期刊名称：PHENOMENOLOGY AND THE COGNITIVE SCIENCES
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Phenomenology and the Cognitive Sciences is an international journal that offers a forum for illuminating the intersections between phenomenology, empirical science, and analytic philosophy of mind.
The journal builds bridges between continental phenomenological approaches in the Husserlian tradition and disciplines that have not always been open to or aware of phenomenological contributions to understanding cognition and related topics. The journal presents work by phenomenologists, scientists, and philosophers who study cognition. In addition the journal offers discussion of methodological issues involving the variety of approaches appropriate for addressing these problems.
Phenomenology and the Cognitive Sciences provides critical review articles that address recent work in areas relevant to the connection between empirical results in experimental science and first-person perspective.
Abstracted/Indexed in:
Academic OneFile, Arts & Humanities Citation Index, Current Abstracts, Gale, Google Scholar, OCLC, PsycINFO, SCOPUS, Summon by Serial Solutions, The Philosopher's Index, TOC Premier
Instructions to Authors
Aims and scope
Phenomenology and the Cognitive Sciences is an interdisciplinary, international journal that serves as a forum to explore the intersections between phenomenology, empirical science, and analytic philosophy of mind.
The journal represents an attempt to build bridges between continental phenomenological approaches (in the tradition following Husserl) and disciplines that have not always been open to or aware of phenomenological contributions to understanding cognition and related topics. The journal welcomes contributions by phenomenologists, scientists, and philosophers who study cognition, broadly defined to include issues that are open to both phenomenological and empirical investigation, including perception, emotion, language, and so forth. In addition the journal welcomes discussions of methodological issues that involve the variety of approaches appropriate for addressing these problems.
Phenomenology and the Cognitive Sciences also publishes critical review articles that address recent work in areas relevant to the connection between empirical results in experimental science and first-person perspective
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Manuscript Submission
Submission of a manuscript implies: that the work described has not been published before; that it is not under consideration for publication anywhere else; that its publication has been approved by all co-authors, if any, as well as by the responsible authorities ¨C tacitly or explicitly ¨C at the institute where the work has been carried out. The publisher will not be held legally responsible should there be any claims for compensation.
Permissions
Authors wishing to include figures, tables, or text passages that have already been published elsewhere are required to obtain permission from the copyright owner(s) for both the print and online format and to include evidence that such permission has been granted when submitting their papers. Any material received without such evidence will be assumed to originate from the authors.
Online Submission
Authors should submit their manuscripts online. Electronic submission substantially reduces the editorial processing and reviewing times and shortens overall publication times. Please follow the hyperlink ¡°Submit online¡± on the right and upload all of your manuscript files following the instructions given on the screen
Title Page
The title page should include:
The name(s) of the author(s)
A concise and informative title
The affiliation(s) and address(es) of the author(s)
The e-mail address, telephone and fax numbers of the corresponding author
Abstract
Please provide an abstract of 150 to 250 words. The abstract should not contain any undefined abbreviations or unspecified references.
Keywords
Please provide 4 to 6 keywords which can be used for indexing purposes.
References
Citation
Cite references in the text by name and year in parentheses. Some examples:
Negotiation research spans many disciplines (Thompson 1990).
This result was later contradicted (Becker and Seligman 1996).
This effect has been widely studied (Abbott 1991; Barakat et al. 1995; Kelso and Smith 1998; Medvec et al. 1993).
Reference list
The list of references should only include works that are cited in the text and that have been published or accepted for publication. Personal communications and unpublished works should only be mentioned in the text. Do not use footnotes or endnotes as a substitute for a reference list.
Reference list entries should be alphabetized by the last names of the first author of each work. Journal article
Harris, M., Karper, E., Stacks, G., Hoffman, D., DeNiro, R., Cruz, P., et al. (2001). Writing labs and the Hollywood connection. Journal of Film Writing, 44(3), 213¨C245.
Article by DOI
Slifka, M.K., Whitton, J.L. (2000) Clinical implications of dysregulated cytokine production. Journal of Molecular Medicine, doi:10.1007/s001090000086
Book
Calfee, R. C., & Valencia, R. R. (1991). APA guide to preparing manuscripts for journal publication. Washington, DC: American Psychological Association.
Book chapter
O¡¯Neil, J. M., & Egan, J. (1992). Men¡¯s and women¡¯s gender role journeys: Metaphor for healing, transition, and transformation. In B. R. Wainrib (Ed.), Gender issues across the life cycle (pp. 107¨C123). New York: Springer.
Online document
Abou-Allaban, Y., Dell, M. L., Greenberg, W., Lomax, J., Peteet, J., Torres, M., Cowell, V. (2006). Religious/spiritual commitments and psychiatric practice. Resource document. American Psychiatric Association. http://www.psych.org/edu/other_res/lib_archives/archives/200604.pdf. Accessed 25 June 2007.
Journal names and book titles should be italicized.
Tables
All tables are to be numbered using Arabic numerals.
Tables should always be cited in text in consecutive numerical order.
For each table, please supply a table caption (title) explaining the components of the table.
Identify any previously published material by giving the original source in the form of a reference at the end of the table caption.
Footnotes to tables should be indicated by superscript lower-case letters (or asterisks for significance values and other statistical data) and included beneath the table body.
Artwork Guidelines
For the best quality final product, it is highly recommended that you submit all of your artwork ¨C photographs, line drawings, etc. ¨C in an electronic format. Your art will then be produced to the highest standards with the greatest accuracy to detail. The published work will directly reflect the quality of the artwork provided
Electronic Figure Submission
Supply all figures electronically.
Indicate what graphics program was used to create the artwork.
For vector graphics, the preferred format is EPS; for halftones, please use TIFF format. MS Office files are also acceptable.
Vector graphics containing fonts must have the fonts embedded in the files.
Name your figure files with "Fig" and the figure number, e.g., Fig1.eps.
Line Art
Definition: Black and white graphic with no shading.
Do not use faint lines and/or lettering and check that all lines and lettering within the figures are legible at final size.
All lines should be at least 0.1 mm (0.3 pt) wide.
Scanned line drawings and line drawings in bitmap format should have a minimum resolution of 1200 dpi.
Vector graphics containing fonts must have the fonts embedded in the files.
Halftone Art
Definition: Photographs, drawings, or paintings with fine shading, etc.
If any magnification is used in the photographs, indicate this by using scale bars within the figures themselves.
Halftones should have a minimum resolution of 300 dpi.
Combination Art
Definition: a combination of halftone and line art, e.g., halftones containing line drawing, extensive lettering, color diagrams, etc.
Combination artwork should have a minimum resolution of 600 dpi.
Color Art
Color art is free of charge for online publication.
If black and white will be shown in the print version, make sure that the main information will still be visible. Many colors are not distinguishable from one another when converted to black and white. A simple way to check this is to make a xerographic copy to see if the necessary distinctions between the different colors are still apparent.
If the figures will be printed in black and white, do not refer to color in the captions.
Color illustrations should be submitted as RGB (8 bits per channel).
Figure Lettering
To add lettering, it is best to use Helvetica or Arial (sans serif fonts).
Keep lettering consistently sized throughout your final-sized artwork, usually about 2¨C3 mm (8¨C12 pt).
Variance of type size within an illustration should be minimal, e.g., do not use 8-pt type on an axis and 20-pt type for the axis label.
Avoid effects such as shading, outline letters, etc.
Do not include titles or captions within your illustrations.
Figure Numbering
All figures are to be numbered using Arabic numerals.
Figures should always be cited in text in consecutive numerical order.
Figure parts should be denoted by lowercase letters (a, b, c, etc.).
If an appendix appears in your article and it contains one or more figures, continue the consecutive numbering of the main text. Do not number the appendix figures, "A1, A2, A3, etc." Figures in online appendices (Electronic Supplementary Material) should, however, be numbered separately.
Figure Captions
Each figure should have a concise caption describing accurately what the figure depicts. Include the captions in the text file of the manuscript, not in the figure file.
Figure captions begin with the term Fig. in bold type, followed by the figure number, also in bold type.
No punctuation is to be included after the number, nor is any punctuation to be placed at the end of the caption.
Identify all elements found in the figure in the figure caption; and use boxes, circles, etc., as coordinate points in graphs.
Identify previously published material by giving the original source in the form of a reference citation at the end of the figure caption.
Figure Placement and Size
When preparing your figures, size figures to fit in the column width.
For most journals the figures should be 39 mm, 84 mm, 129 mm, or 174 mm wide and not higher than 234 mm.
For books and book-sized journals, the figures should be 80 mm or 122 mm wide and not higher than 198 mm.
Permissions
If you include figures that have already been published elsewhere, you must obtain permission from the copyright owner(s) for both the print and online format. Please be aware that some publishers do not grant electronic rights for free and that Springer will not be able to refund any costs that may have occurred to receive these permissions. In such cases, material from other sources should be used.
Accessibility
In order to give people of all abilities and disabilities access to the content of your figures, please make sure that
All figures have descriptive captions (blind users could then use a text-to-speech software or a text-to-Braille hardware)
Patterns are used instead of or in addition to colors for conveying information (color-blind users would then be able to distinguish the visual elements)
Any figure lettering has a contrast ratio of at least 4.5:1
After acceptance
During the production phase the following issues need to be clarified and you will receive the article¡¯s proofs.
Open Choice
In addition to the normal publication process (whereby an article is submitted to the journal and access to that article is granted to customers who have purchased a subscription), Springer now provides an alternative publishing option: Springer Open Choice. A Springer Open Choice article receives all the benefits of a regular subscription-based article, but in addition is made available publicly through Springer¡¯s online platform SpringerLink. We regret that Springer Open Choice cannot be ordered for published articles.
Springer Open Choice
Copyright transfer
Authors will be asked to transfer copyright of the article to the Publisher (or grant the Publisher exclusive publication and dissemination rights). This will ensure the widest possible protection and dissemination of information under copyright laws.
Open Choice articles do not require transfer of copyright as the copyright remains with the author. In opting for open access, they agree to the Springer Open Choice Licence.
Offprints
Additional offprints can be ordered by the corresponding author.
Color illustrations
Online publication of color illustrations is free of charge. For color in the print version, authors will be expected to make a contribution towards the extra costs.
Proof reading
The purpose of the proof is to check for typesetting or conversion errors and the completeness and accuracy of the text, tables and figures. Substantial changes in content, e.g., new results, corrected values, title and authorship, are not allowed without the approval of the Editor.
After online publication, further changes can only be made in the form of an Erratum, which will be hyperlinked to the article.
Online First
The article will be published online after receipt of the corrected proofs. This is the official first publication citable with the DOI. After release of the printed version, the paper can also be cited by issue and page numbers.
Editorial Board
Editors:
Shaun Gallagher
Dept. of Philosophy and Cognitive Sciences, University of Central Florida, Orlando, USA
Dan Zahavi
Dept. of Media, Cognition and Communication & Center for Subjectivity Research, University of Copenhagen, Copenhagen, Denmark
Founding Editor:
Francisco Varela† (1946-2001)
Book Review Editor:
Beata Stawarska, University of Oregon, Eugene, USA
email: stawarsk@darkwing.uoregon.edu
Editorial Committee:
John Barresi, Psychology, Dalhousie University, Canada; Jos¨¦ Luis Berm¨²dez, Philosophy and Neuroscience Program, Washington University, USA; Jonathan Cole, Clinical Neurophysiology, Poole Hospital and Southampton University, UK; Natalie Depraz, Philosophy, University of Rouen, France; Thomas Fuchs, Psychiatry, University of Heidelberg, Germany; Vittorio Gallese, Human Physiology, Istituto di Fisiologia Umana, Universit¨¤ di Parma, Italy; Daniel Hutto, Philosophy, University of Hertsfordshire, UK; Mark Johnson, Philosophy, University of Oregon, USA; Uriah Kriegel, Philosophy, University of Arizona, USA; University of Sydney, Australia; Doroth¨¦e Legrand, Philosophy, CREA, Paris, France; Eduard Marbach, Philosophy, University of Bern, Switzerland; James Morley, Psychology, Ramapo College of New Jersey, USA; Alva Noë, Philosophy, University of California, Berkeley, USA; Søren Overgaard, Philosophy, University of Hull, UK; Josef Parnas, Psychiatry, University of Copenhagen, Denmark; Matthew Ratcliffe, Philosophy, University of Durham, UK; Phillip Rochat, Psychology, Emory University, USA; Louis Sass, Psychology, Rutgers University, USA; Evan Thompson, Philosophy, University of Toronto, Canada; Kathleen Wider, Humanities, University of Michigan-Dearborn, USA.
Advisory Board:
Yoko Arisaka, USA; Renaud Barbaras, France; Bruce B¨¦gout, France; Rudolf Bernet, Belgium; Juan Botero, Colombia; Ronald Bruzina, USA; John Campbell, USA; David Chalmers, Australia; Andy Clark, Scotland; Owen Flanagan, USA; Eugene Gendlin, USA; Ivan Havel, Czech Republic; Peter Hobson, UK; Marc Jeannerod, France; Tomasz Komendzinski, Poland; Sean D. Kelly, USA; Iso Kern, Switzerland; Nam In Lee, South Korea; Anthony Marcel, UK; Dermot Moran, Ireland; Bernard Pachoud, France; Luiz Pessoa, USA; Jean-Luc Petit, France; Jean Petitot, France; Jean-Michel Roy, France; Maxine Sheets-Johnstone, USA; Brian Cantwell Smith, Canada; Galen Strawson, UK; Len Talmy, USA; Max Velmanns, UK; Bernhard Waldenfels, Germany; Donn Welton, USA; Terry Winograd, USA
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