期刊名称:WINTERTHUR PORTFOLIO-A JOURNAL OF AMERICAN MATERIAL CULTURE
期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
About the Journal
Published since 1964, Winterthur Portfolio is an interdisciplinary journal committed to fostering knowledge of the American past by publishing articles on the arts in America and the historical context within which they developed. Arts is used in its broadest sense to include all the products of human ingenuity that satisfy functional, aesthetic, or symbolic needs. Preference is given to articles that are analytical rather than descriptive and to studies that integrate artifacts into their cultural framework.
To encourage the application of new methods of investigation or analysis as well as new interpretations, contributions are invited from such diverse fields as art history, architectural history, decorative arts, material culture, American studies, literature, folk studies, cultural geography, ethnology, anthropology, archaeology, and social, economic, technological, and intellectual history. The range of acceptable subjects is suggested by, but not limited to, the following: artists and artisans, architecture and landscape design, technology and trade, fashion and folkways, style and taste, customs and habits, manners and rituals-all relating to how people make and use objects to create or sustain environments.
Instructions to Authors
Information for Contributors
Winterthur Portfolio is an interdisciplinary journal committed to fostering knowledge of American past by publishing articles on the arts in America and the historical context within which they developed. Arts is used in its broadest sense to include all the products of human ingenuity that satisfy functional, aesthetic, or symbolic needs. Preference is given to articles that are analytical rather than descriptive and to studies that integrate artifacts into their cultural framework.
To encourage the application of new methods of investigation or analysis as well as new interpretations, contributions are invited from such diverse fields as art history, architectural history, decorative arts, material culture, American studies, literature, folk studies, cultural geography, ethnology, anthropology, archaeology, and social, economic, technological, and intellectual history. The range of acceptable subjects is suggested by, but not limited to, the following: artists and artisans, architecture and landscape design, technology and trade, fashion and folkways, style and taste, customs and habits, manners and rituals--all relating to how people make and use objects to create or sustain environments.
Authors are asked to submit three copies of their double-spaced typed manuscripts and include 8-by-10-inch glossy black and white photographs of reproducible quality or clear photocopies.
Manuscript acceptance policy: While it is our policy to require the assignment of copyright on articles, we do not usually request assignment of copyright for other contributions. Although the copyright to such a contribution may remain with the author, it is understood that, in return for publication, the journal has the nonexclusive right to publish the contribution and the continuing right, without limit, to include the contribution as part of any reprinting of the issue or volume of the journal in which the issue or volume may be reproduced by the publisher or by its licensed agencies. It is also understood that, upon submission and acceptance, the author will abide by the journal's editorial style.
Correspondence concerning contributions should be addressed to:
Editor Winterthur Portfolio Winterthur, DE 19735
Editorial Board
Editorial Board
Katherine C. Grier Executive Editor |
Amy Earls Managing Editor |
Stephen Deusner Production Assistant |
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Laura Johnson Graduate Assistant |
Advisory Board |
Gretchen Townsend Buggeln, Valparaiso University Richard L. Bushman, Columbia University James Curtis, University of Delaware J. Ritchie Garrison, University of Delaware Paul Groth, University of California Bernard L. Herman, University of Delaware Patricia E. Kane, Yale University Art Gallery |
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Margaretta M. Lovell, University of California¨CBerkeley Karal Ann Marling, University of Minnesota Ann Smart Martin, University of Wisconsin¨CMadison Katharine Martinez, Harvard University Robert Blair St. George, University of Pennsylvania Laurel Thatcher Ulrich, Harvard University Shirley T. Wadja, Kent State University |
Gerald W. R. Ward, Museum of Fine Arts, Boston |
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