期刊名称：CONTEMPORARY MUSIC REVIEW
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Contemporary Music Review is a contemporary musicians' journal. It provides a forum where new tendencies in music can be discussed in both breadth and depth. Each issue focuses on a specific topic. The main concern of the journal is music today in all its aspects--its techniques of performance and composition, aesthetics, technology and its relationship with other disciplines and currents of thought. The publication may also serve as a vehicle to communicate actual musical materials.
Disclaimer for scientific, technical and social science publications:
Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
Contemporary Music Review is abstracted/indexed by:
British Humanities Index; Current Abstracts; Humanities Index; Humanities International Index; International Index to Music Periodicals; OCLC; The Music Index; Periodicals Index Online.
Instructions to Authors
INTRODUCTION
Papers should be typed with double spacing on good quality paper and submitted in duplicate to the Editor.
Peter Nelson,
Senior Lecturer,
Faculty of Music,
University of Edinburgh,
Alison House,
12 Nicolson Square,
EDINBURGH,
EH8 9DF
Submission of a paper to this journal will be taken to imply that it represents original work not previously published, that it is not being considered elsewhere for publication, and that if accepted for publication it will not be published elsewhere in the same form, in any language, without the consent of the editors and publishers. It is a condition of the acceptance by the editor of a typescript for publication that the publisher acquires automatically the copyright of the typescript throughout the world.
Languages: Papers are accepted only in English.
ABSTRACTS, KEYWORDS
Abstract: Each paper requires an abstract of 100--150 words summarizing contents
Keywords Up to six key words (index words) should be provided by the author. These will be published at the front of the paper.
ILLUSTRATIONS
All illustrations should be designated as "Figure 1" etc., and be numbered with consecutive arabic numerals. Each illustration should have a descriptive caption and be mentioned in the text. Indicate an approximate position for each illustration in the margin, and note the paper title, the name of the author and the figure number on the back of the illustration (please use a soft pencil for this, not a felt tip pen).
Preparation: All illustrations submitted must be of a high enough standard for direct reproduction. Line drawings should be prepared in black (india) ink on quality white card or paper or on tracing paper, with all the necessary lettering included. Alternatively, good sharp photographs ("glossies") are acceptable. Photographs intended for halftone reproduction must be good, glossy original prints of maximum contrast. Unusable illustrations and example will not be redrawn or retouched by the printer, so it is essential that figures are well prepared.
MUSICAL EXAMPLES
These, like the illustrations, must be of a high enough standard for direct reproduction. Musical examples should be prepared in black (india) ink on quality white card or white music manuscript paper, or on tracing paper, with any necessary lettering included. If staves are hand drawn, ensure that the lines are of uniform thickness. Unusable musical examples will not be redrawn or retouched by the printer, so it is essential that figures are well prepared.
REFERENCES AND NOTES
REFERENCES
JOURNAL: Klimoski, R., & Palmer, S. (1993). The ADA and the hiring process in organizations. Consulting Psychology Journal: Practice and Research, 45(2), 10-36.
BOOK: Mitchell, T. R., & Larson, J. R., Jr. (1987). People in organizations: An introduction to organizational behavior (3rd ed.). New York: McGraw-Hill.
IN ED BOOK: Bjork, R. A. (1989). Retrieval inhibition as an adaptive mechanism in human memory. In H. L. Roediger III & F. I. M. Craik (Eds.), Varieties of memory & consciousness (pp. 309-330). Hillsdale, NJ: Erlbaum.
ED BOOK: Gibbs, J. T., & Huang, L. N. (Eds.). (1991). Children of color: Psychological interventions with minority youth (Rev. ed.). San Francisco: Jossey-Bass.
CONFERENCE Lichstein, K. L., Johnson, R. S., Womack, T. D., Dean, J. E., & Childers, C. K. (1990, June). Relaxation therapy for poly-pharmacy use in elderly insomniacs and noninsomniacs. In T. L. Rosenthal (Chair), Reducing medication in geriatric populations. Symposium conducted at the meeting of the First International Congress of Behavioral Medicine, Uppsala, Sweden.
NEWSPAPER Schwartz, J. (1993, September 30). Obesity affects economic, social status. The Washington Post, pp. A1, A4, A6-A9.
ELECTRONIC Benton Foundation. (1998, July 7). Barriers to closing the gap. In Losing ground bit by bit: Low-income communities in the information age (chap. 2). Retrieved August 18, 2001, from http://www.benton.org/Library/Low-Income/two.html
DISSERTATION Wilfley, D. E. (1989). Interpersonal analyses of bulimia: Normal-weight and obese. Unpublished doctoral dissertation, University of Missouri, Columbia.
Detailed guide.
Examples:
1. Smith, F.J. (1976) Editor. In Search of Musical Method, pp. 70--81. New York and London: Gordon and Breach.
2. Cockrell, D. (1982) A study in French Romanticism. Journal of Musicological Research, 4(1/2), 85--115.
NB authors must check that reference details are correct and complete; otherwise the references are useless. As a final check, please make sure that references tally with citings in the text.
FREE ARTICLE ACCESS
Corresponding authors will receive free online access to their article through our website (www.informaworld.com) and a complimentary copy of the issue containing their article. Reprints of articles published in this journal can be purchased through Rightslink® when proofs are received. If you have any queries, please contact our reprints department at reprints@tandf.co.uk
PROOFS
Contributors will receive page proofs (including illustrations) by air mail for correction, which must be returned within 48 hours of receipt. Please ensure that a full postal address is given on the first page of the typescript, so that proofs arrive without delay. Authors' alterations in excess of 10% of the original composition cost will be charged to authors.
PAGE CHARGES
There are no page charges to individuals or institutions.
COPYRIGHT: It is a condition of publication that authors assign copyright or license the publication rights in their articles, including abstracts, to Taylor & Francis. This enables us to ensure full copyright protection and to disseminate the article, and of course the Journal, to the widest possible readership in print and electronic formats as appropriate. Authors retain many rights under the Taylor & Francis rights policies, which can be found at www.informaworld.com/authors_journals_copyright_position.
As an author, you are required to secure permission if you want to reproduce any figure, table, or extract from the text of another source. This applies to direct reproduction as well as "derivative reproduction" (where you have created a new figure or table which derives substantially from a copyrighted source). For further information and FAQs, please see http://journalauthors.tandf.co.uk/preparation/permission.asp
Editorial Board
Editor:
Peter Nelson
Professor of Music and Technology
School of Arts, Culture and Environment,
University of Edinburgh,
12 Nicolson Square,
Edinburgh
EH8 9DF
UK
E-mail: p.nelson@ed.ac.uk
Founding Editor:
Nigel Osborne, UK
US Editor:
David Bernstein
Professor of Music
Department of Music,
Mills College,
5000 MacArthur Blvd,
Oakland, CA 94613
USA
E-mail: davidb@mills.edu
Editorial Board:
John Adams, USA
Bruce Adolphe, USA
Joaquim M Benitez, S.J., Japan
Joël Bons, Netherlands
Stephen Davismoon, UK
Morag Grant, Germany
Oliver Knussen, UK
Jo Kondo, Japan
George Lewis, USA
Tod Machover, USA
Eduardo Miranda, UK
David Nicholls, UK
Suzanne Robinson, Australia
Rebecca Saunders, German
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