期刊名称：TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES
 期刊简介(About the journal)
投稿须知(Instructions to Authors)
编辑部信息(Editorial Board)
About the journal
TDR focuses on performances in their social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers dance, theatre, performance art, visual art, popular entertainment, media, sports, rituals, and performance in politics and everyday life. Long known as the basic resource for keeping up with performance studies in all aspects, TDR continues to be a lively forum of debate on important performances in every medium, setting, and culture.
Each fully-illustrated issue includes:
- articles on theatre, dance, popular entertainments, rituals, and other genres of performance
- original contributions to performance theory
- editorial comments and reports on performances and books
- articles by social scientists, theorists, artists, and critics
- interviews with performers, choreographers, directors, and performance artists
- texts of performance works
- translations of important new and decisive archiva writing on performance
Instructions to Authors
Submission GuidelinesWriters may also want to visit our Book Review Submission Guidelines.
Subject Matter
TDR is about performance in any of its many aspects: theatre, dance, music, film, video, rituals, play, sports, performance in everyday life. We publish accounts of particular performances, theoretical articles that draw on many different kinds of performances, articles on the works of individual artists, performance and book criticism, ethnographic accounts, polemics, and manifestos. We are actively intercultural, interdisciplinary, and progressive; we favor writing about experimental performances, performances with political or social relevance, and performance from various parts of the world. We are not interested in drama as such-the analysis of play texts with no reference to their actual life in performance. The best way to measure the scope of TDR is to look at recent issues.
Submission Methods
Email
TDR prefers electronic submissions. Please put your email address on the first page under the author's name and please attach your article and abstract to an email to tdr@nyu.edu, following the same formatting guidelines as those for submitting via disk. In the body of the email, please be sure to include your contact information: address(es), phone number(s), fax number, and email address.
Disk
If you prefer to submit your article non-electronically, you may send a disk and hard copy to TDR. All submissions should follow TDR format guidelines (see Manuscript below). Please send your article on a 3.5?diskette or a CD for PC, preferably in at least Microsoft Word ?7 for PC, with software and author name on label. With your hard copy, please include a cover sheet with your address(es), phone number(s), fax number, email address. If you submit a typed manuscript, it will not be returned unless you include an SASE. *If you are submitting materials to supplement the online version of TDR (i.e. video clips, etc.), please contact our office for multimedia guidelines.
Submission Format
Abstract
Please include a 70-100 word abstract of your article for publication on TDR's webpage. For examples of these abstracts, please refer to TDR online: http://mitpress.mit.edu/TDR
Artwork
Send as much art as you can so that we can make a selection. Artwork will be returned after publication.
Artwork Captions
Fully caption and credit all artwork. Captions should include title, date, and venues; names of performers,
directors, authors; and photographer or photo credit. They may also include a brief description or comment, for example:
1. Left to right: Shirley Cheecho, Alejandro Ronceria, Gloria Miguel in Son of Ayash (1991) by Jim Morris,
directed by Raoul Trujillo at the Native Canadian Centre. (Photo by Greg Staats)
Images
Duplicate all artwork before sending. We accept high-contrast glossy photos, slides, video grabs, and/or
camera-ready graphics with your article. We also accept videos for possible use online (please request a copy of our
multimedia guidelines). Duplicate slides before sending. Retain photo negatives. Do not send images in Microsoft Word
or Powerpoint.
Images scanned to a Zip Disk
When scanning images, set scan as large as possible. Scan color images twice, once in color and once in black and white.
Photos should have a minimum of 266 dpi. Line art should have between 800 and 1200 dpi. Save files as .tiff files,
or if necessary, .jpeg files. Be sure to send hard copies of the scanned image along with the disk.
Manuscript Style Guidelines
Commas: Use serial commas before "and": apples, oranges, and grapes.
Dashes: Use computer-generated N and M dashes if possible. Otherwise use two hyphens for N dashes, three hyphens for M dashes.
Dates: Day month year (no commas): 1 September 1992. Spell out months: January 1984. Decades: In the 1960s; the '60s; 20th century.
Ellipses: Bracket ellipses that indicate author's or editor's deletion: [...]
Endnotes: Use computer-generated endnotes only (no footnotes). Place before References.
Font: Courier (or Courier New), 12 pt
Gender and Ethnicity: We do not use masculine pronouns as universal; avoid "s/he" and "he" or "she"; use gender-neutral nouns. Ethnicity as per Chicago Manual of Style, 14th ed., p. 246, section 7.33. Unless you specify otherwise, we will edit accordingly.
Interviews: The last name of the speaker in all caps followed by a colon: JONES: I said. . .
Italics: Use computer-generated italics, no underlines (see Titles).
Margins: 1" on all sides with a .5" header and footer.
Non-English Words and Proper Names: Italicize non-English words on first use only. We rely on authors for accurate use of diacriticals; they must be computer-generated. For non-English language productions, give the title of the production first, then parenthetically in English: Maitu Njugira (Mother Sing for Me, 1981).
Numbers: Spell out numbers from one to ten. Use numerals for numbers 11 and higher.
References and citations: Place references after endnotes, at the end of document. Please do not put references in endnotes. Reference according to the author-date system in the 14th edition of the Chicago Manual of Style. For citations within the text, see p. 645, section 16.3: (Miller 1993:143-45) or (Miller 1993) or (see Miller 1993). All references must be cited in the text. List sources by one author chronologically:
?Anthology
MacGregor, Robert
1966 "Further Entries for a Chronology." In Stanislavsky and America, edited by Erica Munk, 178-81. New York: Hill and Wang.
?Book
Stanislavsky, K.S.
1924 My Life in Art. Translated by J.J. Robbins. Boston: Little, Brown, & Co.
?Journal
Senelik, Laurence
1981 "Stanislavsky's Double Life in Art." Theatre Survey 22, 2:5-7.
?Newspaper
Stearns, David Patrick
1991 &nsbp; "Bending Genders." USA Today, 14 August:D1-2.
?Original date
Murdoch, John
1897 [1892] Ethnological Results of the Point Barrow Expedition. Washington, DC: Smithsonian Institution Press.
?Same Year/Same Author; Interview; Personal correspondence
Manet, Eduardo
1991a Interview with author. Paris, 21 May. 1991b Personal correspondence. 2 October.
?Sound
Strasberg, Lee
1956-1969 The Actors Studio Sound Recording No. 339A, Madison: Wisconsin Center for Film and Theater. Research at the State Historical Society of Wisconsin.
?Webpage
ProjectInterflora 1997 "M15 Manipulation of the masses." http://www.sunburst.demon.co.uk/di.html Spacing: Double-space all text, including endnotes, extracts, and reference lists. Type only one letter space after periods and colons.
Titles: Italicize books, performances, operas, movies, T.V. and radio programs, paintings, sculptures, dances, and epic poems. In quotation marks: articles, unpublished works, TV & radio episodes, poems, and songs. Follow first mention of any performance or artwork with a date.
Thank You!
Due to the recent volume of submissions, the evaluation process will take between three and six months. Please feel free to contact our office with any questions. We look forward to receiving your submission.
The TDR Editorial Staff
721 Broadway 6th Floor
New York, NY 10003
Tel: 212.998.1626
Fax: 212.998.1627
TDR@nyu.edu
Editorial Board
Editorial InfoEditorial Address
Mariellen Sandford, Associate Editor
TDR/The Drama Review
New York University/Tisch School of the Arts
721 Broadway, 6th Floor
New York, N.Y. 10003-6807
Tel: 212-998-1626
Fax: 212-998-1627
TDR@nyu.edu
Editor
Richard Schechner
Associate Editor
Mariellen R. Sandford
Managing Editor
T. Nikki Cesare
Assistant Editor
Anurima Banerji
Book Review Editor
Jenn Joy
Critical Acts Editor
T. Nikki Cesare
Provocations Editor
Tracy C. Davis
Editorial Assistant
Justine Shih Pearson
Contributing Editors
- Philip Auslander
- Eugenio Barba
John Bell
Augusto Boal
Guillermo Gómez-Peña
Barbara Kirshenblatt-Gimblett
Rebecca Schneider
William H. Sun
Diana Taylor
Ngugi wa Thiong'o
Tadashi Uchino
Suzanne Winnacker
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