期刊名称：THIRD TEXT
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film - Third Text addresses the complex cultural realities that emerge when different worldviews meet, and the challenge this poses to Eurocentrism and ethnocentric aesthetic criteria. The journal aims to develop new discourses and radical interdisciplinary scholarships that go beyond the confines of eurocentricity.
Peer Review Policy:
All research articles published in this journal have undergone peer review based on initial editorial screening.
Disclaimer for scientific, technical and social science publications:
Taylor & Francis and Third Text makes every effort to ensure the accuracy of all the information (the “Content”) contained in its publications. However, Taylor & Francis and Third Text and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis and Third Text.
Instructions to Authors
Note to Authors: please make sure your contact address information is clearly visible on the outside of all packages you are sending to Editors.
General
Articles should not be more than 8,000 words long; we prefer 4-5000 words. Reviews are normally commissioned and should not be more than 2,000 words long.
Please include your complete institutional/home address, telephone numbers, fax and email. Include short biography - up to fifty words - at the end of the article.
Please do not try and design your pages; and do not use a DTP programme under any circumstances. Stick to simple word processing programme, preferably MS Word. Use Times New Roman, 12pt, double spacing, no page numbering, no headers, no footers and no running heads.
Style
Title: Capitalised, right aligned, followed by author's name, also right aligned
Main text: left-aligned, non-justified (ragged right-hand margin)
Sub-titles (of sections) in capitals, bold and italicised.
No underlining throughout text - use italics for book/film titles, single inverted commas for chapter headings/article/poem/artwork titles.
No centring throughout text
Single space after full stops
.5cm tab for paragraph indent, no space between paragraphs
En-dash for sub-clauses - not hyphens.
Single inverted comas throughout, except when a quote appears within a quote, then use double inverted commas
Interviews: Full name of interviewer and interviewee the first time they appear in the text (in bold), thereafter initials only, no full stops or spaces between initial letters (also in bold), ie: RA As I said earlier… (two spaces after initials, before text)
Foot or margin notes numerals in text in Superscript
Notes: Author followed by title, followed by publisher, followed by city of publication, followed by date, items separated by comas. No full stop after note number, or after p, pp or ibid. Do not use the footnote or endnote facility in your word-processing program, simply add the notes at the end of the main text.
Also in main text no full stop after initials or abbreviations: ie, etc, V S Wilson
Quotes should not be indented or in italics. If there are gaps in the quote, use three dots… not brackets.
Images
Up to a maximum of five images can be submitted with the article. JPEG only, no TIF, EPS etc.
Picture captions: All slides, transparencies, photographs or digital images should be submitted with the following information, unless it already appears on the slide: artist's name, title of work - in italic, date of work, media, dimensions, collection (or place of exhibition), photo credit, ie:
Lani Maestro, Cradle, 1996, cheesecloth, sisal strings, palm mats, 1618 x 964cm, collection of the artist, photo: Ronald Dobson (no full stop at end of caption)
When an article is on the work of a single artist, and there is no work by other artists reproduced in the article, the caption for each photograph should not bear the artist's name.
Do not leave one line space between paragraphs, indent paragraphs by .5cm.
Do not indent first paragraph, or first paragraph of a new section, leave one line space before a new section.
Use English spelling rule, ie: realise, not realize. Labour, not labor. Colour, not color. Catalogue, not catalog, programme, not program.
Full stops should be followed by one space, not two.
Quotes under thirty words are placed in the body of the text 'in single quotation marks'. Quotes over thirty words should be separated from the pain text by one line space above and one line space below, do not indent or uses a different point size.
Do not use bold for emphasis, always use italics.
Use single quotation marks unless there is a quote within a quote, eg: 'Grammar should be "particular" in all cases.'
'If the quote is a complete sentence, the full stop should go inside the closing quotation mark.'
But 'if it is part of a sentence, no matter how many phrases, the full stop should go outside the closing quotation mark'.
'When a quote is broken', he said, 'always put the comma outside the first part of the quote.'
Use En-dashes – for sub-quotes, (with a space on each side of the En-dash), not Em-dashes — or hyphens -
Free article access: Corresponding authors can receive 50 free reprints, free online access to their article through our website (www.informaworld.com) and a complimentary copy of the issue containing their article. Complimentary reprints are available through Rightslink® and additional reprints can be ordered through Rightslink® when proofs are received. If you have any queries, please contact our reprints department at reprints@tandf.co.uk
Send submissions to:
thirdtext@btconnect.com
Editorial office:
Rasheed Araeen & Zia Sardar
2G Crusader House
249/289 Cricklewood Boardway
London
NW2 6NX
UK
Tel: 020 8830 7803
Copyright: It is a condition of publication that authors assign copyright or license the publication rights in their articles, including abstracts, to Third Text. This enables us to ensure full copyright protection and to disseminate the article, and of course the Journal, to the widest possible readership in print and electronic formats as appropriate. Authors retain many rights under the Taylor & Francis rights policies, which can be found at www.informaworld.com/authors_journals_copyright_position.
As an author, you are required to secure permission if you want to reproduce any figure, table, or extract from the text of another source. This applies to direct reproduction as well as "derivative reproduction" (where you have created a new figure or table which derives substantially from a copyrighted source). For further information and FAQs, please see http://journalauthors.tandf.co.uk/preparation/permission.asp
Editorial Board
FOUNDING EDITOR:
Rasheed Araeen
2G Crusader House
289 Cricklewood Broadway
London
NW2 6NX
Telephone/Fax: 020 8830 7803
E-mail: thirdtext@btconnect.com
EDITOR:
Richard Appignanesi
ASSISTANT EDITOR
Richard Dyer
MANAGING EDITOR:
Yvie Andrews
EDITORIAL BOARD
Ali Nobil Ahmad, Jorella Andrews, Annie Coombes, Anthony Downey, Raimi Gbadamosi, Amna Malik, Leon Wainwright
ADVISORY COUNCIL
Rustom Bharucha Calcutta, India
Guy Brett London, UK
Iain Chambers University of Naples, Italy
David Craven University of New Mexico, USA
Sean Cubitt University of Melbourne, Australia
Denis Ekpo University of Port Harcourt Nigeria
Ihab Hassan University of Wisconsin-Milwaukee, USA
Janis Jefferies Goldsmiths, University of London, UK
Geeta Kapur New Delhi, India
Tabish Khair Aarhus Universitet, Denmark
Vinay Lal University of California, Los Angeles, USA
José-Carlos Mariategui Lima, Peru
Ian McLean Uni of Western Australia, Perth
Laura Mulvey Birkbeck College,University of London, UK
Gerardo Mosquera Havana, Cuba
Benita Parry University of Warwick, UK
Howardena Pindell Stony Brook University, New York, USA
Mario Pissarro ASAI, University of Cape Town, RSA
Gene Ray Berlin, Germany
John Roberts Uni of Wolverhampton, UK
Gayatri Spivak Columbia University, New York, USA
Julian Stallabrass Courtauld Institute, London, UK
Victor Tupitsyn Paris/Moscow
Stephen Wright Paris, France
Slavoj Zizek Institute for Social Sciences,Uni of Ljubljana, Slovenia
TRUSTEES
Marjorie Allthorpe-Guyton
Sunny Hundal
Elinor Jansz
Janis Jefferies
Francesco Manacorda
Lord Bhikhu Parekh
Ziauddin Sardar (Chair)
David Thorp
|
字顺( Alphabetical List of Journals):