期刊名称:TEXTUAL PRACTICE
期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
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Aims & Scope
Since its launch in 1987, Textual Practice has been Britain's principal international journal of radical literary studies, continually pressing theory into new engagements. Today, as customary relations among disciplines and media are questioned and transformed, Textual Practice works at the turning points of theory with politics, history and texts. It is intrigued by the processes through which hitherto marginal cultures of ethnicity and sexuality are becoming conceptually central, and by the consequences of these diverse disturbances for educational and cultural institutions.
Instructions to Authors
Instructions for Authors:
***Note to Authors: please make sure your contact address information is clearly visible on the outside of all packages you are sending to Editors.***
Authors should submit two complete copies of their paper, in English, to Peter Nicholls, Textual Practice, Arts Building, University of Sussex, Falmer, Brighton BN1 9QN. It will be assumed that authors will keep a copy. Submission of a paper to Textual Practice will be taken to imply that it presents original, unpublished work not under consideration for publication elsewhere. In order to ensure both the widest possible distribution and the most secure protection for the articles in TP, contributors will be asked to assign copyright to the journal. This will not restrict contributors' republication of their own work after twelve months have elapsed.
The manuscript Submissions should be typed in double spacing on one side only of the paper, preferably A4 size, with a 4 cm margin on the left-hand side. Articles should normally be of between 7000 and 8000 words in length. Tables should not be inserted in the pages of the manuscript but should be on separate sheets. The desired position in the text for each table should be indicated in the margin of the manuscript.
Photographs Photographs should be in high-contrast black-and-white glossy prints. Permission to reproduce them must be obtained by authors before submission, and any acknowledgements should be included in the captions.
References These should be numbered consecutively in the text, thus: 'According to a recent theory, ?, and collected at the end of the paper in the following styles, for journals and books respectively:
John Hartley and John Fiske, 'Myth-representations: a cultural reading of News at Ten' Communication Studies Bulletin, 4 (1977), pp. 12-33.
Christopher Norris, The Deconstructive Turn (London and New York: Methuen, 1983).
Proofs Page proofs will be sent for correction to the first-named author, unless otherwise requested. The difficulty and expense involved in making amendments at the page proof stage make it essential for authors to prepare their typescripts carefully, any alterations to the original text are strongly discouraged. Our aim is rapid publication: this will be helped if authors provide good copy, following the above instructions, and return their page proofs as quickly as possible.
Free article access: Corresponding authors will receive free online access to their article through our website (www.informaworld.com) and a complimentary copy of the issue containing their article. Reprints of articles published in this journal can be purchased through Rightslink?when proofs are received. If you have any queries, please contact our reprints department at reprints@tandf.co.uk
Editorial Board
Editorial Board
Editor:
Peter Nicholls - University of Sussex, UK
Reviews Editor:
Laura Marcus - University of Sussex, UK
North American Associate Editor:
Craig Dworkin - University of Utah, USA
Australian Associate Editor:
Bill Ashcroft - University of New South Wales, Australia
Sussex Advisory Board:
University of Sussex, UK Peter Boxall Denise DeCaires Narain Margaret Healy Paul Davies Elena Gualtieri Maria Lauret Vincent Quinn Andrew Hadfield
Editorial Board:
Isobel Armstrong - Birkbeck College, London, UK Rachel Bowlby - University College London, UK Peter Brooker - University爋f Nottingham, UK Joseph Bristow - University of California at Los Angeles, USA Terry Castle - Stanford University, USA Teresa de Lauretis - University of California at Santa Cruz, USA Jonathan Dollimore - University of York, UK John Drakakis - University of Stirling, UK Terry Eagleton - University of Manchester, UK John Frow - University of Melbourne, Australia Helena Grice - University of Wales Aberystwyth, UK Terry Hawkes - University of Wales Cardiff, UK Mary Jacobus - Churchill College, Cambridge, UK Cora Kaplan - University of Southampton, UK Declan Kiberd - University College, Dublin, Ireland Ania Loomba - University of Pennsylvania, USA Anne McClintock - New York University, USA Willy Maley - University of Glasgow, UK Doug Mao - Cornell University, USA Peter Middleton - University of Southampton, UK Drew Milne - Trinity Hall, Cambridge, UK Simon Morgan-Wortham - University of Portsmouth, UK Richard Ohmann - Wesleyan University, USA Rachel Potter - Queen Mary, University of London, UK Marjorie Perloff - Stanford University, USA Jean-Michel Rabat?/strong> - University of Pennsylvania, USA David Rogers - University of Kingston, UK Simon Shepherd - Central School of Speech and Drama, London, UK Alan Sinfield - University of Sussex, UK Patricia Waugh - University of Durham, UK
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