期刊名称：ANIMATION-AN INTERDISCIPLINARY JOURNAL
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
animation:an international journal has recently been accepted into the Arts & Humanities Citation Index (AHCI)! The impact factor is forthcoming.
"animation: an interdisciplinary journal promises not only an interdisciplinary and international scope, but also - and most significant at this historical moment - to re-mediate and inter-mediate a range of moving image platforms and to re-think the premises that have thus far found it proper to separate the 'mashed potatoes' of film theory from the 'peas' of animation theory and the 'carrots' of digital media theory. Indeed, animation: an interdisciplinary journal promises to provide us an exceedingly full and intellectually satisfying plate." Vivian Sobchack Professor of Film, Television and Digital Media, University of California, Los Angeles, USA
animation: an interdisciplinary journal provides the first cohesive international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice.
The journal's scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
animation: an interdisciplinary journal is essential and stimulating reading for academics, researchers, students, curators and practitioners in animation, film and media studies, cultural studies, critical theory, architecture, art & design, computer sciences, games studies and visual culture.
Electronic Access:
Animation is available electronically on SAGE Journals Online at http://anm.sagepub.com
Aims and Scope:
Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice.
The journal's scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future. Special features include new theories and methodologies, radical contemporary practice, microanalyses of individual films, archive news, teaching, learning and research resources and industrial innovations foregrounding specific disciplines and their interrelations with others.
Animation: An Interdisciplinary Journal is a dynamic forum for promoting exchange between a multitude of disciplines and will facilitate a much-needed academic dialogue for the interdisciplinary nature of animation studies. It is essential and stimulating reading for academics, researchers, students, curators and practitioners in animation, film and media studies, cultural studies, critical theory, architecture, art & design, computer sciences, games studies and visual culture. The journal encourages both established and emerging scholars.
Instructions to Authors
Articles of 5000-7000 words should be sent to the editors below (please also read important guidelines below all addresses):
UK/Europe:
Suzanne Buchan, Editor
animation: an interdisciplinary journal
Animation Research Centre
University for the Creative Arts
Falkner Road
Farnham, Surrey GU9 7DS, UK
Email: sbuchan@ucreative.ac.uk
USA:
Mark Bartlett, Associate Editor
animation: an interdisciplinary journal
2936 Schyler St #7
Oakland, CA 94602, USA
Email: mark@globalpostmark.net
East Asia:
Joon Yang Kim, Associate Editor
animation: an interdisciplinary journal
Department of Animation
Korean National University of the Arts
120-3 Yesul-gil
Seokgwan-dong, Seongbuk-gu
Seoul 136-716, Republic of Korea
Email: joonyangkim@yahoo.kr
Australasia
Angela Ndalianis, Associate Editor
animation: an interdisciplinary journal
Screen Studies
School of Culture and Communication
Room G31
Elisabeth Murdoch Building
University of Melbourne
Victoria 3010, Australia
Email: angelan@unimelb.edu.au
Reviews: animation: an interdisciplinary journal includes a section in which books, conferences, events and other significant contributions to the field are reviewed. This includes both essay length and shorter contributions. Books for review and manuscripts of reviews (about 800-1200 words) should be sent to:
Reviews editor
Paul Ward
School of Media
Arts Institute at Bournemouth
Wallisdown
Poole, Dorset BH12 5HH
UK
Email: pward@aib.ac.uk
Manuscript submission guidelines
All papers submitted to animation: an interdisciplinary journal are subject to peer review by members of the appointed Editorial Board and may include members of the Editorial team. It adheres to a single-blinded peer review process in which the reviewer’s name is routinely withheld from the author unless the reviewer requests their identity to be revealed. Peer Review Process: Each manuscript is reviewed by at least two referees for the scientific content and presentation of submitted articles. All manuscripts are reviewed as rapidly as possible, and an editorial decision is generally reached within 4-6 weeks of submission.
Authors may suggest the names, affiliations and contact information of up to three individuals who may be suitable to serve as referees, but the Editors are under no obligation to use all or any of these individuals as reviewers.
All manuscripts are reviewed initially by the Editors and only those that approach the scientific and editorial standards of the journal, and fit within the aims and scope of the journal, will be sent for outside review.
Submissions to the Interstices section will be peer reviewed by the Editorial team, and in some instances other reviewers may be called upon.
Submission of mss: two identical copies of the manuscript, each fully numbered, labelled and typed in double spacing throughout, on one side only of white A4 or US standard size paper, plus CD or disk and email versions of the article, should be provided.
Covering letter: please attach to every submission a letter confirming that all authors have agreed to the submission and that the article is not currently being considered for publication by any other journal.
Format of mss: Each manuscript should contain:
(i) title page with full title and subtitle (if any). For the purposes of blind refereeing, the full name of each author with current affiliation and full address/phone/fax/email details plus short biographical note should be supplied on a separate sheet.
(ii) abstract of 100-150 words
(iii) up to 10 key words
(iv) main text and word count - suggested target is 5000-7000 words. Text to be clearly organized, with a clear hierarchy of headings and subheadings and quotations exceeding 40 words displayed, indented, in the text
(v) end notes, if necessary, should be signalled by superscript numbers in the main text and listed at the end of the text before the references
(vi) references should be cited in the text as: (author, date: page)
(vii) an alphabetical references section should follow the text (and end notes if any), formatted as follows:
Book
Surname, X.X. and Surname, Y. (year) Title with Initial Caps: Subtitle with Initial Caps. Place: Publisher.
Article in book
Surname, X.X. (year) 'Title of Chapter', in X. Surname and Y. Surname (eds) Title of Book, pp. xxx-xxx. Place: Publisher.
Journal article
Surname, X.X. (year) 'Title of Article', Name of Journal vol.no.(issue no.): xx-xxx [page range].
Paper
Surname, X.X. (year) 'Title of Paper', paper presented at Name of Conference, City, Month of presentation.
Website
Surname, X. (year) 'Title of Article', Name of Journal vol.no.(issue no.), URL (consulted Month, Year): http:/xxxx.xxxx.xx.xx/xxxx/xxxx
Tables: tables should be typed (double line-spaced) on separate sheets and their position indicated by a marginal note in the text. All tables should have short descriptive captions with footnotes and their source(s) typed below the tables.
Illustrations: all line diagrams and photographs are termed 'Figures' and should be referred to as such in the manuscript. They should be numbered consecutively and presented in a form suitable for immediate reproduction (i.e. not requiring redrawing), each on a separate A4 sheet. They should be reproducible to a final printed text area of 205 mm x 130 mm. Illustrations on disk should be supplied as TIF or JPEG files scanned in at high resolution (300 dpi) to a size of 205 mm x 130 mm. Images should be provided separately, i.e. not embedded in a Word document. Photographs should preferably be submitted as clear, glossy, unmounted black and white prints with a good range of contrast. Slides are also acceptable, black and white if possible. All figures should have short descriptive captions typed on a separate sheet. Further details are available on the journal website [http://anm.sagepub.com] or from Journal Production, SAGE. Also see Copyright section below.
Style: use a clear readable style, avoiding jargon. If technical terms or acronyms must be included, define them when first used. Use non-racist, non-sexist language and plurals rather than he/she.
Spellings: UK or US spellings may be used with '-ize' spellings as given in the Oxford English Dictionary (e.g. organize, recognize).
Punctuation: use single quotation marks with double quotes inside single quotes. Present dates in the form 1 May 1998. Do not use points in abbreviations, contractions or acronyms (e.g. AD, USA, Dr, PhD).
Disks: on acceptance of your manuscript for publication, you will be asked to supply another diskette or CD (IBM-compatible or Mac) of the final version.
Copyright: before publication authors are requested to assign copyright to SAGE, subject to retaining their right to reuse the material in other publications written or edited by themselves and due to be published preferably at least one year after initial publication in the Journal.
Proofs and offprints: authors will receive proofs of their articles and be asked to return their corrections within 2 weeks. They will receive a complimentary copy of the journal and an electronic offprint of their article.
English Language Editing Services: Please click here for information on professional English language editing services recommended by SAGE
Editorial Board
Associate Editors:
Mark Bartlett Independent Scholar, USA
Joon Yang Kim Korean National University of Arts, Republic of Korea
Angela Ndalianis University of Melbourne, Australia
Reviews Editors:
Paul Ward Arts Institute at Bournemouth, UK
Editorial Board:
Scott Bukatman Stanford University, CA, USA
Edwin Carels KASK, Royal Academy of Fine Arts, Hogeschool Gent, Gent, Belgium
Noël Carroll Temple University, USA
Alan Cholodenko University of Sydney, Australia
Donald Crafton University of Notre Dame, USA
Jonathan Crary Columbia University, USA
Simon Critchley New School University, USA
Sean Cubitt University of Melbourne, Australia
Andrew Darley University College for the Creative Arts, Farnham, UK
Thomas P Elsaesser University of Amsterdam, Netherlands
Erwin Feyersinger University of Innsbruck, Austria
Felice Frankel Massachusetts Institute of Technology, USA
Seth Giddings University of The West of England, UK
Marcin Gizycki Bielsko College of Business and Computer Science, Poland
Jean Paul Goergen Society for Animation Studies, Germany
Tom Gunning University of Chicago, USA
Vinzenz Hediger Ruhr-University Bochum, Germany
Alastair Herron University of Ulster, UK
Joon-Yang Kim Korean Academy of Film Arts, Republic of Korea
Norman Klein Art Center College of Design, USA
Jan Korvink IMTEK, University of Freiburg, Germany
Mark Langer Carleton University, Canada
John Lent Temple University, Pennsylvania
Esther Leslie Birkbeck College, UK
Lev Manovich University of California, San Diego
Sekhar Mukherjee National Institute of Design, India
Michael O'Pray University of East London, UK
Tsvika Oren The Animation Center, Israel
Jayne Pilling Royal College of Art, UK
Karl Sierek Friedrich-Schiller University in Jena, Germany
Jeffrey Skoller University of California, Berkeley, USA
Vivian Sobchack University of California, Los Angeles, USA
David Surman University of Wales, Newport, UK
Margrit Tröhler University of Zurich, Switzerland
Gigi Hu Tze-Yue University of Oklahoma, USA
Stanislav Ulver Film and TV School of the Academy of Performing Arts, Czech Republic
Karin Wehn University of Leipzig, Germany
Paul Wells Loughborough University, UK
Aylish Wood University of Kent, UK
Jonathan Woodham University of Brighton, UK
Hans J Wulff The Christian-Albrechts-Universität in Kiel, Germany
Alicia Guerrero Yeste BTBW Architects, Spain
Siegfried Zielinski Academy of Media Arts Cologne, Germany
| 
字顺( Alphabetical List of Journals):