The Journal of Archaeology, Folklore and Myth, UK
George Nash, Bristol University, UK / Spiru Haret University, Bucharest, Romania
Editorial Advisory Board
Anthony Aveni, Colgate University, USA
Brian Bates, University of Sussex, UK
Barbara Bender, University College London, UK
Herman Bender, Hanwakan Center for Prehistoric Astronomy, Cosmology and Cultural Landscape Studies, Wisconsin, USA
Nicole L. Boivin, University of Oxford, UK
David Carmichael, University of Texas at El Paso, USA
Christopher Chippindale, University of Cambridge, former editor, Antiquity, UK
Tim Darvill, Bournemouth University, UK
Miguel H. Farias, Ian Ramsey Centre, University of Oxford, UK
Dragos Gheorghiu, National University of Arts, Bucharest, Romania
Martin Gledhill, University of Bath, UK
Susan Greenwood, Independent Scholar, UK
Cornelius Holtorf, Linnaeus University, Sweden
Ronald Hutton, University of Bristol, UK
Bernard Knapp, University of Glasgow, UK
Stanley Krippner, Saybrook Graduate School, San Francisco, USA
E.C. Krupp, Griffith Observatory, Los Angeles, USA
Charles D. Laughlin, Carleton University, Ottawa, Canada
Stephen Lekson, University Museum University of Colorado, USA
Timothy R. Pauketat, University of Illinois, Urbana-Champaign, USA
Benny Shanon, Hebrew University of Jerusalem, Israel
Paul S. C. Tacon, Griffith University, Queensland, Australia
Julian Thomas, University of Manchester, UK
Christopher Tilley, University College London, UK
Deward E. Walker, University of Colorado, Boulder, USA
Robert Wallis, American International University, London, UK
David Whitley, Arizona State University, USA
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