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期刊名称:CONTEMPORARY BRITISH HISTORY

ISSN:1361-9462
出版频率:Quarterly
出版社:ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2-4 PARK SQUARE, MILTON PARK, ABINGDON, ENGLAND, OXON, OX14 4RN
  出版社网址:http://www.routledge.com
期刊网址:http://www.tandf.co.uk/journals/titles/13619462.asp
主题范畴:HISTORY

期刊简介(About the journal)    投稿须知(Instructions to Authors)    编辑部信息(Editorial Board)   



About the journal

Aims & Scope

Contemporary British History offers innovative new research on any aspect of British history - foreign, Commonwealth, political, social, cultural or economic - dealing with the period since the First World War. The editors welcome work which involves cross-disciplinary insights, as the journal seeks to reflect the work of all those interested in the recent past in Britain, whatever their subject specialism. Work which places contemporary Britain within a comparative (whether historical or international) context is also encouraged. In addition to articles, the journal regularly features interviews and profiles, archive reports, and a substantial review section.

Peer Review Policy:
All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.
Disclaimer for scientific, technical and social science publications:
Taylor & Francis makes every effort to ensure the accuracy of all the information (the "
Content"  contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Abstracting & Indexing

Contemporary British History is abstracted/indexed in:

America: History and Life; British Humanities Index; C S A Worldwide Political Science Abstracts (Cambridge Scientific Abstracts); Current Abstracts; Historical Abstracts; Humanities International Index; International Bibliography of the Social Sciences; OCLC; SCOPUS; Sociological Abstracts; Thomson Reuters Arts & Humanities Citation Index

 


Instructions to Authors

Submission

Contemporary British History welcomes submissions that deal with British History since the First World War. The editors invite comparative and cross-disciplinary viewpoints, as well as articles devoted to examining social, political, economic and cultural issues that have affected Britain, including its Empire, Commonwealth and foreign relations, in the twentieth and twenty-first centuries. Contemporary British History encourages innovative approaches to this subject matter, and is keen to publish articles that invigorate the debates associated with modern Britain. Contemporary British History particularly welcomes submissions from scholars in the early stages of their careers. Articles submitted should be original contributions and should not be under consideration for any other publication at the same time. If another version of the article is under consideration for any other publication at the same time, or has been, or will be published elsewhere, authors should clearly indicate this at the time of submission.

Authors should aim to keep their articles at around 8,000, and no more than 10,000, words (including notes and references). The article should be accompanied by an indented and italicised abstract of around 100 words, which should describe the main arguments and conclusions of the article, and a list of 5-6 key words. On a separate cover sheet, the following should be included: details of the author's institutional affiliation, full address and contact information; the exact length of the article; brief (2-3) line biographical description; any acknowledgements.

Each manuscript should be sent electronically to gary.haines@virgin.net

Books for review should be sent to:
James McKay

Dept. of Modern History
University of Birmingham
Edgbaston
Birmingham
B15 2TT
Email:
J.mckay690@btinternet.com

It is the author's responsibility to ensure that where copyright materials are included within an article the permission of the copyright holder has been obtained. Confirmation of this should be included on a separate sheet. Please note that the copyright in articles published in Contemporary British History rests with the publisher.

Referencing

Contemporary British History follows the Chicago Humanities referencing system. More detailed instructions can be found by clicking here (www.tandf.co.uk/journals/pdf/ChicagoStyleGuideHumanities_British.pdf).

Style

  • In quotations the punctuation, capitalisation and spelling of the original should be followed. Use single quotation marks, with double quotation marks only for quotations within quotations. Quotations of 50 words or longer should be indented as a separate block of text without quotation marks.
  • Numbers should be written in full, 10 and over in digits, except in the case of percentages, where numbers should always be used (and per cent should always be spelt out). Numbers over 1,000 should be written with a comma separating every set of three numerals. Eg. 1,000,000
  • Dates should be given in full (25 January 1977), though months should be abbreviated in the notes. Similarly give 'the twentieth century', NOT 'the 20th Century'.
  • Do not use full points in abbreviations like PhD, USA, UK.
  • Contractions ending with the same letter as the original word do not take terminal full stops (for example Mr, Dr, Ltd). However, abbreviations where the last letter of the word is not included do take a terminal full stop (for example ed., p.). Abbreviations of units of measurement do not take a final full stop (for example mm, kg, cm).
  • Do not use apostrophes in, for example, the 1970s, or in straight-forward plurals (MPs, CFCs).
  • Italics should be used for titles and publications (except the Bible and the Koran), plays, films, radio and television programmes, major musical works, paintings or sculptures, Latin genera, mathematical and statistical symbols, non-English words and phrases, and legal cases.
  • Table 1 and Figure 1 should be used when referring to tables and figures in the text.
  • Appendices come after references.
  • Superscript number for Notes in text should follow punctuation.
  • Displayed quote ends with full point. (Smith, 1999, p.2)
Free article access: Corresponding authors will receive free online access to their article through our website (www.informaworld.com) and a complimentary copy of the issue containing their article. Reprints of articles published in this journal can be purchased through Rightslink® when proofs are received. If you have any queries, please contact our reprints department at reprints@tandf.co.uk
Copyright: It is a condition of publication that authors assign copyright or license the publication rights in their articles, including abstracts, to Taylor & Francis. This enables us to ensure full copyright protection and to disseminate the article, and of course the Journal, to the widest possible readership in print and electronic formats as appropriate. Authors retain many rights under the Taylor & Francis rights policies, which can be found at www.informaworld.com/authors_journals_copyright_position. Authors are themselves responsible for obtaining permission to reproduce copyright material from other source
Editorial Board

Editors:

Nicholas Crowson - University of Birmingham, UK
Julian Greaves - University of Birmingham, UK 
Matt Houlbrook - University of Liverpool, UK
Tony Shaw - University of Hertfordshire, UK

Reviews Editor:

James McKay - University of Birmingham, UK

Assistant Editor:

Gary HainesArchivist, Whitechapel Gallery, London UK

Editoral Board:

Lawrence Black - University of Durham, UK
Francesca Carnevali - University of Birmingham, UK
Peter Catterall - Queen Mary, University of London, UK
Becky Conekin - London College of Fashion, UK
Mark Connelly - University of Kent, UK
James Cronin - Boston College, USA
Martin Daunton - Trinity Hall, University of Cambridge, UK
Andrew Davies - University of Liverpool, UK
Jon Davis - Queen Mary, University of London, UK
John Dumbrell - University Of Leicester, UK
David J. Dutton - University of Liverpool, UK
James Ellison - Queen Mary College, University of London, UK
Michael S. Goodman - King's College London, UK
Sean Greenwood -
Canterbury Christ Church University, UK
Matthew Hilton - University of Birmingham, UK
Edward Johnson - University of Central England, UK
Tony Richards - Imperial War Museum, UK
Kevin Ruane - Canterbury Christ Church University, UK
Catherine Schenk - University of Glasgow, UK
Peter Scott - University of Reading, UK
Andrew Thorpe - University of Exeter, UK
Jim Tomlinson - University of Dundee,UK
Frank Trentmann - Birkbeck College, UK
Katherine Watson - University of Birmingham, UK




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