期刊名称：TEMPO
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
Aims and Scope
Tempo is the premier English-language journal devoted to 20th-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.
Instructions to Authors
Tempo
Article suggestions or submissions, correspondence relating to articles and correspondence for
publication, should be sent in the first instance by email to the Editor at macval@compuserve.com;
articles should preferably be in the form of a MS Word Document. Correspondents unable to email may
use the editorial postal address at PO Box 171, Herne Bay, Kent CT6 6WD.
Articles should generally be no more than 5,000 words in length. If their nature calls for it, they may be
illustrated by music examples, photographs or facsimiles. Normally we prefer articles to contain no more
than six examples and/or tables and one or two photographs and/or facsimiles. These should be provided
in electronic format if possible. Submission of an article will be taken to imply it has not previously been
published in English, and is not being considered for publication by another journal or as part of a book.
Exceptions to this, as also to word-lengths and number and format of illustrations, should be discussed in
correspondence with the Editor.
It is not practicable to formulate rules covering the very wide range of material that Tempo publishes, but
the following guidelines may be helpful. Articles should be formatted with footnotes (not end-notes),
fully justified. Single quotation marks should be used for quotations within main text, double quotation
marks for quotations within a quotation. (Longer quotations may be set as smaller type without single
quotes; this will be the Editor's decision.) Contributors from North America may use North American
spellings. Dates should follow the model: c. 1999, 1990s, 31 December 1999. Bibliographic citations
should follow the pattern:
Douglas Jarman, 'Weill and Berg: Lulu as Epic Opera' in Kowalke (ed.), A New Orpheus: Essays on Kurt
Weill (New Haven and London: Yale University Press), pp.147ff.
Authors wishing to submit reviews of books, recordings, performances and conference reports may only
do so after prior discussion with the Editor. Tempo is pleased to receive suggestions for review topics but
will tend to commission reviews in advance.
Authors of articles published in Tempo assign copyright to Cambridge University Press (with certain
rights reserved) and will receive a copyright assignment form for this purpose. First proofs of
contributions (but not, except in special cases, of Letters to the Editor) will be sent to authors for
correction, and should be returned within three days of receipt. Corrections should be confined to
typographical errors and matters of fact: larger corrections must be discussed on an individual basis with
the Editor.
Instructions to Authors
TEM_ifc.pdf
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Editorial Board
Editorial Board Editor
Calum MacDonald
Tempo
PO Box 171
Herne Bay
CT6 6WD
UK
Email macval@compuserve.com Advisory Board
Rachel Beckles Willson
University of London, UK
Jonathan Cross
University of Oxford, UK
David Drew
London, UK
Christopher Hailey
University of Princeton, NJ, USA
Peter Hill
University of Sheffield, UK
Elke Hockings
Mölndal, Sweden
Stephen Johnson
Herefordshire, UK
Lyudmila Kovnatskaya
University of St Petersburg, Russia
David Matthews
London, UK
Mr Gerard McBurney
London, UK
David Schiff
University of Portland, USA
Howard Skempton
Leamington Spa, UK
Chris Walton
University of Pretoria, South Africa
Arnold Whittall
King’s College London, UK
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