期刊名称：ARQ-ARCHITECTURAL RESEARCH Quarterly
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Arts & Humanities Citation Index
ART Index Current Contents - Arts & Humanities
Instructions to Authors
1. Submissions
Prospective authors are welcome to discuss or send outlines or drafts to the Editors in advance of making a formal submission. Drafts need not conform to any of the text conventions or other requirements given below for final submissions. Articles submitted for publication should be sent to:
Professor Richard Weston
arq
c/o The Welsh School of Architecture
Cardiff University
Bute Building, King Edward VII Avenue
Cardiff CF10 3NB
UK
Email: WestonR1@Cardiff.ac.uk
Telephone: +44 (0) 29 2087 4431
Submission of an article will be taken to imply that it is unpublished and is not being considered for publication elsewhere. Upon acceptance of a paper, the author will be asked to assign copyright (on certain conditions) to Cambridge University Press. (Permission to reproduce is not normally withheld.)
Contributors are responsible for obtaining permission to reproduce any material (including illustrations) for which they do not hold copyright. In case of doubt, they should discuss this with the Editors.
Hard copies, CDs and illustrative material will be discarded one month after publication unless the
Editors are specifically requested at the time of submission to return material to the contributor.
2. Length, style and format
The length of papers should normally range between 2,000 and 5,000 words. The text must be in English. For ease of reading, it is advisable that the text should be divided into sections with section headings typed on separate lines.
The title page should include title, contributor's name, postal and email addresses, telephone number and date of submission together with a 28-word abstract to introduce the paper and the approximate total number of words in the main text.
A brief biography of no more than 50 words should be included.
When writing the final version of their articles, contributors should follow the journal’s stylistic
conventions set out in Section 3 below.
Acknowledgements should be given to any practical or financial assistance.
3. Text conventions
References and notes, used sparingly, should be indicated in the text by a superscript number. A full list of references and notes should be given at the end of the paper. Examples of references are given below. For further guidance on referencing and preparing submissions contributors should consult the MHRA Style Guide, available at www.mhra.org.uk William J. R. Curtis, Modern Architecture since 1900, 3rd rev. edn (London: Phaidon, 1996), pp. 124-32.
Tadao Ando, "Towards New Horizons in Architecture" in Theorizing a New Agenda for Architecture, ed. by Kate Nesbitt (New York: Princeton Architectural Press, 1996), pp. 462-530 (p. 473).
Jeremy Melvin, "More than just the British Library" in Architects Journal 206, Pt. 10 (18 September 1997), 48-55 (p. 51).
Marcus Frings, "The Golden Section in Architectural Theory" Nexus Network Journal: Architecture and Mathematics On-line 4, No. 1 (2002) [accessed 19 September 2005].
References to illustrations should be keyed into the text with square brackets thus: [Fig. 1]. They should be numbered in the sequence in which they appear in the text.
Appendices should only be used to accommodate essential information subordinate to the text.
4. Text hard copies and files
E-mail submissions should be sent as attachments, which can be opened using Word.
Hard copy submissions should, preferably, consist of an A4 (210x297mm) or similar size printout with numbered pages. Contributors submitting in this way are also expected to supply a version on CD. All files should be clearly labelled.
5. Tables
Tables, which should be referred to in the text, should be supplied as a separate titled file on the CD or, in the case of hard copy, as a separate sheet at the end of the text. They will usually be reproduced without reduction. Heavy rules should be inserted at the head and foot of each table, and fine rules below column headings. Tabs (and not the space bar) should be used to create tables.
6. Illustrations
The best course of action is to submit what you already have and to await any particular requests from the Editors. However, if you are preparing material from scratch for publication, you should consider the following:
Photocopied and, in particular, pre-printed material from books and journals will show a loss of reproduction quality. Pre-printed colour material is unacceptable.
If images are pre-scanned, the resolutions to give best results are 300 dpi for halftones and 1200 dpi for line artwork. Anything at a lower resolution will show a loss of quality on reproduction. The image size should be as large as possible up to A4 size.
Line artwork should have good black lines and no tinted areas which are too fine, as these will close up in reproduction. Including lettering, they should not be too large compared with the size of the journal page.
Electronic line artwork can be accepted in Illustrator or as eps, Tiff or Jpeg files with fonts embedded. All submissions of electronic files must be accompanied by a printout numbered in the same way as in the text and on the files.
Artwork in any other format should be reproduced on good quality paper. <SPAN style="mso-spacerun: yes"> Photographs and other images for halftone reproduction: should, where possible, be black and white. Colour photographs can be transformed to produce black and white images, but do not reproduce well in mono-printing.
Photographs and other halftone images can be accepted on CD. All submissions of electronic files must be accompanied by a printout numbered in the same way as in the text and on the files.
Photographs and other halftone images can also be accepted as glossy bromide prints or laser printer proofs (preferably all of the same size). Each photograph should be identified on the back in soft pencil or label with the contributor’s name and the figure number. In cases where there may be uncertainty about orientation, the top of the photograph should be indicated on the reverse side. The use of paper clips (which mark photographs) should be avoided.
If authors are uncertain about the format of their images, it is advisable to check with the Editor or with the Art Editor, Angela Ashton (email: design@angelaashton.co.uk and Tel: +44 (0) 7967 194 133).
7. Captions
Captions for diagrams, drawings, tables and photographs should be supplied as a separate titled file on the computer disk and, in the case of hard copy, as a separate sheet at the end of the text.
8. Vetting of submissions
On receipt of a submission, the Editors will make an initial decision on its suitability for publication in arq. If the decision is positive, the submission will then proceed to the next stage.
Submissions are sent to suitably qualified persons for comments as appropriate. Subject to these, the Editors will make a final decision on publication. This process of vetting will, wherever possible, be on an anonymous basis.
9. Proofs
Proofs will not normally be sent to contributors. However, where there are problems with final length, once illustrations and drawings are combined with text, authors may be contacted for editing advice.
10. Complimentary copies
Contributors will receive ten free copies of the journal for major papers and three to five copies for other papers. Electronic versions of the pages from which further hard copies may be printed can be made available to contributors. Contact Gwenda Edwards at Cambridge University Press (Email: gedwards@cambridge.org and Tel: +44 (0)1223 325032).
Submissions Checklist
2,000-5,000 words divided into sections with section headings Title page with title, name, full contact details, 28 word abstract and word count Biography of no more than 50 words Referenced following MHRA style guidelines Illustrations and tables in an appropriate format, labelled and with captions on a separate sheet Last updated 19th June 2006
Editorial Board
Editors
Dr Adam Sharr
The Welsh School of Architecture
Cardiff University
Bute Building, King Edward VII Avenue
Cardiff
CF10 3NB
Sharr@cardiff.ac.uk
Professor Richard Weston
The Welsh School of Architecture
Cardiff University
Bute Building, King Edward VII Avenue
Cardiff CF10 3NB
UK
WestonR1@cardiff.ac.uk
Associate Editors
Wayne Forster
Cardiff University, UK
Stephen Kite
Cardiff University, UK
Jo Odgers
Welsh School of Architecture, UK
Associate Editor - Reviews & Insight
Charles Rattray
School of Architecture
University of Dundee
Perth Road
Dundee
DD1 4HT
c.rattray@dundee.ac.uk
Contributing Editor (North America)
Professor Thomas Fisher
University of Minnesota, USA
Contributing Editor (Sweden)
Professor Elizabeth Hatz
Royal Institute of Technology, Stockholm, Sweden
Contributing Editor (Germany)
Louisa Hutton
Sauerbruch Hutton Architects, Berlin, Germany
Contributing Editor (Norway)
Professor Mari Hvattum
Oslo School of Architecture, Norway
Contributing Editor (South Africa)
Ms Hannah Le Roux
University of the Witwatersrand, Johannesberg, South Africa
Contributing Editor (North America)
Professor David Leatherbarrow
University of Pennsylvania, USA
Contributing Editor (Republic of Ireland)
Ms Tarla MacGabhann
MacGabhann Architects, Letterkenny, Ireland
Contributing Editor (Australia)
Professor John Macarthur
University of Queensland, Australia
Contributing Editor (North America)
Professor Mary McLeod
University of Columbia, New York, USA
Contributing Editor (Finland)
Professor Simo Paavilainen
Helsinki University of Technology, Finland
Contributing Editor (UK)
Dr Alan Powers
University of Greenwich, UK
Contributing Editor (North America)
Mr Mohamed Sharif
Koning Eizenberg Architecture, Santa Monica, USA
Editorial Board
Mr Simon Allford
Allford Hall Monaghan Morris, UK
Professor Andrew Ballantyne
University of Newcastle, UK
Dr Peter Blundell Jones
University of Sheffield, UK
Professor Peter Carolin
University of Cambridge, UK
Professor Richard Coyne
University of Edinburgh, UK
Professor Brian Ford
University of Nottingham, UK
Mr David Jenkins
Foster and Partners, UK
Mr Niall McLaughlin
Niall McLaughlin Architects, UK
Dr Jane Rendell
Barlett School of Architecture, UCL, UK
Mr Jonathan Sergison
Sergison Bates Architects, UK
Professor Robert Tavernor
London School of Economics and Political Science, UK
Ms Jane Wernick
Jane Wernick Associates, UK
Professor Iain Boyd Whyte University of Edinburgh, UK
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